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reila's review
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
It takes a bit to get to know Louise because there's a lot to unpack. There were a lot of hurdles that struck me, mirroring personal experiences that amped my emotional investment. Running from your problems, and then suddenly embodying that stagnated state? RIP. I do love the metaphysical side of vampires, and, yeah I've considered how inconvenient it would be in the present day. Mike Chen's take is believable, it's scary. The finale, I thought, was unexpected but satisfying. Really got me rooting for Louise, and Ian too.
Moderate: Abandonment
Minor: Cancer, Homophobia, Medical content, Pandemic/Epidemic, Drug use, Emotional abuse, Chronic illness, Injury/Injury detail, Death, Classism, Cursing, Murder, Terminal illness, Car accident, Death of parent, Grief, and Alcoholism
lbelow's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
Graphic: Blood and Terminal illness
Moderate: Death, Grief, and Violence
Minor: Homophobia
An estranged relative without much page time (but deeply affecting a secondary character) has terminal cancer and in the endjazhandz's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Flaws of characters a main focus? Yes
3.75
Graphic: Grief and Blood
Moderate: Death of parent, Terminal illness, and Cancer
Minor: Animal death, Gore, and Homophobia
booksthatburn's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
The worldbuilding is a mix of musical ideas and music references, facts about being a vampire, and the slowly unfurling tale of how Louise ran away from home and become a vampire in her early twenties. I'm not musically inclined and didn't know most of the songs and musicians being referenced, but each time they were discussed in context with what they invoke and their place in the history of music in a way that was interesting and informative without feeling like a lecture.
The plot revolves around Louise receiving an unexpected visit by a grandfather and grandson as the boy's mother is in the hospital dying of cancer. The pair are somehow related to Louise but it takes a while before she figures out exactly how (plus her vampirism means she looks only a decade older than the kid). The main story proceeds pretty linearly, punctuated by flashbacks as Louise is processing previous events with new understanding of herself. Interacting with these new people shakes her out of her normal patterns and it takes a bit to adjust.
The ending feels a bit neat, like too huge of a thing manages to be sorted out in a way that supposedly fixes things as much as possible. I think the bit that's bugging me is it feels like Louise is the supporting character for both of the main storylines (Ian dealing with his mother's impending death, and Eric trying to make things better for vampires), but by being present exactly where she is she ends up helping with both things. She actually feels like if a regular person who happened to be a vampire had to deal with this stuff but didn't budge an inch on taking care of her dog and talking about music.
This was great and I highly recommend it for anyone who wishes music, vampires, and family trauma overlapped more often.
Graphic: Gore, Death, and Blood
Moderate: Cursing, Terminal illness, Emotional abuse, Injury/Injury detail, Cancer, and Grief
Minor: Homophobia, Drug use, Excrement, Fire/Fire injury, Car accident, Death of parent, Ableism, Sexism, Alcohol, Cannibalism, and Misogyny