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seventyeight_sundays's review against another edition
adventurous
informative
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.0
hudsone45's review against another edition
adventurous
dark
emotional
mysterious
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
If it wasn’t for all of the talk about wanting to be inside of people, I might have given it a 5. I enjoyed the plot, I enjoyed Declan and Hatsu, but oh my goodness it felt like all they thought about was making babies.
yasmeen_books's review against another edition
adventurous
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.5
bethtabler's review against another edition
5.0
Few authors have had the effect that Raymond Feist has had on the fantasy genre. He is as synonymous with grand fantasy novels as Stephen King is with horror. As of right now, Feist has written 30+ books, most notably the Riftwar Cycle. A collection of fantasy stories that revolve around the world of Midkemia and Kelewan. However, Feist's newest series, The Firemane Saga, has the potential to be as widespread and loved as the Riftwar Cycle.
“The queen had a late child, yes . . . ,” said Daylon. He let out a long sigh. “Most likely it died during the taking of the villa. They threw babies from the cliffs to the rocks when the household was slaughtered. Perhaps he was one.”
The first book of the series, King of Ashes, details the fall of the Ithrace kingdom through great treachery. For more than a century, the five nations worked in partnership with each other to build a world of great prosperity. This is especially true of the Ithrace kingdom. They are known for the beauty of the land and a love of the arts and wealth that far exceeds the other four kingdoms. It indeed was a magnificent kingdom of milk and honey. The King of Ashes begins with a prologue after the great betrayal, and Ithrace is burning to the ground. The King of Ithrace, Steveren Langene, and his entire family are brought onto a stage and unceremoniously had their throats cut. The aim was to destroy every Firemane member and eradicate the family line.
But they missed one... and this is how a great fantasy story begins.
"So he had betrayed a man he loved like a brother to spare his people future ravages. As the priests of the One God would say, Daylon had made his pact with the Dark One; he had sold his soul."
The last Firemane child, a baby, is spirited away from the burning city under cover of darkness to the land of the island nation of Coaltachin. Coaltachin, a secret people specialing in spying, thieving, and information gathering, is taking custody of the child until the child turns 17. From there, the Baron Daylon Dumarch will take back the child and explain to him his lineage if all goes to plan.
King of Ashes officially begins 16 years after the betrayal of Ithrace with the perspective of 16-year-old Hatu. There are a variety of viewpoints given in the story. This adds a certain roundness to the narrative and the ability to take in new perspectives. However, the majority of the viewpoints are from Hatu, Declan, and Hava. At this point, Hatu and Hava are dear friends and students at Coaltachin. At the same time, Declan is a journeyman smith finishing off his first masterpiece to claim Master smith in another town. Hatu, as a character, is young, impulsive, and angry. Although he has, through necessity, figuring out ways to calm the ever-present anger that boils inside of him, it still is there. Declan is in a lot of ways, the opposite of Hatu. Where Hatu is impulsive, Declan is steadfast. Where Hatu burns hot, Declan cools down to ice. It is ironic in the case of Declan when his life is on the line, and he must battle, he boils his mind down to a single point of action. He is ruthless, cold, and efficient. Both of the characters' lives slowly spin and swirl towards each other.
"He was content to rise or fall on his own ability, but when he failed due to lack of information, Hatu flew into a rage—often at himself for not acquiring the knowledge, or at others for not providing it. Unreliable information was what he hated most."
The world-building of King of Ashes is thoughtful, expansive, and detailed. A well thought out world is Feist's wheelhouse. Although his stories tend to be character-based, Feist gives a perfect amount of detail to his worlds so that the reader can get a clear picture in their head. Any missing information can be filled in by imagination. The characters are highly detailed, and the dialog does not ever have a forced or static feel to it—the bane of many fantasy books. Feist's characters tend to speak like humans and have human reactions. Honestly, Raymond Feist is a master at this kind of fantasy. You would think that a lost child destined to save the world, might be a little tropey. In any other hands, it probably would be. But this is Feist, and he could write a phone book and have it be engaging.
"Declan said, “One last thing, my lord.” “Yes?” said Daylon, turning to Declan. “My master said that I needed to see you to honor his pledge.” “Who was your master?” “Edvalt Tasman.” Daylon looked at his half brother, who raised an eyebrow and gave him a short nod. Daylon was silent for a moment, then said, “He was as gifted a smith as I’ve ever known. I made him promise he’d send me his best apprentice. So, that would be you?” “He judged me fit to be named master,” said Declan. “I was an orphan and he was like a father to me, and so because of that, I honor his pledge to you, my lord.” Daylon was again silent, then he said, “You tell me this more from duty than from any desire to seek service.” “Truth to tell, my lord, I promised him I would do this, but my ambition is to set up my own forge and be my own man.”
Pacing-wise, this book is a slower burn. It balances giving enough information to the reader while keeping the pace moving. This isn't easy in the first book of a series. Feist does this generally very well. But at points, in the story, the pacing lags a bit, especially in the beginning. I want to get to know these characters; I want more from them. But Feist teases the readers with glimpses. One of the most interesting and I would think pivotal figures later on in the series is Baron Daylon Dumarch and his brother. The interactions these two have coupled with the political climate, and the Baron's everpresent guilt made me want to skip to his sections. His pain is almost palpable. “I seek only not to despise the man I see in the mirror,” said the Baron of Marquensas." He betrayed his best friend and will spend what is left of his life atoning for it.
One of the other aspects of the book I particularly enjoyed is the magical system. Many fantasy books use magic as a sort of Deus ex Machinea. It can do anything, save anyone. King of Ashes is much more subtle. There is magic in this world, but its extent and how it works is not fully fleshed out at this point. I like that. It teases the reader and allows the narrative to the rest of the great dialog and characters rather than flashy magic.
King of Ashes is a bright start to a new series. It is epic in scope, detailed in character, exciting, heart wrenching, and entertaining. It is all the best parts of the fantasy genre written by a master. Much need not be explained when you say the name, Feist. Readers know that they are in the presence of something great, and King of Ashes is no different.
“The queen had a late child, yes . . . ,” said Daylon. He let out a long sigh. “Most likely it died during the taking of the villa. They threw babies from the cliffs to the rocks when the household was slaughtered. Perhaps he was one.”
The first book of the series, King of Ashes, details the fall of the Ithrace kingdom through great treachery. For more than a century, the five nations worked in partnership with each other to build a world of great prosperity. This is especially true of the Ithrace kingdom. They are known for the beauty of the land and a love of the arts and wealth that far exceeds the other four kingdoms. It indeed was a magnificent kingdom of milk and honey. The King of Ashes begins with a prologue after the great betrayal, and Ithrace is burning to the ground. The King of Ithrace, Steveren Langene, and his entire family are brought onto a stage and unceremoniously had their throats cut. The aim was to destroy every Firemane member and eradicate the family line.
But they missed one... and this is how a great fantasy story begins.
"So he had betrayed a man he loved like a brother to spare his people future ravages. As the priests of the One God would say, Daylon had made his pact with the Dark One; he had sold his soul."
The last Firemane child, a baby, is spirited away from the burning city under cover of darkness to the land of the island nation of Coaltachin. Coaltachin, a secret people specialing in spying, thieving, and information gathering, is taking custody of the child until the child turns 17. From there, the Baron Daylon Dumarch will take back the child and explain to him his lineage if all goes to plan.
King of Ashes officially begins 16 years after the betrayal of Ithrace with the perspective of 16-year-old Hatu. There are a variety of viewpoints given in the story. This adds a certain roundness to the narrative and the ability to take in new perspectives. However, the majority of the viewpoints are from Hatu, Declan, and Hava. At this point, Hatu and Hava are dear friends and students at Coaltachin. At the same time, Declan is a journeyman smith finishing off his first masterpiece to claim Master smith in another town. Hatu, as a character, is young, impulsive, and angry. Although he has, through necessity, figuring out ways to calm the ever-present anger that boils inside of him, it still is there. Declan is in a lot of ways, the opposite of Hatu. Where Hatu is impulsive, Declan is steadfast. Where Hatu burns hot, Declan cools down to ice. It is ironic in the case of Declan when his life is on the line, and he must battle, he boils his mind down to a single point of action. He is ruthless, cold, and efficient. Both of the characters' lives slowly spin and swirl towards each other.
"He was content to rise or fall on his own ability, but when he failed due to lack of information, Hatu flew into a rage—often at himself for not acquiring the knowledge, or at others for not providing it. Unreliable information was what he hated most."
The world-building of King of Ashes is thoughtful, expansive, and detailed. A well thought out world is Feist's wheelhouse. Although his stories tend to be character-based, Feist gives a perfect amount of detail to his worlds so that the reader can get a clear picture in their head. Any missing information can be filled in by imagination. The characters are highly detailed, and the dialog does not ever have a forced or static feel to it—the bane of many fantasy books. Feist's characters tend to speak like humans and have human reactions. Honestly, Raymond Feist is a master at this kind of fantasy. You would think that a lost child destined to save the world, might be a little tropey. In any other hands, it probably would be. But this is Feist, and he could write a phone book and have it be engaging.
"Declan said, “One last thing, my lord.” “Yes?” said Daylon, turning to Declan. “My master said that I needed to see you to honor his pledge.” “Who was your master?” “Edvalt Tasman.” Daylon looked at his half brother, who raised an eyebrow and gave him a short nod. Daylon was silent for a moment, then said, “He was as gifted a smith as I’ve ever known. I made him promise he’d send me his best apprentice. So, that would be you?” “He judged me fit to be named master,” said Declan. “I was an orphan and he was like a father to me, and so because of that, I honor his pledge to you, my lord.” Daylon was again silent, then he said, “You tell me this more from duty than from any desire to seek service.” “Truth to tell, my lord, I promised him I would do this, but my ambition is to set up my own forge and be my own man.”
Pacing-wise, this book is a slower burn. It balances giving enough information to the reader while keeping the pace moving. This isn't easy in the first book of a series. Feist does this generally very well. But at points, in the story, the pacing lags a bit, especially in the beginning. I want to get to know these characters; I want more from them. But Feist teases the readers with glimpses. One of the most interesting and I would think pivotal figures later on in the series is Baron Daylon Dumarch and his brother. The interactions these two have coupled with the political climate, and the Baron's everpresent guilt made me want to skip to his sections. His pain is almost palpable. “I seek only not to despise the man I see in the mirror,” said the Baron of Marquensas." He betrayed his best friend and will spend what is left of his life atoning for it.
One of the other aspects of the book I particularly enjoyed is the magical system. Many fantasy books use magic as a sort of Deus ex Machinea. It can do anything, save anyone. King of Ashes is much more subtle. There is magic in this world, but its extent and how it works is not fully fleshed out at this point. I like that. It teases the reader and allows the narrative to the rest of the great dialog and characters rather than flashy magic.
King of Ashes is a bright start to a new series. It is epic in scope, detailed in character, exciting, heart wrenching, and entertaining. It is all the best parts of the fantasy genre written by a master. Much need not be explained when you say the name, Feist. Readers know that they are in the presence of something great, and King of Ashes is no different.
357h3r's review against another edition
4.0
Yeah this book was great. I read the blurb in a book shop, and was really excited to read it. When I actually started I figured out that whilst a very good storyline, the writing was s***.
I would definitely recommend it for the story alone, but be warned not to judge the style in which it has been written.
Side point though, cool link up at the end. It was very satisfying if not a little predictable.
I would definitely recommend it for the story alone, but be warned not to judge the style in which it has been written.
Side point though, cool link up at the end. It was very satisfying if not a little predictable.
tirnel's review against another edition
4.0
A great start to a new world
I very much enjoyed the first book I have read by this author in twenty years. An interesting world, good characters, and an interesting start to the tale. Off to get the next book...
I very much enjoyed the first book I have read by this author in twenty years. An interesting world, good characters, and an interesting start to the tale. Off to get the next book...
aaronboyes19's review against another edition
4.0
I’m not entirely sure how I feel about this book. This is the first book by Feist that I have read, and this may be his writing style in all his books, but I found it annoyingly detailed in some areas and sparse in others. Hatu’s past was overdeveloped, to the point of me giving up on whole chapters. It seemed like every chapter repeated his past and added more superfluous details; while simultaneously the plot seemed to lag.
I gave it 4 stars in hope that the next volume, due out later this year, moves the plot along better.
I gave it 4 stars in hope that the next volume, due out later this year, moves the plot along better.