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thewillowwood's review against another edition
adventurous
emotional
mysterious
fast-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.75
This book was fun to read! I don’t think it took it in a completely revolutionary direction for the source material, as it fell into the expected beats of Arthurian legend, but a reader who likes Arthuriana and wants something a bit easier than middle english literature would enjoy this book.
Content Warnings
Graphic: Fire/Fire injury, Death, Blood, and Kidnapping
Moderate: Injury/Injury detail, Violence, Body horror, Animal death, and Self harm
Minor: Infidelity, Vomit, Rape, War, Excrement, and Sexism
martin27's review against another edition
adventurous
emotional
mysterious
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.25
Kiersten White’s Camelot is a gorgeous world filled with a lot of lovely characters. The way she plays with the legends is extremely interesting, and her Guinevere is a wonderful protagonist to read about. This is by far my favorite version of Arthur I’ve seen in a retelling, and I’m also very fond of this Lancelot. The characterization of Mordred is great, I wasn’t as big a fan of his storyline though. I’m hoping it’ll grow on me by the time I finish the trilogy.
There’s a lot of potential here both because of the expansive nature of Arthurian legend and the author’s seemingly endless ways of taking what you know and making it into something completely new. Purists may take issue with the many liberties she takes with the material, but they all come together for a really good story. I hope that the sequels will make more of the knights a larger part of the main story.
There’s a lot of potential here both because of the expansive nature of Arthurian legend and the author’s seemingly endless ways of taking what you know and making it into something completely new. Purists may take issue with the many liberties she takes with the material, but they all come together for a really good story. I hope that the sequels will make more of the knights a larger part of the main story.
Content Warnings
Graphic: Blood, Misogyny, and Injury/Injury detail
Moderate: Vomit
Minor: Rape
enchantedelfie's review against another edition
adventurous
dark
funny
mysterious
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? N/A
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
Content Warnings
Graphic: Self harm, Vomit, Blood, Death, Violence, Gore, Injury/Injury detail, and Kidnapping
Moderate: Toxic friendship, Suicidal thoughts, Torture, and Stalking
mpbookreviews's review against another edition
adventurous
emotional
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Moderate: Adult/minor relationship, Animal death, Death, Murder, Violence, Blood, Excrement, and Injury/Injury detail
booksthatburn's review against another edition
mysterious
slow-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
1.0
With a narrative that feels like it tossed aside an opportunity for a truly cool trans guy character in exchange for yet another "woman dresses as a man in order to fight" story, THE GUINEVERE DECEPTION presents (cis) female triumph as "doing things (cis) men can't do". It's a well-supported and cohesive story as long as you're fine with the story being that men are bad and women have to pick up all the messes because they're the only ones who can be competent without being evil.
Guinevere (not-Guinevere but there's nothing else to call her) is an artfully crafted protagonist, conscious of her lack of agency even as she makes what choices she can. The thing is that even when she makes decisions, she only makes whatever ones the men didn't take care of first. It's a narrative that tries to frame her as beginning with little agency, and then slowly claiming more. The thing is that her big triumphant moment at the end is doing what she was shaped (by men) to do. Maybe this will get developed later on in the series, but there are bigger issues for me.
I thought at first that maybe Guinevere could be asexual, based on how she and Arthur spoke about their relationship early on. The problem is that since she's young enough that she has her first period during the story and seems to have little to no understanding of what sex is other than that there's some thing more Arthur might want to do with her. Merlin (in Guinevere's backstory) controlled what information she has and gave he what he thought she needed to know, sending her to be a bride without any understanding of what is euphemistically encompassed by a "wedding night". This makes the moments that could be read as ace characterization feel like exploitation of a child instead. Unless I missed something her exact age isn't given, though Arthur is implied to be youthful while also old enough to have a sexual past of his own. This fits the historical context, but I'm more unnerved by it being shown through implications, like I had to piece together just how young and exploited she is.
I mostly enjoyed the story, until I realized it was so committed to the idea that "men are bad, actually", that it does a disservice to one of its characters in a way that was frustrating and makes for a worse story. There's a masked character (knight who always has the helmet on) who is assumed to be male and is treated as such, but as soon as Guinevere finds out this character is female under the helmet, she begins treating the character accordingly. There's even a moment where, when disguised as a woman, this character says they've never felt right in clothes like this. Every bit of characterization screams some variation of trans-masc (I won't fuss over labels but they're definitely not a cis woman), except for how Guinevere thinks about them. It felt like the protagonist was persistently misgendering a character she likes very much, even though the text didn't seem like it was doing it on purpose. The narrative also focuses on how the parts of Arthur that make him a good king make him a bad husband (one cannot be loyal above all else to both a kingdom and a spouse). That, to me, was a very cool and insightful blend of characterization and storytelling, but formed part of this broader picture where by the time I got three-quarters of the way through, Mordred looked like the only good and effective male character (and if you know anything about Arthurian stories, you know it's trouble when Mordred looks like the only good one). It then further conflates "man" (i.e. male people) with "Man" (i.e. humankind) in the bad guy speech about humanity as a curse. By conflating maleness with humanity, and humanity with malice, then having a cis woman save the day in spite of both, it implicitly places womanhood outside of the corruption of humanity in a way that unsettles me.
Guinevere (not-Guinevere but there's nothing else to call her) is an artfully crafted protagonist, conscious of her lack of agency even as she makes what choices she can. The thing is that even when she makes decisions, she only makes whatever ones the men didn't take care of first. It's a narrative that tries to frame her as beginning with little agency, and then slowly claiming more. The thing is that her big triumphant moment at the end is doing what she was shaped (by men) to do. Maybe this will get developed later on in the series, but there are bigger issues for me.
I thought at first that maybe Guinevere could be asexual, based on how she and Arthur spoke about their relationship early on. The problem is that since she's young enough that she has her first period during the story and seems to have little to no understanding of what sex is other than that there's some thing more Arthur might want to do with her. Merlin (in Guinevere's backstory) controlled what information she has and gave he what he thought she needed to know, sending her to be a bride without any understanding of what is euphemistically encompassed by a "wedding night". This makes the moments that could be read as ace characterization feel like exploitation of a child instead. Unless I missed something her exact age isn't given, though Arthur is implied to be youthful while also old enough to have a sexual past of his own. This fits the historical context, but I'm more unnerved by it being shown through implications, like I had to piece together just how young and exploited she is.
I mostly enjoyed the story, until I realized it was so committed to the idea that "men are bad, actually", that it does a disservice to one of its characters in a way that was frustrating and makes for a worse story. There's a masked character (knight who always has the helmet on) who is assumed to be male and is treated as such, but as soon as Guinevere finds out this character is female under the helmet, she begins treating the character accordingly. There's even a moment where, when disguised as a woman, this character says they've never felt right in clothes like this. Every bit of characterization screams some variation of trans-masc (I won't fuss over labels but they're definitely not a cis woman), except for how Guinevere thinks about them. It felt like the protagonist was persistently misgendering a character she likes very much, even though the text didn't seem like it was doing it on purpose. The narrative also focuses on how the parts of Arthur that make him a good king make him a bad husband (one cannot be loyal above all else to both a kingdom and a spouse). That, to me, was a very cool and insightful blend of characterization and storytelling, but formed part of this broader picture where by the time I got three-quarters of the way through, Mordred looked like the only good and effective male character (and if you know anything about Arthurian stories, you know it's trouble when Mordred looks like the only good one). It then further conflates "man" (i.e. male people) with "Man" (i.e. humankind) in the bad guy speech about humanity as a curse. By conflating maleness with humanity, and humanity with malice, then having a cis woman save the day in spite of both, it implicitly places womanhood outside of the corruption of humanity in a way that unsettles me.
Content Warnings
Graphic: Kidnapping
Moderate: Sexism, Misogyny, Blood, Violence, Panic attacks/disorders, Alcohol, Animal death, Death, and Excrement
Minor: Animal cruelty and Homophobia
claudiamacpherson's review against another edition
adventurous
funny
hopeful
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Guinevere has come to Camelot to marry King Arthur. Merlin has been exiled along with all other forms of magic. But Guinevere is not Guinevere, and the marriage is a ruse so that not-Guinevere can protect Arthur from a magical attack Merlin warned them of. But magic lives on in secret in Camelot, and Guinevere must determine what—or who—is a threat to the kingdom without her own powers being exposed.
Wow, I loved this book! I initially picked it up because I have always loved myths and legends, and the Arthurian stories hold a special place in my heart because my grandmother (and favorite person!) is named Guinevere. White's writing style was engaging and the magical world-building was fascinating. I really loved the characters; Arthur reminded me of Gansey from The Raven Cycle, and we know I love that archetype, and don't even get me started on Lancelot!! I usually don't care for love triangles, and the one in this book was okay, but the one I foresee (based on what I know of Arthurian legends) coming up in the next book(s) is going to be a tough one (which is to say, not a clear superior choice)!
Happy ending meter (no specific spoilers, just my judgement of how happy the ending is because I always wish someone would tell me that before I read books):Happy-ish, but pretty cliffhanger-y too! I have to wait 3 weeks for the next book, pray that I don't go crazy (or cave and buy the book in the meantime)!
Wow, I loved this book! I initially picked it up because I have always loved myths and legends, and the Arthurian stories hold a special place in my heart because my grandmother (and favorite person!) is named Guinevere. White's writing style was engaging and the magical world-building was fascinating. I really loved the characters; Arthur reminded me of Gansey from The Raven Cycle, and we know I love that archetype, and don't even get me started on Lancelot!! I usually don't care for love triangles, and the one in this book was okay, but the one I foresee (based on what I know of Arthurian legends) coming up in the next book(s) is going to be a tough one (which is to say, not a clear superior choice)!
Happy ending meter (no specific spoilers, just my judgement of how happy the ending is because I always wish someone would tell me that before I read books):
Content Warnings
Moderate: Gaslighting, Self harm, Violence, and Kidnapping
Minor: Death, Alcohol, Injury/Injury detail, Vomit, Animal cruelty, Animal death, Blood, and Death of parent
ashleereadsbooks692's review against another edition
adventurous
dark
emotional
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.25
Content Warnings
Graphic: Animal death, Blood, Death, Gore, Injury/Injury detail, Kidnapping, War, and Violence
Moderate: Cursing and Torture
Minor: Rape
jai_martin's review against another edition
adventurous
mysterious
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Graphic: Blood and Violence
Moderate: Sexual assault, Animal death, Death of parent, and Death
elinthenilsson's review against another edition
medium-paced
- Loveable characters? Yes
3.5
Content Warnings
Moderate: Blood and Injury/Injury detail
ticktock's review against another edition
adventurous
dark
emotional
mysterious
slow-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
Content Warnings
Moderate: Animal death, Blood, Death, Fire/Fire injury, Torture, and Violence
Minor: Rape