crownoflaurel's review against another edition

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dark informative sad medium-paced

3.75


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kingsteph's review against another edition

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dark informative mysterious reflective sad tense medium-paced

4.25


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lulugirl297's review against another edition

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adventurous challenging dark informative mysterious tense medium-paced

3.5


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magosti1's review against another edition

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dark emotional slow-paced

2.0

Deeply disturbing true crime novel about a serial killer in Chicago while the worlds fair was being built. Too disturbing 

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headachesince03's review against another edition

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adventurous dark informative inspiring mysterious tense slow-paced

4.5


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reddeddy's review against another edition

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dark informative mysterious sad tense slow-paced

4.0


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renbot's review against another edition

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adventurous dark emotional funny informative mysterious slow-paced

4.5

An incredible journey where you truly care for the victories and failures of all of the characters

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cassieyorke's review against another edition

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challenging dark informative mysterious sad slow-paced

4.0

Erik Larson is one of the most talented popular historians of our age, and he has one tremendous strength and one glaring flaw. His strength is the breathtaking beauty he injects into every line he can, and his settings are often so realistic that he puts you in the past, whether you want to be or not. But his one glaring weakness is his tendency to get lost in the mundane, filling half of his books with things he himself might find interesting - like architecture or naval engineering - while coming up just short of making these things palatable for the average reader.

Still, White City is one book I'll happily give four stars, since it does such a fantastic job of sweeping you away to Gilded Age Chicago. It immerses you, familiarizes you with lovely details of daily life, introduces you to key players and average people alike, then leaving you to marvel at the unspeakable lost beauty of the World's Fair. He does the best that a twenty-first century author possibly can at conjuring a bit of that long-forgotten enchantment and romance, and I found myself putting the book down and dreaming a bit about what it would have been like at night. He gave me a glimpse of one of those spellbound moments long ago, and put me next to long-gone people when they were still drawing breath - or holding it, like I was. The fact that I had to wade through chapters of engineering and architectural details to get there felt a bit like Burnham must have - building this enchanting vision out of plain old steel and glass and finally getting to see it, just for a little while. Maybe that was the point; I'm not sure. If it was, I'd rather have had just a little more adventure getting there.

The sections about H.H. Holmes were more interesting, if horrifically disturbing. Most people enjoying this book have probably been true crime fans, hoping for a glimpse into the depraved mind of an early serial killer. Maybe they weren't quite as disturbed as I was, or didn't feel quite the same sympathy for his unfortunate victims. It speaks to Larson's talent as an author that he made those young women as real as anyone else, forcing you to care for them like any other living person. So those chapters were exceptionally well-written, if difficult to endure.

Larson has improved his craft since White City, like all authors do, and his later work shows more talent at making the mundane more interesting, blending it better with the substance of the overall book. Anyway, I did love this book and I'd happily recommend it to anyone who wanted to journey back in time to the Gilded Age, to see what life was like in the 1890s. Larson is second to none at transporting his readers back in time.

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