Reviews tagging 'Suicide attempt'

Como Se Fôssemos Vilões by M.L. Rio

132 reviews

mamatrauma's review against another edition

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dark emotional mysterious reflective tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

5.0


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addythebookbat's review against another edition

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dark emotional mysterious sad tense

4.75


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ashleyslibrary's review against another edition

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challenging dark emotional sad medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

4.0

I’ve never greatly enjoyed reading Shakespeare, and I was worried that it would affect my overall perception of If We Were Villains. 

While I am grappling with mixed emotions on my overall opinion of the book, I know this book will stick around with me for quite a while. 

M.L Rio does a beautiful job of displaying the complex and raw emotions and relationships that can form in tight-knit friend circles in early adulthood. 

I both love and hate the ending at the same time - a form of artistry I’ve grown to appreciate more the older I’ve gotten. A solid 4 stars!

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alex1252's review against another edition

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dark emotional mysterious sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0


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yzer2468's review against another edition

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challenging dark funny mysterious reflective sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0


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marie_koe's review against another edition

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dark emotional mysterious sad slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

4.0


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illegalerika's review against another edition

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dark emotional mysterious slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

5.0

A dark academia must-read. Hope you like Shakespeare.
Richard, you bastard.

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scottsland_yard's review against another edition

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challenging dark emotional mysterious sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

This book was really good! The writing was very poetic and the inclusion of many Shakespeare quotes was accurate to the characters as well as a great way to really draw the reader into the world. A bit difficult to get the nuance of the Shakespeare quotes chosen if you aren't well-versed in shakespearean theater though. I'm sure there were references I missed. 

SPOILER AHEAD!! 



The ending really upset me and I don't think in the way the author intended. While it was very poetic and intense, creating a huge tension that just ramped up and up toward the last page, I feel like the ending didn't justify the means. While ostensibly a story about murder and passion and rage, it was also obviously a story about love and self discovery. I think having the main character be bi-sexual and technically in a relationship with both Meredith and James (in a way) was really smart story telling to showcase the difficulty he feels in trying to figure out who he is, not only as an actor, but as a lover. What I didn't appreciate (and it's not really Rio's fault so much as it's a tired and hurtful trope shares by many authors) is that the majority of stories that feature a gay couple require that they go through torturous and heart-wrenching levels of trauma in order to move the story along. As a gay man, reading the tension between Oliver and James over and over with little to now pay off didn't feel exciting, it felt like torture. I was being led along like a horse with a carrot, the promise of the possibility of Oliver and James professing their feelings for each other or ending up together, only to constantly be whipped with sex scenes with Meredith and violence with Richard. In the end, when you think Oliver might finally get yo be happy with James, we're slapped in the face with the blunt honesty of Phillipa letting us know that James killed himself after not being able to bare the weight of the guilt of killing Richard (in self defense, btw) and his lover taking the blame for it. So Oliver once again ends up with Meredith and I was left furious. And the last page does little to bandage those wounds. 

I was left feeling empty, tense beyond belief, and with a heavy pit in my stomach. While the story was very good and the book was extremely well written, I am sick of this trope. I'm sick of gay characters being used as the martyrs in stories or being included only to drive the trauma train. (OH, also include the only canonically gay character overdosing and almost dying too) 

I yearn for stories of gay couples/characters that include all the tense will-they-won't-they that straight romances have, but for once, I'd like them to actually end up together. I've learned this is not the book for that. 

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caseyreadslol's review against another edition

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tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Flaws of characters a main focus? Yes

3.25

it's not bad but the secret history&saltburn do it far better

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skillyillian's review against another edition

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challenging dark emotional mysterious sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.75

this isn't my usual bag but i really enjoyed it. perfect dark academia, rainy autumn, murder at a fancy, secluded college book. i think i would have enjoyed it more if i knew literally anything beyond the very very basics of shakespeare, as the characters spend probably a quarter of their dialogue speaking exclusively in shakespeare quotes or references i didn't understand. that being said, it doesn't ruin the book by any means if you don't fully get every easter egg. the author had some kind of degree involving shakespeare iirc? and you can tell she is extremely knowledgeable about all of his works, it's incredibly well done.

the plot felt a little predictable at times? but i was reading for the spooky dark academia vibes and not the most complicated murder mystery plot in the whole world. i've heard people say they didn't really love the ending or how open it was, but i liked it and thought it was pretty clear what happened. 

i wish they had just admitted to being in love sooner. i hate that it took until richard said his garbage homophobic shit for oliver to be like "ah, yes, well. maybe we are in love" like please, be so fuckin for real right now. the lack of communication right there would have saved so much trouble.


anyway what a good spooky read. the vibes were immaculate, the mystery was fun, the characters felt like they had their own personalities and goals. the writing style was really unique, especially in that the dialogue between characters speaking back and forth didn't use dialogue tags but sometimes was just written like a script would be. my favorite line was probably "Me: [sneezes]" lmfao. 

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