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sawowza's review against another edition
dark
mysterious
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
A kaleidoscope of a mystery that has you guessing until the end.
Content Warnings
Moderate: Bullying, Death, Drug abuse, Infidelity, Alcoholism, Suicidal thoughts, Murder, Abandonment, Drug use, and Alcohol
lanternheart's review against another edition
dark
emotional
mysterious
reflective
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
A gripping, exhilarating, and at turns deeply suspenseful story that was difficult to put down whenever I began a session of reading it. This is my first time reading Michaelides, after being recommended another of his books, The Silent Patient. Having now read The Fury, specifically the last ninety-odd pages in a dizzying haze of twists, accusations, revenge, and sickening realization, I can confidently say that I look forward to reading Michaelides' previous works, as well as whatever he writes next.
The conceit of this book very much, at turns, reminded me of Donna Tartt's The Secret History, with the first-person retrospective of a narrator telling us their increasingly twisted, increasingly murderous, tale. Like Tartt's Richard Papen, Elliott Chase is a manufactured man of sorts, a desperate outsider to a world of privilege (here, Hollywood and the London theater scene, in TSH an elite group of students) and insularity that the desperate, painfully lonely child within the narrator seeks to become a part of at any cost.
Where the books diverge is the sheer number of twists, and the sheer Machiavellian ways that Elliott Chase, as The Fury continues, twists from semi-sympathetic narrator, gathering the reader to a story, to villain as the realization hits that heorchestrated faking his best friend and near-lover Lana's murder to be with her . That Elliott does not succeed, but is instead foiled by Lana's having found out his plan, found it disturbing, and decided to betray him from the outset in her own form of justice, her own betrayal, and chooses to take back her life from every man who's ever orchestrated it, is a brilliant climax.
As much as Elliott tells us he loves Lana, it's clear that his own attitude, his own belief that the others in his life he can orchestrate to make them love him, because he believes it will end in love, is folly of the utmost, a quest for self-fulfillment in a way that made me, as a reader, question everyone he says he loves. Of course, some of his affections felt genuine, but how much was this always about Lana herself? How much, in the end, as he describes himself havingmurdered her out of potent rage, out of fury, yet still seeing her in his mind as the woman on the big movie screen while he sits, glowing, in front of it as a child, was it always about having fallen in love with the image he wanted of a woman who loved him?
Elliott's near-fatal mistake is believing that he, like the novel itself, like the structure of it, holds all the power: that the people in his life are characters whom he can control. When he tries, in his own narration, to want to "interrupt them—to say, No, no, you're not meant to be saying that and This shouldn't be happening. But it was happening," he all too late realizes the sheer unpredictability of others, and in turn the sheer unpredictability of himself, embodied by the furious island winds into murdering the woman he thought he'd loved in cold, furious blood.
Needless to say, this was a gripping, disturbing, and deeply fascinating read that will doubtlessly offer a fruitful future reread which, despite my discomfort with Elliott as a narrator (the further you go, the less likeable he is), will likely propel me to return again, knowing all the twists, to see the eventual tragic ending. Like a good play, I have a feeling you could read this book more than once, see it more than once, and pick up something new each time.
The conceit of this book very much, at turns, reminded me of Donna Tartt's The Secret History, with the first-person retrospective of a narrator telling us their increasingly twisted, increasingly murderous, tale. Like Tartt's Richard Papen, Elliott Chase is a manufactured man of sorts, a desperate outsider to a world of privilege (here, Hollywood and the London theater scene, in TSH an elite group of students) and insularity that the desperate, painfully lonely child within the narrator seeks to become a part of at any cost.
Where the books diverge is the sheer number of twists, and the sheer Machiavellian ways that Elliott Chase, as The Fury continues, twists from semi-sympathetic narrator, gathering the reader to a story, to villain as the realization hits that he
As much as Elliott tells us he loves Lana, it's clear that his own attitude, his own belief that the others in his life he can orchestrate to make them love him, because he believes it will end in love, is folly of the utmost, a quest for self-fulfillment in a way that made me, as a reader, question everyone he says he loves. Of course, some of his affections felt genuine, but how much was this always about Lana herself? How much, in the end, as he describes himself having
Elliott's near-fatal mistake is believing that he, like the novel itself, like the structure of it, holds all the power: that the people in his life are characters whom he can control. When he tries, in his own narration, to want to "interrupt them—to say, No, no, you're not meant to be saying that and This shouldn't be happening. But it was happening," he all too late realizes the sheer unpredictability of others, and in turn the sheer unpredictability of himself, embodied by the furious island winds into murdering the woman he thought he'd loved in cold, furious blood.
Needless to say, this was a gripping, disturbing, and deeply fascinating read that will doubtlessly offer a fruitful future reread which, despite my discomfort with Elliott as a narrator (the further you go, the less likeable he is), will likely propel me to return again, knowing all the twists, to see the eventual tragic ending. Like a good play, I have a feeling you could read this book more than once, see it more than once, and pick up something new each time.
Content Warnings
Graphic: Murder
Moderate: Alcoholism, Cursing, Drug abuse, Gun violence, Injury/Injury detail, and Sexual harassment
Minor: Adult/minor relationship, Blood, and Vomit
cesca_natalia's review against another edition
dark
mysterious
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.75
Content Warnings
Graphic: Murder, Gun violence, Addiction, Blood, Death, Alcohol, Drug use, and Drug abuse
kimberleyw12's review against another edition
challenging
dark
mysterious
medium-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Moderate: Alcoholism, Murder, Stalking, Toxic friendship, Drug use, Drug abuse, Addiction, and Bullying
Minor: Domestic abuse
miggyfool's review against another edition
adventurous
challenging
dark
emotional
informative
mysterious
reflective
sad
tense
fast-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
Content Warnings
Graphic: Injury/Injury detail, Stalking, Alcoholism, Bullying, Death of parent, Classism, Alcohol, Blood, Murder, Schizophrenia/Psychosis , Animal death, Child abuse, Death, Emotional abuse, Pedophilia, Sexism, Suicide attempt, Adult/minor relationship, Gaslighting, Mental illness, Toxic relationship, Violence, Gun violence, Infidelity, Misogyny, Body horror, Drug use, Addiction, Drug abuse, Suicidal thoughts, and Toxic friendship
syvanahlouise's review against another edition
dark
mysterious
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.75
Content Warnings
Graphic: Alcoholism, Murder, Drug use, Drug abuse, and Alcohol
amishemokid's review against another edition
dark
mysterious
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Alcoholism, Bullying, Murder, Blood, Gun violence, and Alcohol
Moderate: Mental illness, Gaslighting, Child abuse, Bullying, and Addiction
Minor: Adult/minor relationship, Domestic abuse, Blood, Drug abuse, and Drug use
depmythmoon's review against another edition
dark
emotional
mysterious
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
“The real tragedy, of course, by always looking outward, by focusing so intently on the other persons experience, we lose touch with our own. It’s as if we live out entire life pretending to be ourselves, as imposters impersonating ourselves, rather than feeling this is really me, this is who I am.” (pg. 60)
This book started off pretty slow in my opinion, and I didn’t get invested until around page 50-60. During this time, I was questioning whether I was going to enjoy this book and what the point of all the exposition was, but the thriller aspect started to kick up eventually.
I was also able to understand why the beginning may have started as it did. Despite the narrator mentioning that starting a book with the weather is never the right move, I can see how it serves this book well. The island that the group of characters goes to is known for having terrible storms known as “The Fury,” which, coincidentally, is the namesake of the book. With the storm in mind, I see the boring exposition as the calm before it. Mixed with our unreliable narrator, who slowly begins to open up to the reader as the acts progress, the reader is being allowed a moment of stillness before the real twists start to pop up. I can appreciate it now, but forcing myself to power through at first was tough. It’s partially why I still can’t give it 5 stars no matter how I can appreciate it.
I will say, it did teach me to give a book at least 50 pages before considering a possible DNF. I’m glad I finished it, and the annotation process was enjoyable.
This book seems to have a theme that centers heavily on childhood trauma and how we carry that pain or that child with us as we go through life. The author claims that people who have gone through trauma at that age become the people they needed at that time as they age. There were many moments in the book where I could relate to some of the characters’ backstories. It reminds me of just how much I hate bullying and is a very dramatized telling of the lengths a person would go to protect themselves from their pasts. Being able to relate to something like that added an extra layer of complication that I always enjoy. Give me that wonderful mental challenge of morality, and I eat it up every time.
It was nice to see how the retelling of the events while they were on the island slowly became more clear as the narrator opens up. You are able to see how certain details didn’t quite add up or what changed from one telling to the next. The twist in this story is satisfying, and I like that subtle hints are sprinkled throughout that allow you to gradually piece things together.
I also liked the use of 2nd person throughout the book. It’s one of the least common to see when reading, and I think the author implemented it successfully.
This book started off pretty slow in my opinion, and I didn’t get invested until around page 50-60. During this time, I was questioning whether I was going to enjoy this book and what the point of all the exposition was, but the thriller aspect started to kick up eventually.
I was also able to understand why the beginning may have started as it did. Despite the narrator mentioning that starting a book with the weather is never the right move, I can see how it serves this book well. The island that the group of characters goes to is known for having terrible storms known as “The Fury,” which, coincidentally, is the namesake of the book. With the storm in mind, I see the boring exposition as the calm before it. Mixed with our unreliable narrator, who slowly begins to open up to the reader as the acts progress, the reader is being allowed a moment of stillness before the real twists start to pop up. I can appreciate it now, but forcing myself to power through at first was tough. It’s partially why I still can’t give it 5 stars no matter how I can appreciate it.
I will say, it did teach me to give a book at least 50 pages before considering a possible DNF. I’m glad I finished it, and the annotation process was enjoyable.
This book seems to have a theme that centers heavily on childhood trauma and how we carry that pain or that child with us as we go through life. The author claims that people who have gone through trauma at that age become the people they needed at that time as they age. There were many moments in the book where I could relate to some of the characters’ backstories. It reminds me of just how much I hate bullying and is a very dramatized telling of the lengths a person would go to protect themselves from their pasts. Being able to relate to something like that added an extra layer of complication that I always enjoy. Give me that wonderful mental challenge of morality, and I eat it up every time.
It was nice to see how the retelling of the events while they were on the island slowly became more clear as the narrator opens up. You are able to see how certain details didn’t quite add up or what changed from one telling to the next. The twist in this story is satisfying, and I like that subtle hints are sprinkled throughout that allow you to gradually piece things together.
I also liked the use of 2nd person throughout the book. It’s one of the least common to see when reading, and I think the author implemented it successfully.
Content Warnings
Graphic: Drug abuse, Death, and Bullying
Moderate: Mental illness, Infidelity, Toxic friendship, Gun violence, Toxic relationship, Emotional abuse, and Drug use
Minor: Sexual content, Domestic abuse, Child abuse, Suicide, and Incest
mugsandmanuscripts's review against another edition
adventurous
dark
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.5
I’m having such a hard time with my emotions about this book: I hated the narrator from the beginning to the end. I think that was the author’s goal, but I just never got to the point where I felt like I was enjoying it.
This is a well-done novel featuring a pretty classic unreliable narrator. A way oversimplified summary: One (cheating) man is loved by two women, andone woman is loved by two men. Characters drink heavily (and occasional use drugs recreationally). Someone is murdered.
I feel like I can’t say much about the end without spoiling it, so instead all I will say is that I had some major whiplash from the last 50 pages. It was definitely clever and unexpected, but ultimately I think this just wasn’t my cup of tea.
This is a well-done novel featuring a pretty classic unreliable narrator. A way oversimplified summary: One (cheating) man is loved by two women, and
I feel like I can’t say much about the end without spoiling it, so instead all I will say is that I had some major whiplash from the last 50 pages. It was definitely clever and unexpected, but ultimately I think this just wasn’t my cup of tea.
Content Warnings
Graphic: Infidelity, Alcoholism, and Gun violence
Moderate: Drug abuse
Minor: Child abuse
chlcrc617's review against another edition
dark
emotional
mysterious
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
Unreliable narrator shtick. Felt a bit cheap of an ending
Content Warnings
Moderate: Murder and Violence
Minor: Bullying, Child abuse, Emotional abuse, and Drug abuse