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kers_tin's review against another edition
adventurous
hopeful
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.0
Graphic: Police brutality, Confinement, Blood, Sexual content, Violence, Toxic relationship, Stalking, Sexism, and Death
ladythana's review against another edition
adventurous
funny
mysterious
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Blood, Sexual content, Murder, and Police brutality
Moderate: Toxic relationship, Death of parent, Classism, and Misogyny
Minor: Kidnapping, Torture, and Fire/Fire injury
sophiesmallhands's review against another edition
adventurous
emotional
funny
mysterious
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Once again, Freya Marske knocks it out of the park with whipcrack humour, excellent pacing and characters that you grow extremely attached to very quickly. In this volume, we follow Maud, Robin Blyth’s younger sister, as she travels from the USA back to Great Britain on an ocean liner accompanied by an elderly woman with knowledge of one of the objects involved with the Last Binding – too bad she’s murdered before the 2nd chapter…
What follows is Maud “accidentally” recruiting a dream team of fellow shipmates to solve the crime: Alan, a young aspiring journalist with a penchant for stealing; Lord Hawthorn, who would like everyone to know he did NOT want to be involved with these people but somehow ends up showing up when they need him most every time; and finally Violet Debenham, an actress magician with a charming exterior and a steely interior (interestingly, the complete opposite of Edwin in AML).
This love story is more of a lust-at-first-sight but as I came to know both Violet and Maud better, I was able to become more invested in their romance. As Lord Hawthorne put it, Maud is a “ball of righteousness” – the world does not deserve her and she needs to be protected at all costs (just like dear Edwin uwu). The murder mystery combined with the chaotic/cosy/claustrophobic setting of the ship just really *hit* right and just like in AML, there are two climaxes. I can tell you now, I was not expecting the surprise villain and they were scary as shit!!
Graphic: Sexual content
Moderate: Violence and Death
Minor: Injury/Injury detail, Sexism, Death of parent, Gun violence, Murder, Torture, and Toxic relationship
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