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bridge_paez's review against another edition
challenging
emotional
reflective
medium-paced
- Loveable characters? It's complicated
4.5
Would have rated it higher, but the plot took a turn I wasn’t a fan of at first. Wait it out. It makes sense in telling the story by the end.
Content Warnings
Graphic: Racism, Sexism, and Xenophobia
Moderate: Body shaming, Death, Domestic abuse, Eating disorder, Gore, and Classism
Minor: Drug use, Fatphobia, Homophobia, and Alcohol
just_one_more_paige's review against another edition
challenging
emotional
mysterious
reflective
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
González's first book, Olga Dies Dreaming, was so good - I read it right after it came out a couple years ago and loved it. So I was really excited for this sophomore novel.
Goodreads does a great job with this blurb, so I'm just gonna copy it over here and save myself some effort: In 1985, Anita de Monte, a rising star in the art world, is found dead in New York City; her tragic death is the talk of the town. Until it isn’t. By 1998 Anita’s name has been all but forgotten—certainly by the time Raquel, a third-year art history student is preparing her final thesis. On College Hill, surrounded by privileged students whose futures are already paved out for them, Raquel feels like an outsider. Students of color, like her, are the minority there, and the pressure to work twice as hard for the same opportunities is no secret. But when Raquel becomes romantically involved with a well-connected older art student, she finds herself unexpectedly rising up the social ranks. As she attempts to straddle both worlds, she stumbles upon Anita’s story, raising questions about the dynamics of her own relationship, which eerily mirrors that of the forgotten artist.
First, I listened to the audiobook for this and it was one of the most dramatically narrated audiobooks I have ever experienced. These narrators gave it all their effort and acting, which was such an immersive experience (though did involve a lot of volume adjustments, as things got heated and voices raised...which happened quite often).
As to the story as a whole, I am partial to Olga, if I'm being honest. However, this was still *really* good. I honestly think the primary reason is that the very real, as in emotionally intense, aspects of this one were harder hitting to me personally. Both novels do a fantastic job of creating an entertaining and enjoyable story, balanced with diverse and interesting plot, great - and varied - character development (of note here: I love how some characters were exactly as bad as expected, and some were able to surprise you with their willingness to consider a challenged POV...that is a large part of what made this story and these characters more than just caricatures, what made it truly compelling), and a heavy dose of salient social (justice) commentary. This one though, had me mired in dread for about two thirds of the total reading experience. The train wrecks of these relationships, the patterns of manipulation and abuse and gaslighting are hard to read. Raquel’s sections were especially difficult, claustrophobic, to read. So, shout out to González for writing that was that palpable. But also, warning to other potential readers if that is content that is tough for you.
One of the major themes of this novel was the straddling of worlds, as it were: the parallel of being caught between the US and Cuba, for Anita, and between socioeconomic statuses, for Raquel. (Of particular note, Raquel’s difficulties with the social lines of respect and casual-ness with her professor, lines that seemed to come so easily to those from a different social background, was a quietly done but spectacular example of the intangibles of privilege. And in the end, as she finds that comfort for herself, we see that it's born out of self-confidence, with a strong and important commentary about how that self-confidence is harder to come by/maintain based on social messages about your worth that you receive as the norm.) Both were struggling to figure out how to follow their own passions and live their own lives, even when their past says that makes them traitors/“changed,” and the current day questions whether they deserve to be there or if following their interests/heart makes them “taking advantage of” the partner’s wealth/access. There is no winning, really. And if you aren’t steadfast in who you are/what you want, it’s so easy to lose yourself in that push-pull. Watching both Anita and Raquel live through this, even with a generation of change between them, is so frustrating and heartbreaking. Especially in light of another major theme of the novel: the power of visibility for art and artists - who is allowed to have access to that audience and who controls it and creates barriers to it. Perhaps, if Anita's name and work had been given space and allowed to stand in the public eye, then Raquel wouldn't have had to feel as alone as she did.
To start, I felt like these parallel women and stories as a stylistic device seemed obvious. But as the story unfolded, the depth of the women and their stories, the emotional intensity of their narratives, separately and in juxtaposition with each other, had me invested. So, obvious it may have been, but it was skillfully enough done that I was riveted. And there were elements that weren't anticipated, and they were enough for me to keep this story unique. In particular, the way González conveyed the power of loneliness and thinking/hoping things would be different next time, the need to matter to someone, thoroughly touched my heart. I also really enjoyed the messaging about the way our identity and culture and upbringing can influence both our art and the way we see others’ art. It's so important that we not dismiss or ignore or not consider that, for ourselves or others. Art and the artist - and the viewer - cannot be separated or considered in silos, not if we're being honest.
Goodreads does a great job with this blurb, so I'm just gonna copy it over here and save myself some effort: In 1985, Anita de Monte, a rising star in the art world, is found dead in New York City; her tragic death is the talk of the town. Until it isn’t. By 1998 Anita’s name has been all but forgotten—certainly by the time Raquel, a third-year art history student is preparing her final thesis. On College Hill, surrounded by privileged students whose futures are already paved out for them, Raquel feels like an outsider. Students of color, like her, are the minority there, and the pressure to work twice as hard for the same opportunities is no secret. But when Raquel becomes romantically involved with a well-connected older art student, she finds herself unexpectedly rising up the social ranks. As she attempts to straddle both worlds, she stumbles upon Anita’s story, raising questions about the dynamics of her own relationship, which eerily mirrors that of the forgotten artist.
First, I listened to the audiobook for this and it was one of the most dramatically narrated audiobooks I have ever experienced. These narrators gave it all their effort and acting, which was such an immersive experience (though did involve a lot of volume adjustments, as things got heated and voices raised...which happened quite often).
As to the story as a whole, I am partial to Olga, if I'm being honest. However, this was still *really* good. I honestly think the primary reason is that the very real, as in emotionally intense, aspects of this one were harder hitting to me personally. Both novels do a fantastic job of creating an entertaining and enjoyable story, balanced with diverse and interesting plot, great - and varied - character development (of note here: I love how some characters were exactly as bad as expected, and some were able to surprise you with their willingness to consider a challenged POV...that is a large part of what made this story and these characters more than just caricatures, what made it truly compelling), and a heavy dose of salient social (justice) commentary. This one though, had me mired in dread for about two thirds of the total reading experience. The train wrecks of these relationships, the patterns of manipulation and abuse and gaslighting are hard to read. Raquel’s sections were especially difficult, claustrophobic, to read. So, shout out to González for writing that was that palpable. But also, warning to other potential readers if that is content that is tough for you.
One of the major themes of this novel was the straddling of worlds, as it were: the parallel of being caught between the US and Cuba, for Anita, and between socioeconomic statuses, for Raquel. (Of particular note, Raquel’s difficulties with the social lines of respect and casual-ness with her professor, lines that seemed to come so easily to those from a different social background, was a quietly done but spectacular example of the intangibles of privilege. And in the end, as she finds that comfort for herself, we see that it's born out of self-confidence, with a strong and important commentary about how that self-confidence is harder to come by/maintain based on social messages about your worth that you receive as the norm.) Both were struggling to figure out how to follow their own passions and live their own lives, even when their past says that makes them traitors/“changed,” and the current day questions whether they deserve to be there or if following their interests/heart makes them “taking advantage of” the partner’s wealth/access. There is no winning, really. And if you aren’t steadfast in who you are/what you want, it’s so easy to lose yourself in that push-pull. Watching both Anita and Raquel live through this, even with a generation of change between them, is so frustrating and heartbreaking. Especially in light of another major theme of the novel: the power of visibility for art and artists - who is allowed to have access to that audience and who controls it and creates barriers to it. Perhaps, if Anita's name and work had been given space and allowed to stand in the public eye, then Raquel wouldn't have had to feel as alone as she did.
To start, I felt like these parallel women and stories as a stylistic device seemed obvious. But as the story unfolded, the depth of the women and their stories, the emotional intensity of their narratives, separately and in juxtaposition with each other, had me invested. So, obvious it may have been, but it was skillfully enough done that I was riveted. And there were elements that weren't anticipated, and they were enough for me to keep this story unique. In particular, the way González conveyed the power of loneliness and thinking/hoping things would be different next time, the need to matter to someone, thoroughly touched my heart. I also really enjoyed the messaging about the way our identity and culture and upbringing can influence both our art and the way we see others’ art. It's so important that we not dismiss or ignore or not consider that, for ourselves or others. Art and the artist - and the viewer - cannot be separated or considered in silos, not if we're being honest.
Finally, I liked the little bonus of unexpected elements of the mystical. That was, as I said, not something I'd anticipated, but it was one of the unique aspects of this novel that gave it a little something extra. I'm very much now hoping to be able to come back as a bat and antagonize any haters. Lol. But seriously, this was a great read. Some relationship drama, some social commentary, some mystery/thriller, a lot of art and music, and a splash of the paranormal and well-deserved comeuppance (Anita really did get the last laugh). Page-turning all the way through.
“…and remind herself that she was not the first to walk this path, nor would she be the last. Nor would either of them be forgotten.”
Content Warnings
Graphic: Domestic abuse, Emotional abuse, Racism, Toxic relationship, Murder, and Gaslighting
Moderate: Body shaming, Xenophobia, and Classism
Minor: Drug use and Eating disorder
kelly_e's review against another edition
challenging
emotional
reflective
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Title: Anita de Monte Laughs Last
Author: Xóchitl González
Genre: Literary Fiction
Rating: 4.00
Pub Date: March 5, 2024
I received a complimentary ALC from Macmillan Audio via NetGalley in exchange for an honest review. Opinions expressed in this review are completely my own. #Gifted #Ad
T H R E E • W O R D S
Theatrical • Electric • Haunting
📖 S Y N O P S I S
1985. Anita de Monte, a rising star in the art world, is found dead in New York City; her tragic death is the talk of the town. Until it isn’t. By 1998 Anita’s name has been all but forgotten—certainly by the time Raquel, a third-year art history student is preparing her final thesis. On College Hill, surrounded by progeny of film producers, C-Suite executives, and international art-dealers, most of whom float through life knowing that their futures are secured, Raquel feels herself an outsider. Students of color, like Raquel, are the minority there, and the pressure to work twice as hard for the same opportunities is no secret.
But when Raquel becomes romantically involved with a well-connected older art student, she finds herself unexpectedly rising up the social ranks. As she attempts to straddle both worlds, she stumbles upon Anita’s story, raising questions about the dynamics of her own relationship, which eerily mirrors that of the forgotten artist.
💭 T H O U G H T S
After being captivated by Xóchitl González's writing in her debut, Olga Dies Dreaming, I immediately added Anita de Monte Laughs Last to my list of anticipated releases for 2024. I was graciously offered an ALC, which I tandem read with the book once it was released.
The audiobook, narrated by a full cast of Jessica Pimentel, Jonathan Gregg, and Stacy Gonzalez is absolutely fantastic. I would even venture to say the narration takes this book to the next level. The narrators really bring their characters to life and I could hear the emotion of the narrative in their voices. Because the story is told from multiple perspectives and in a nonlinear fashion it was definitely easier for me to tandem read than listen alone.
The pacing starts out on the slow side, yet it builds steadily to a satisfying ending. I will admit to being slightly caught off guard by the ghost element, but somehow it fit perfectly into the narrative. There is ample commentary on race and womanhood and when the two stories start to converge the story gets stronger.
I don't know that I enjoyed this one as much as her debut, yet it was definitely worth my time. It's easy to imagine Anita de Monte Laughs Last transitioning to the big screen down the road. This book isn't going to be everyone's cup of tea, but it establishes Xóchitl González as a force in the literary world.
📚 R E A D • I F • Y O U • L I K E
• art history
• strong female characters
⚠️ CW: toxic relationship, domestic abuse, emotional abuse, physical abuse, racism, sexism, misogyny, classism, death, murder, cursing, drug use, drug abuse, alcohol, infidelity, mental illness, eating disorder, anorexia, body shaming, fatphobia
🔖 F A V O U R I T E • Q U O T E S
"Everything worth doing hurts at least a little bit."
Author: Xóchitl González
Genre: Literary Fiction
Rating: 4.00
Pub Date: March 5, 2024
I received a complimentary ALC from Macmillan Audio via NetGalley in exchange for an honest review. Opinions expressed in this review are completely my own. #Gifted #Ad
T H R E E • W O R D S
Theatrical • Electric • Haunting
📖 S Y N O P S I S
1985. Anita de Monte, a rising star in the art world, is found dead in New York City; her tragic death is the talk of the town. Until it isn’t. By 1998 Anita’s name has been all but forgotten—certainly by the time Raquel, a third-year art history student is preparing her final thesis. On College Hill, surrounded by progeny of film producers, C-Suite executives, and international art-dealers, most of whom float through life knowing that their futures are secured, Raquel feels herself an outsider. Students of color, like Raquel, are the minority there, and the pressure to work twice as hard for the same opportunities is no secret.
But when Raquel becomes romantically involved with a well-connected older art student, she finds herself unexpectedly rising up the social ranks. As she attempts to straddle both worlds, she stumbles upon Anita’s story, raising questions about the dynamics of her own relationship, which eerily mirrors that of the forgotten artist.
💭 T H O U G H T S
After being captivated by Xóchitl González's writing in her debut, Olga Dies Dreaming, I immediately added Anita de Monte Laughs Last to my list of anticipated releases for 2024. I was graciously offered an ALC, which I tandem read with the book once it was released.
The audiobook, narrated by a full cast of Jessica Pimentel, Jonathan Gregg, and Stacy Gonzalez is absolutely fantastic. I would even venture to say the narration takes this book to the next level. The narrators really bring their characters to life and I could hear the emotion of the narrative in their voices. Because the story is told from multiple perspectives and in a nonlinear fashion it was definitely easier for me to tandem read than listen alone.
The pacing starts out on the slow side, yet it builds steadily to a satisfying ending. I will admit to being slightly caught off guard by the ghost element, but somehow it fit perfectly into the narrative. There is ample commentary on race and womanhood and when the two stories start to converge the story gets stronger.
I don't know that I enjoyed this one as much as her debut, yet it was definitely worth my time. It's easy to imagine Anita de Monte Laughs Last transitioning to the big screen down the road. This book isn't going to be everyone's cup of tea, but it establishes Xóchitl González as a force in the literary world.
📚 R E A D • I F • Y O U • L I K E
• art history
• strong female characters
⚠️ CW: toxic relationship, domestic abuse, emotional abuse, physical abuse, racism, sexism, misogyny, classism, death, murder, cursing, drug use, drug abuse, alcohol, infidelity, mental illness, eating disorder, anorexia, body shaming, fatphobia
🔖 F A V O U R I T E • Q U O T E S
"Everything worth doing hurts at least a little bit."
Content Warnings
Graphic: Domestic abuse, Emotional abuse, Misogyny, Physical abuse, Racial slurs, Racism, Sexism, Toxic relationship, and Classism
Moderate: Body shaming, Cursing, Death, Eating disorder, Fatphobia, Infidelity, Mental illness, and Murder
Minor: Drug abuse, Drug use, and Alcohol
anorexiaanxietee9's review against another edition
dark
emotional
hopeful
mysterious
reflective
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Body shaming, Emotional abuse, Infidelity, Toxic relationship, Blood, Grief, and Classism
Moderate: Body horror, Eating disorder, Sexism, Xenophobia, and Dysphoria
Minor: Drug use, Homophobia, Rape, Vomit, Murder, Gaslighting, and Alcohol
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