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duparker's review
4.0
Classic story. I love the international feel to it and the solid out of date, but timely aspect is fun to it.
dantastic's review against another edition
2.0
While on the run from the feds after being betrayed, Morgan the Raider gets tasked with recovering some money from Cuban refugees in Miami. His search takes him through Miami's S & M undergound and into a web of sex, lies, and murder. But what does the mysterious masked dominatrix known as the Consummata have to do with things?
Posthumous collaborations are always a crap shoot, emphasis on the crap. Mickey Spillane wrote The Consummata in the 60's and then let it sit after a bad experience with The Delta Factor, the book preceding this one, being made into a movie. After Spillane's death, it was finished by Max Allan Collins. Should he have left it unpublished?
Yes. The Consummata is very dated, feels unfinished, and is rife with cliches. I know that Spillane is one of the first pulp detective writers but that doesn't mean he had the Midas touch by any means. Morgan the Raider is the standard tough guy smart mouth character that Spillane helped pioneer with Mike Hammer. Morgan's attempts humor fell flat for me on most occasions. He's like that unfunny uncle you have that thinks he's hilarious.
I'm going to breeze by the female characters since a lot of this book takes place in a whore house and even the women in the book who aren't prostitutes want a piece of Morgan and go straight for the parts that really bugged me.
The plot was kind of clunky, and like Dead Street, needlessly involved communists and nuclear secrets and the identity of the Consummata was fairly obvious. Even though Morgan did illogical things because the plot required him to do so, he was such a superhuman that there was no time that I thought he as going to get hurt, let alone killed.
The writing was really repetitive. Couldn't Spillane have thought of a phrase other than 'dark delta' to describe a woman's pubic hair? Or gone without describing it altogether? I counted three 'dark deltas' and I may have missed a couple because I started skimming about halfway through. The writing also had an unfinished feel and I get the feeling no felt confident enough to edit what Spillane had written prior to his death. Some good editing might have bumped this up to a three.
In spite of all that, I caught myself digging it a few times. Spillane wrote good action scenes, that's for sure, although the cliche density was pretty high. I guess I have to cut Mickey some slack since he invented some of those cliches. I'm giving it a 2 since I didn't actually hate it. I just found it to be flawed. I guess the new Hard Cases can't all be winners.
Posthumous collaborations are always a crap shoot, emphasis on the crap. Mickey Spillane wrote The Consummata in the 60's and then let it sit after a bad experience with The Delta Factor, the book preceding this one, being made into a movie. After Spillane's death, it was finished by Max Allan Collins. Should he have left it unpublished?
Yes. The Consummata is very dated, feels unfinished, and is rife with cliches. I know that Spillane is one of the first pulp detective writers but that doesn't mean he had the Midas touch by any means. Morgan the Raider is the standard tough guy smart mouth character that Spillane helped pioneer with Mike Hammer. Morgan's attempts humor fell flat for me on most occasions. He's like that unfunny uncle you have that thinks he's hilarious.
I'm going to breeze by the female characters since a lot of this book takes place in a whore house and even the women in the book who aren't prostitutes want a piece of Morgan and go straight for the parts that really bugged me.
The plot was kind of clunky, and like Dead Street, needlessly involved communists and nuclear secrets and the identity of the Consummata was fairly obvious. Even though Morgan did illogical things because the plot required him to do so, he was such a superhuman that there was no time that I thought he as going to get hurt, let alone killed.
The writing was really repetitive. Couldn't Spillane have thought of a phrase other than 'dark delta' to describe a woman's pubic hair? Or gone without describing it altogether? I counted three 'dark deltas' and I may have missed a couple because I started skimming about halfway through. The writing also had an unfinished feel and I get the feeling no felt confident enough to edit what Spillane had written prior to his death. Some good editing might have bumped this up to a three.
In spite of all that, I caught myself digging it a few times. Spillane wrote good action scenes, that's for sure, although the cliche density was pretty high. I guess I have to cut Mickey some slack since he invented some of those cliches. I'm giving it a 2 since I didn't actually hate it. I just found it to be flawed. I guess the new Hard Cases can't all be winners.
signalstation's review against another edition
1.0
I don't usually rate books with one star because I don't want to be thought of as saying a book isn't good... but the Goodreads scale is a personal one, with one star indicating that I don't like a book myself. And I don't care for Mickey Spillane.
His stories typified standard pulp: unstoppable masculine protagonists that all the ladies love. Fights where any guns present are kicked out of hands or dropped, and someone usually dies in a clinch (a knife slips, a gun misfires). Ladies exist to provide set up lines for the hero to respond to in a way that's usually just intended to convince us that he's cool, calm and capable. There's nothing wrong with it, and if it's your first introduction to that style of pulp noir fiction, great. I'm just kinda tired of it.
The BDSM elements and anti-Castro historical setting are the only decorative elements that are (kinda) unique to the narrative but it wasn't enough to get me interested in Spillane's antihero and whether or not he'd be able to recover some funds for anti-Castro rebels, fend off assassins and consummate his marriage with his wife in the CIA.
Max Allan Collins, whose work I enjoy, finished up this unfinished Spillane book and I hope it paid some bills for him. Every once in a while I thought I could pick up hints of his style, but it just left me wanting to read one of his Quarry books instead. That's just me.
His stories typified standard pulp: unstoppable masculine protagonists that all the ladies love. Fights where any guns present are kicked out of hands or dropped, and someone usually dies in a clinch (a knife slips, a gun misfires). Ladies exist to provide set up lines for the hero to respond to in a way that's usually just intended to convince us that he's cool, calm and capable. There's nothing wrong with it, and if it's your first introduction to that style of pulp noir fiction, great. I'm just kinda tired of it.
The BDSM elements and anti-Castro historical setting are the only decorative elements that are (kinda) unique to the narrative but it wasn't enough to get me interested in Spillane's antihero and whether or not he'd be able to recover some funds for anti-Castro rebels, fend off assassins and consummate his marriage with his wife in the CIA.
Max Allan Collins, whose work I enjoy, finished up this unfinished Spillane book and I hope it paid some bills for him. Every once in a while I thought I could pick up hints of his style, but it just left me wanting to read one of his Quarry books instead. That's just me.
signalstation's review
1.0
I don't usually rate books with one star because I don't want to be thought of as saying a book isn't good... but the Goodreads scale is a personal one, with one star indicating that I don't like a book myself. And I don't care for Mickey Spillane.
His stories typified standard pulp: unstoppable masculine protagonists that all the ladies love. Fights where any guns present are kicked out of hands or dropped, and someone usually dies in a clinch (a knife slips, a gun misfires). Ladies exist to provide set up lines for the hero to respond to in a way that's usually just intended to convince us that he's cool, calm and capable. There's nothing wrong with it, and if it's your first introduction to that style of pulp noir fiction, great. I'm just kinda tired of it.
The BDSM elements and anti-Castro historical setting are the only decorative elements that are (kinda) unique to the narrative but it wasn't enough to get me interested in Spillane's antihero and whether or not he'd be able to recover some funds for anti-Castro rebels, fend off assassins and consummate his marriage with his wife in the CIA.
Max Allan Collins, whose work I enjoy, finished up this unfinished Spillane book and I hope it paid some bills for him. Every once in a while I thought I could pick up hints of his style, but it just left me wanting to read one of his Quarry books instead. That's just me.
His stories typified standard pulp: unstoppable masculine protagonists that all the ladies love. Fights where any guns present are kicked out of hands or dropped, and someone usually dies in a clinch (a knife slips, a gun misfires). Ladies exist to provide set up lines for the hero to respond to in a way that's usually just intended to convince us that he's cool, calm and capable. There's nothing wrong with it, and if it's your first introduction to that style of pulp noir fiction, great. I'm just kinda tired of it.
The BDSM elements and anti-Castro historical setting are the only decorative elements that are (kinda) unique to the narrative but it wasn't enough to get me interested in Spillane's antihero and whether or not he'd be able to recover some funds for anti-Castro rebels, fend off assassins and consummate his marriage with his wife in the CIA.
Max Allan Collins, whose work I enjoy, finished up this unfinished Spillane book and I hope it paid some bills for him. Every once in a while I thought I could pick up hints of his style, but it just left me wanting to read one of his Quarry books instead. That's just me.
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