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Reviews tagging 'Fire/Fire injury'

Penance by Eliza Clark

145 reviews

livres_de_bloss's review against another edition

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This book could be (generously) described as a comprehensive autopsy of a fake crime. But,mon dieu, it’s so poorly written and executed that it made me angry. After reading some of the critical reviews, I feel confident that this continues and finishes unsatisfactorily so I’m calling ToD and DNF. I read to page 93 and skipped to page 399 to read the ending and UGH. I don’t want to waste any more energy on it, so take my reading notes and let’s call it done:

I hate true crime (and any fandom culture, really) so the layout, writing, and story didn’t do much for me because it’s trying to emulate true crime. Critical reviews point out this book is (not even subtly) based on a real murder, which is just gross. Any “commentary” the author was trying to make about the harmful and exploitative nature of true crime is totally undermined by her own exploitation of real victims and their families. Adding insult to injury, the author doesn’t acknowledge this “inspiration”.

The dialogue (podcast transcripts especially) was embarrassingly poor and made me wince a few times. The teenspeak was awful and not remotely relevant to the time period.

Writing didn’t work for me - very dry and flat. The ‘structure’ is basically an info dump. Abysmal pacing. Excessive filler. Spelling and grammar mistake abound. Desperately needed tighter editing. The characters were cardboard. Don’t even try and tell me this was intentional to illustrate how incompetent the journalist was… find me a single person that would choose to read a badly written, 400+ page book because iT’s ChArAcTeRiZaTiOn! It’s the authors job to make the read compelling and the editors job to make it coherent. This book is neither.

Book wasn’t sure what it wanted to be so doesn’t fully realize any of its potential on any themes. The claims of commentary on austerity/seaside towns in decline and ramifications of Brexit are patently false. A throwaway line or two isn’t critical commentary. Instead, author prioritized gratuitous violence and completely unneeded rambling tangents.

Why was it titled “Penance”? This isn’t a theme or thing in the book at all.

I came to dread picking this up and regret the time I spent with it. Waterstones recommendations always let me down. I guess it’s fair to not trust a bookshop: their priority is making money, not giving objective recs. 🤷🏼‍♀️

Hard do not recommend. If you have to read it, get it from the library. Don’t spend your money on this. Lastly, a gentle reminder that DNFing a bad book is self-care. 

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zombiezami's review against another edition

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challenging dark emotional funny mysterious reflective tense medium-paced

4.5


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nightstitch96's review against another edition

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challenging dark tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.0


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elanuruysal's review against another edition

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dark mysterious sad medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? N/A
  • Flaws of characters a main focus? Yes

4.0


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hannahleewhite's review against another edition

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dark reflective tense
  • Flaws of characters a main focus? Yes

4.75


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anissawren's review against another edition

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challenging dark mysterious reflective medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.25


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noveltay's review against another edition

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challenging dark mysterious sad tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

5.0

This felt like a documentary and a thriller movie combined. Very entertaining and a quick page turner. I googled multiple times reading to see if this was a true story, or based on a real town etc. Every character was unlikeable, minus maybe some parents.

I can’t wait for another book by this author. Her two out right now, are both 5 star reads for me.

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zoeygrey's review against another edition

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adventurous dark emotional mysterious reflective medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? It's complicated

4.25


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carojust's review against another edition

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dark mysterious tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.5

Eliza Clark is masterful at storytelling and character/world-building. She has laid out the entire plot in the first few pages, yet you're left intrigued and increasingly absorbed as the book moves on. 

"Penance" focuses on the perspectives of four teen girls, schoolmates at a small coastal town in England. They are, at varying degrees, involved in the gruesome demise of Joni, a fellow student in their class. 

The layer on top of this plot is that we are reading the POV of a fictional author who has interviewed the characters and researched Joni's case. He's an unreliable narrator to say the least. It's Inception-y, and lets us sit at a distance from the horror, like a sobering buffer. 

With this in mind, Clark plays with our sense of what is real and what is not. I found myself Googling events that were completely fictional, though there are references to real platforms, psychopaths, books and a school shooting. This disorients you as a reader, and mimics the delusion and untruthiness taking place with the characters, and true crime in general.

What definitely feels real are the Tumblr posts, and the fangirls who idolize and fictionalize mass murderers. Clark spends a lot of time illustrating this world, and we sit in the discomfort for a while. It's a paradoxically naive and dark place. 

I should add, the author purposefully avoids going into specifics of what these characters physically do to Joni
beyond setting fire
. You can assume you will fill in the details yourself, which is a wild realization.

After assessing the TWs, I recommend this book as a dark, brutal, engaging read with the most well-crafted characters I've ever come across. Keep reminding yourself it's fiction, but not really.

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stellahadz's review against another edition

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challenging dark emotional tense medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.25

I loved how this book was written - it's a novel presented as a non-fiction true-crime book. Clark captures the voices of the teen characters so well, and as someone who grew up using Tumblr (and who was thankfully spared the genuinely horrifying sides of that platform), it was so interesting to see it explored in literature. I also loved that the characters and the setting were so well thought out; everything was described with a perfect amount of detail that tied it back to the crime. I genuinely liked this book a lot, perhaps more than Boy Parts, but there was something about it that bothered me.

As someone who has admittedly listened to and watched true-crime stories (although I try not to engage with media that is sensationalizing or disrespectful of victims and their families), I noticed almost immediately that
Joan's murder and its aftermath was practically a play-by-play of the murder of Shanda Sharer, a girl who was tortured and killed by a group of older teenagers in (I believe) the 90s. I can't help but feel that it's a little disturbing and disrespectful for the book to be *this* closely based on an actual crime against a child. There was no mention of Sharer or her family anywhere in the book notes or the acknowledgments (although I'm not familiar with all of the books that Clark referenced in writing this book.)
Maybe Clark's intention is to engage the audience through a sense of familiarity with especially famous true crime cases. While this is clever and well-executed from a writing point of view, I'm not sure how ethical it is. Again, I did like the book overall, this is just something that bugged me about it. 

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