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lareinadehades's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Graphic: Infidelity
Moderate: Suicide
clarkg's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
5.0
Moderate: Animal cruelty, Child death, Slavery, Grief, Suicide, Pregnancy, Cursing, Death, Infidelity, and Sexual content
Minor: Sexism, Racism, Child death, Terminal illness, and Body shaming
wordsmithreads's review against another edition
- Strong character development? It's complicated
- Flaws of characters a main focus? Yes
5.0
Graphic: Infidelity
Moderate: Suicide
storyorc's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
Possession is not, however, romanticised. Byatt is not wanting for a romantic turn of phrase of course, but Roland often has to think about ticket prices and rent in the middle of his international treasure-hunt. The threat of being swept up into false levels of passion is ever-present in both timelines yet the characters are always damningly aware of it. Both Christabel in the 1800s and Maud in the novel's present grapple with whether one can love without losing oneself. This titular question of possession is raised in myriad ways: though bonds of marriage and parenthood, through secrets and their uncovering, through the scholars who hoard every letter a dead poet penned and their widows who burn them. Byatt even flirts with literal possession thanks to the Victorian obsession with séances. At each junction, we are made to reckon with how much and how willingly we give ourselves away. By juxtaposing the parallels between our casts in each timeline, Byatt explores both the consequences of giving oneself away and of holding back.
On a less grandiose but no less important level, Byatt is a master of endearing us to unlikeable characters. Chapters devoted to secondary characters feel tangential, yet shine a light on inner convictions which force an appreciation for even the most meek or abrasive (looking at you, Cropper). This generous and empathetic method of revealing character resonates beautifully with the way our heroes delve through layer after layer of the scandalous secret lives of Victorian poets.
Thankfully, Byatt also knows when not to indulge in a tangent. Far from the dusty library of the first pages, this treasure-hunt-style plot crescendos into a more dramatic action scene than I would have believed. And yet, in its final moments of revelation, you feel you could hear a pin drop.
At the risk of sounding like a study guide, I encourage readers to keep an eye on imagery surrounding whiteness (the literal colour, not the race). Whenever someone started talking about how white Christabel or Maud looked, be it about purity, beauty, or frigidity, I noticed it would illuminate something about where either the speaker or object was sitting on the possession question. Also apples, though I'd have to read again to say why beyond the superficial temptation connotation - they cropped up a lot.
Read with @RoisinsReading's (Youtube) Big Book Club discord.
Graphic: Pregnancy, Suicide, and Infidelity
Minor: Homophobia, Racism, and Sexual harassment
Re: the homophobia, this book is way gayer than you'd expect but the character most likely to have been a lesbian meets a tragic ending. Re: racism: the only non-white character happens to be the most sexually aggressive. She has a fun personality too, and this trait is not a problem on its own, but it does adhere to the stereotype.anniebg's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? N/A
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
Minor: Suicide
serendipitysbooks's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.25
I can fully see why this won the Booker Prize in 1990. Byatt is a master of her craft. Not only did she write an intricate layered story, but she created all the documents that her fictional scholars used to piece together the connections between their poets- lengthy romantic poetry that could easily pass for authentic, letters, diary entries, and extracts from academic publications. At times I found the literary analyses and critiques, the textual analysis, a bit too dry and academic. At other times I enjoyed playing literary sleuth myself. I also appreciated the varying tones Byatt incorporated. Much of the book felt dry and academic, especially if Victorian literature is not your thing. Yet the book is not all like this. In fact a chapter towards the end, a sort of showdown between the British academics and their unscrupulous American counterpart, was laugh out loud funny with cars ramming each other plus a spot of grave digging. And I also sniggered more than once at the fun Byatt poked at academics. The ending was satisfying, if a bit too convenient. I had reservations at the beginning of this book but I ended up liking it a lot more than I initially expected.
Moderate: Biphobia, Suicide, and Lesbophobia
anagramatica's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.0
Graphic: Suicide
Minor: Cultural appropriation
Seances/spirit communicationkimschouwenaar's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? No
2.5
it reads more like an extremely long research article than the fictional work of art I was hoping it to be. disappointed and glad to have finished it.
Moderate: Suicidal thoughts, Infidelity, and Suicide
Minor: Pregnancy
sofipitch's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
2.5
There is also the inclusion of fake poetry from LaMotte and Ash as well as short stories, almost constantly, maybe 1/4th of the book. As often as we are forced to read analysis on the poems just presented I can't help but wonder if the poems came first and then the book was built around it as a better way to sell them.
Overall much longer than it needed to be for both the story and the message it was trying to tell.
Minor: Pregnancy and Suicide
savvylit's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? No
2.5
All that being said, I did not actually enjoy reading Possession. Most characters were underdevolped stereotypes. The worst offender was feminist scholar Leonora Stern whose portrayal is frankly both bi- and lesbophobic. Additionally, I think that this novel was incorrectly marketed as a romance. It is not a romance in the typical sense. In fact, the actual expression of romantic love in Possession is few and far between. And, like the characters, what little there is falls flat. If anything this book is a love letter from Byatt to the scholarship of literature. Perhaps that is what was meant by the full title "Possession: A Romance."
Ultimately, though, what bothered me most was the disjointed flow of the book. This was due to the sheer amount of metatextual inserts into the overarching "mystery." Just when I began to feel invested in a character or storyline, I was dropped into a lengthy Victorian poem or a series of melancholic journal entries. I considered not finishing this book at only 200 pages into the story. However, I decided to continue out of some sense of needing to suffer at the expense of experiencing true art (TM). I will add Possession to the list of masterpieces that I read but will not revisit or recommend. (i.e. War & Peace and Infinite Jest).
Moderate: Biphobia, Lesbophobia, Suicide, Body shaming, and Infidelity