Reviews tagging 'Animal cruelty'

Grænmetisætan by Han Kang

230 reviews

elizlizabeth's review against another edition

Go to review page

challenging dark fast-paced

4.5

This book makes me feel thorn because even though I think it's brilliant, it's not necessarily an enjoyable experience. It's very cathartic but not in a power fantasy way. I like the open ending because it leaves so many questions for you to ponder, which I think it's always positive in a story.

Expand filter menu Content Warnings

tsundokuu's review against another edition

Go to review page

challenging dark mysterious medium-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No

3.0


Expand filter menu Content Warnings

linnybear's review against another edition

Go to review page

Well that was a reminder to check trigger warnings from time to time :x

Expand filter menu Content Warnings

bridge_to_narnia's review against another edition

Go to review page

dark tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

2.25

Well written, but I don't think it was for me.

Expand filter menu Content Warnings

dawndiscusses's review against another edition

Go to review page

challenging dark emotional mysterious reflective sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

4.0

The most endearing part was Han's exploration of the impossibility of a truly ethical life, the impact of which I think has softened to some of the other perceived flaws others have pointed out. I'm generally not a fan of art that requires extra research (e.g. author interviews, discussion threads etc) to get a grasp on, but in this case I'm glad I followed my curiosity. Having watched Han discuss the project and reading a lot of the wonderful clarity provided by people in this community, I am moved by her willingness to open herself up and confront a subject matter that has plagued her for so long. Not in attempt to find a solution, but in the desire to explore what it means to be human. For that alone and the earnestness with which both she and translator Deborah Smith carried this project out, I really enjoyed it.

Expand filter menu Content Warnings

sharnanigans's review against another edition

Go to review page

challenging dark tense fast-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.25


Expand filter menu Content Warnings

theomancy's review against another edition

Go to review page

dark reflective sad

5.0


Expand filter menu Content Warnings

preciousmist's review against another edition

Go to review page

challenging dark sad medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

2.5

Meh. Fascinating under a feminist lense, not really impactful in any other aspect.

Slight spoilers below, and brief discussion of sexual abuse. 

I think the way this book superimposes body and sexual horror with femininity and social constraints that come with a (cis) feminine body is interesting. I think it's a interesting commentary on Women within Korean society, when I cross reference the little I know of it with the story of this book. 

I also think there's some problems with it. For one, the true psychological horror that comes with this book is, funnily enough, in the chapters with male POV's. The way they see women (women as objects, that is, though both male characters we get see this objectivication from different points, one as social value for others, and one as value for his own self-realization and self-worth, in a way) and the way they go unchecked is terrifying because I can see it happening. The rape scenes are brief, but bone-chillingly... normal? If that's a word one can use along with rape. They aren't explored further on the effects they have on the women characters that go through it - though one can say we see the narrative itself being affected for it. 

I think what bothers me the most about this book is the emphasis on "strength" of the last, and the only woman who has a POV, character. The sheer will she possesses is what gets her through the days, that and the love for her son - that is what prevents her from succumbing to the strangeness that afflicts her sister. This strength is met with different, and mixed, conclusions at the end:

A) She recognises it was sheer will, and cowardice, that prevented her from going down the same path as her sister. Her sister recognizes this strangeness, in a way, as a strength - the strength to be different.

B) But she continues with the same pattern as before, while as well seeing her sister's "mental illness" as something undesirable. The writing almost insists this endurance is the path to go - survival, not rebellion, is the way. For as feminist this book is, and it is!, somehow I can see a reader coming from this book with the idea that women shouldn't stray too much from the socially accepted roles given to them, because;

C) All this strangeness, all this rebellion, all the suffering endured, is concluded with the afflicted character ultimately dying to the world. Now, I understand why: the Protag has rejected meat, carnality, sexuality, violence. Still, as we see in chapter two, this is imposed on her: through rape, exploration of her body, and the male gaze. Though she has emptied herself of all desire, all the sexual and deviant things inside her, she can't get rid of her *body*, which is why chapter 3 is where we see the Protag's body waste away to nothing, and why there's an insistence in the flora comparison. Trees are not sexual, or better yet, their sexuality is not violent. Is this book implying the only way for an *individual* to be liberated of all the complication that come with a sexual society, a sexual drive, a material life, per se, is to literally become an alien to her own humanity and waste away? One could say yes. In fact, the only way for this to not happen to the one other woman in this book, is for her to connect herself to the social gender roles given to her, that and motherhood.  

I think this is an interesting book with a pretty clear message, but I wonder about the ways the message is delivered. I understand the complexity of the topic, which is perhaps why the end of this book can read so differently depending on the reader. Alas, this is a book I'd like to think about more, but certainly not reread. 

Also, and perhaps this is a string of unfortunate experiences, but I have yet to read a (translated) korean book whose prose *worked* for me. Is it a translation problem I wonder? Something about the Korean language itself that lends to a translation that seems... Not vague, but certainly seems to leave some sentences incomplete, or weird, gramatically speaking? I can't read Korean, and I've certainly tried to learn it to no avail as I simply cannot compute the alphabet for some reason, but this is the second book I've read in general where I get that feeling.

Oh well. It lends to the strangeness of it all, I guess.

Expand filter menu Content Warnings

sk1m086's review against another edition

Go to review page

Gross and too graphic. stopped when the dog was clearly about to be tortured and killed

Expand filter menu Content Warnings

rachaelcandoit's review against another edition

Go to review page

challenging dark emotional fast-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.0


Expand filter menu Content Warnings