Reviews tagging 'Colonisation'

The Underground Railroad by Colson Whitehead

39 reviews

travisppe's review

adventurous challenging dark emotional hopeful inspiring sad tense medium-paced

• Plot- or character-driven? A mix
• Strong character development? Yes
• Loveable characters? Yes
• Diverse cast of characters? Yes
• Flaws of characters a main focus? Yes

5.0

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Content Warnings

Graphic: Cultural appropriation, Emotional abuse, Gore, Pregnancy, Racism, Religious bigotry, Sexual assault, Stalking, Suicidal thoughts, Suicide, Torture, Child abuse, Colonisation, Confinement, Hate crime, Injury/Injury detail, Misogyny, Murder, Physical abuse, Sexual violence, Slavery, Suicide attempt, Trafficking, Death, Death of parent, Violence, Abandonment, Adult/minor relationship, Animal cruelty, Blood, Bullying, Child death, Domestic abuse, Genocide, Kidnapping, Rape, War, Xenophobia, Fire/Fire injury, Forced institutionalization, Grief, Racial slurs, and Self harm

gilroi's review against another edition

adventurous challenging dark emotional reflective sad tense medium-paced

• Plot- or character-driven? Character
• Strong character development? Yes
• Loveable characters? Yes
• Diverse cast of characters? Yes
• Flaws of characters a main focus? It's complicated

5.0

I don't go for most media about slavery, for the same reason I don't touch the Holocaust. When I was little, as one of the only Jewish children in my elementary and middle school, atrocity was shoved down my throat. I was expected to be okay with it. It was my history, after all. When I watched narratives about slavery (inevitably written and directed by white people), I saw the same lurid fascination with martyrdom and pain that I saw in Holocaust movies, in Holocaust books. Atrocity was entertainment for people, and I didn't want to see its implications: that to be as good and worthy as WASPs, people had to come from a legacy of torture. The torture needed to be replayed endlessly. See the bad go down again.

This book dispenses with those themes quickly and easily. People are not 'good' for their suffering. There is horror, and that is never shied away from. But its depiction is not the point. What cruelty does to someone, how it twists them inside, that's far more important. Cora is not a smiling martyr, she does not exist to make us all feel better about the present moment. She has her moments of selfishness, of unsmiling wrath, of twisted bitterness and uncharitableness. And who could blame her? Certainly not me. 

This book asks: Who built America? We know who stole it, but who built it? Who put their labor into it? We know who stole the labor, but <i>who made America</i>? 

People like Cora, who were never perfect, who never had any responsibility to serve as a model, whose existence is not to educate. She-- and by extension, this book-- is not here to make anyone feel better about themselves. And for that, the book made me feel, just slightly, at peace with history. Pain is not a model, so we should not rely on it to teach. 

Finally among other free blacks, Cora learns to enjoy living, to fight against fear. Pain taught her nothing.

Cora's kindness is not for the benefit of white people, so they can be forgiven by the dead. Her kindness is hard-won, something she fought for, something she had to make room for within herself. Her kindness for herself.

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Content Warnings

Graphic: Confinement, Racial slurs, Slavery, Torture, Violence, Kidnapping, Racism, Trafficking, and Colonisation

Moderate: Child abuse, Child death, Medical trauma, and Abandonment

Minor: Animal cruelty, Sexism, Sexual assault, Sexual violence, and Rape

charlotteih's review against another edition

adventurous challenging dark emotional reflective sad medium-paced

• Plot- or character-driven? A mix
• Strong character development? Yes
• Loveable characters? It's complicated
• Diverse cast of characters? Yes
• Flaws of characters a main focus? It's complicated

4.5

heart wrenching, tragic, sad, disgusting, humorous, beautiful. an epic portrait of the black american experience, and the complex, nuanced machine driven by white oppression. whitehead’s characters are vivid and consuming, his reflections and storytelling just the same. 

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Content Warnings

Graphic: Rape, Self harm, Misogyny, Mass/school shootings, Racism, Slavery, Suicide, Suicide attempt, Medical trauma, Confinement, Gore, Physical abuse, Forced institutionalization, Fire/Fire injury, Death, Classism, Injury/Injury detail, Emotional abuse, Child death, Sexual assault, Mental illness, Hate crime, Domestic abuse, Genocide, Trafficking, Torture, Religious bigotry, Alcohol, Violence, Pedophilia, Sexual violence, Racial slurs, Abortion, Murder, Kidnapping, Colonisation, Body horror, and Schizophrenia/Psychosis

greatexpectations77's review against another edition

adventurous challenging dark emotional informative inspiring reflective sad tense medium-paced

• Plot- or character-driven? A mix
• Strong character development? It's complicated
• Loveable characters? It's complicated
• Diverse cast of characters? Yes
• Flaws of characters a main focus? It's complicated

5.0

Whew. This one is a really rough read, but the writing is so excellent. It's extremely distressing, but it's an important read. Absolutely will read this author again.

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Content Warnings

Graphic: Gun violence, Kidnapping, Torture, Death, Gore, Grief, Xenophobia, Emotional abuse, Misogyny, Murder, Police brutality, Racial slurs, Racism, Rape, Stalking, Trafficking, Blood, Classism, Confinement, Genocide, Hate crime, Injury/Injury detail, Religious bigotry, Slavery, and Violence

Moderate: Infidelity, Abandonment, Pedophilia, Sexual harassment, Sexual violence, Sexual content, Toxic friendship, Toxic relationship, Alcohol, Bullying, Child death, Child abuse, Excrement, Physical abuse, and Sexual assault

Minor: Animal death, Colonisation, Death of parent, Domestic abuse, Forced institutionalization, Pregnancy, Fire/Fire injury, Gaslighting, and Medical content

samanthamurk's review against another edition

dark emotional sad tense

• Loveable characters? Yes

3.75

read for english class, 11th grade. I really liked this book, it’s a powerful story and i enjoyed the writing style.

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Content Warnings

Graphic: Racism, Slavery, Racial slurs, and Colonisation

itsbumley's review against another edition

challenging emotional reflective sad medium-paced

• Plot- or character-driven? A mix
• Strong character development? It's complicated
• Loveable characters? Yes
• Diverse cast of characters? Yes
• Flaws of characters a main focus? No

4.0

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Content Warnings

Graphic: Child abuse, Colonisation, Fire/Fire injury, Misogyny, Rape, Religious bigotry, Sexual violence, Violence, Death, Sexism, Blood, Death of parent, Grief, Hate crime, Medical trauma, Racism, Sexual content, Slavery, Suicide attempt, Torture, Xenophobia, Domestic abuse, Emotional abuse, Genocide, Gun violence, Injury/Injury detail, Kidnapping, Murder, Physical abuse, Police brutality, Racial slurs, Suicidal thoughts, Suicide, and Trafficking

mads_reads_books's review against another edition

dark reflective sad tense slow-paced

• Plot- or character-driven? Plot
• Strong character development? It's complicated
• Loveable characters? It's complicated
• Diverse cast of characters? Yes
• Flaws of characters a main focus? No

4.0

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Content Warnings

Graphic: Racial slurs, Genocide, Slavery, Violence, Stalking, and Racism

Moderate: Incest, Colonisation, Infertility, Sexual assault, Sexual violence, Suicide attempt, Blood, Classism, Confinement, Grief, Kidnapping, Pedophilia, Domestic abuse, Murder, Death, Suicide, and Trafficking

nukie19's review against another edition

adventurous dark emotional informative sad tense medium-paced

• Plot- or character-driven? Character
• Strong character development? Yes
• Loveable characters? It's complicated
• Diverse cast of characters? Yes
• Flaws of characters a main focus? No

4.25

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Content Warnings

Graphic: Sexual assault, Death, Hate crime, Murder, Physical abuse, Racism, Slavery, Injury/Injury detail, Violence, Racial slurs, Colonisation, Rape, Blood, and Gore

nytephoenyx's review against another edition

dark emotional informative reflective tense slow-paced

• Plot- or character-driven? Character
• Strong character development? Yes
• Loveable characters? Yes
• Diverse cast of characters? Yes
• Flaws of characters a main focus? It's complicated

4.0

 The Underground Railroad was a good story, but it's more than that. It's a good reminder. Colson Whitehead uses the narrative to talk about Cora's escape and journey on a literal underground railroad and reminds us of the many injustices against Black folks in historical America. He even pays tribute to the local Native American tribes and discusses land theft and murder.

The story itself was good - it lulled a bit in the middle from a narrative perspective, but that part was so important because it illustrated the persistence of hate. So while the middle exhibited less exciting storytelling, the pause left room for Colson Whitehead to share things like racial eugenics and the emergence of the Klu Klux Klan, which are important, horrifying aspects of our history.

Overall a very powerful book and highly recommended. 

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Content Warnings

Graphic: Rape, Sexual violence, Slavery, Kidnapping, Murder, Racism, Colonisation, Trafficking, Forced institutionalization, Hate crime, Child abuse, Child death, Death, Injury/Injury detail, Medical trauma, Physical abuse, Racial slurs, Torture, Abandonment, and Body horror

Moderate: Medical content, Pedophilia, Religious bigotry, Alcoholism, Blood, Gun violence, Alcohol, and Grief

Minor: Pregnancy, Abortion, Adult/minor relationship, and Excrement

There are many Black characters and multiracial characters. There are a couple Native American characters (tribes not always shared). The book discusses racial eugenics in detail. There is a character who wears human remains as jewelry.

thecriticalreader's review against another edition

challenging dark slow-paced

• Plot- or character-driven? Plot
• Strong character development? No
• Loveable characters? No
• Diverse cast of characters? Yes
• Flaws of characters a main focus? No

1.25

Since I enjoyed Colson Whitehead’s book Harlem Shuffle, I decided to pick up arguably his most famous novel, The Underground Railroad, which won the Pulitzer Prize and the National Book Award. 

 

Blurb: 

Cora is an enslaved field worker at the Randall Plantation in Georgia, a place of hellish brutality and cruelty. She and a fellow slave named Caesar decide to make their escape using the underground railroad, which consists of an inconsistent and ever-changing network of train tracks and locomotives. The book follows Cora as she uses the railroad to travel to different states, each with its own laws and philosophies regarding race and slavery, all the while fleeing from the slavecatchers who hunt her down with a rabid intensity. 

 

Review:

When I picked up The Underground Railroad, I hoped for an engaging story with characters I could root for and an interesting, original exploration into slavery, race, and America. Unfortunately, I got neither of these things. 

 

Before diving into my problems with the book, I want to praise Whitehead’s writing. Each sentence is carefully crafted for maximum effect, and while sometimes I cringed a bit at certain lines that read as too heavy-handed, others struck me as poignant and profound.

 

Since Whitehead spends so much of the relatively short book having the main character encounter different places and scenarios as well as switching the perspective to other characters, Cora felt underdeveloped. Cora and the other characters serve more as a vehicle through which Whitehead can explore his ideas rather than real people, so at a certain point I stopped caring about the narrative as a whole. The villains of the story were bizarre and unbelievable, which is not ideal in a story about slavery—the best stories about slavery show enough of the white oppressors’ humanity for readers to understand what forces corrupted them, while refusing to forgive or excuse their immoral actions. I might not have minded the underdeveloped characters if he had tackled his themes and ideas in an original and deep manner, but that was not the case.

 

The Underground Railroad provides an alternate version of United States history. Almost all of the events, ideas, philosophies, and circumstances it contains do show up throughout US history, but he warps events, geographies, and timelines so that Cora faces what feels like nearly every major race-based attack on black people and learns about every major racist philosophy in the span of a few years. It read as if Whitehead wanted to write a book about slavery, but he wanted to be original about it. So, he used an interesting but half-baked premise to cram hundreds of years of black oppression into one book, neglecting meaningful characterization in the process. Instead of exploring the nuances of race relations and the American identity, his mishmash of horrors felt surface-level because he tried to tackle so many things at once. I think that this book may have been better as a series of short stories, where he could take the premise of each section and flesh it out in a Twilight Zone-esque narrative without having to worry about connecting everything or writing complex, sympathetic characters. 

 

Ultimately, the payoff of this book did not come close to justifying the book’s strange contrivances. The idea of a literal underground railroad—built in a world with nineteenth-century technology—is absolutely ludicrous. However, I was willing to overlook it if it allowed Whitehead to say something important or interesting. Unfortunately, the opposite is true and I worry that some readers will have the wrong takeaways from The Underground Railroad. Readers with a very rudimentary knowledge of American history might take a lot of the book at face value, thus gaining a warped and incorrect understanding of US history. Other readers who know enough to understand that Whitehead is condensing the narrative and switching things around, but who cannot tell exactly where he is doing so, might assume that part of the fictionalization is him exaggerating the horrors of slavery, especially since slavery’s cruelty is easy to dismiss as fictional unless one knows better. The best-case scenario is that someone without extensive knowledge of American history reads his book as a fictional introduction to some of the basic themes of slavery and race in America and use it as a launching point to explore the factual versions of these events. 

 

In theory, someone who knows enough about American history to pinpoint exactly when, where, and how Whitehead manipulates events should stand to gain more from this book, but unfortunately the only lesson I “learned” was that racism has corrupted every aspect of America’s past, present, and future—an idea that anyone who has studied African American history will have already encountered in more complexity, emotion, and detail in other texts. Left without anything to grab hold of, I ended the book annoyed at the underdeveloped nature of the premise, characters, and plot.

 

 

The Run-Down: 

You will probably like The Underground Railroad if:

·      You are looking for an introduction to the main themes and ideas of African American studies through a fictionalized, alternative history narrative.

·      You don’t mind a book sacrificing character development or believability for the sake of a unique premise.

 

You might not like The Underground Railroad if:

·      You want to read a character-centered story with complex, highly-developed protagonists and villains.

·      You are looking for a historically accurate work of historical fiction.

·      You dislike dark, violent stories .

 

A Similar (but much better) Book: 

Kindred by Octavia Butler. Similarities between these books include:

·      Stories with black enslaved protagonists in antebellum America

·      Use of fantasy (Kindred) or alternative history elements (The Underground Railroad) to explore themes of race and slavery in America

·      Exploration of how slavery affects America’s past, present, and future

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Content Warnings

Graphic: Death, Death of parent, Child abuse, Child death, Forced institutionalization, Genocide, Kidnapping, Racial slurs, Violence, Rape, Grief, Confinement, Hate crime, Sexual assault, Slavery, Injury/Injury detail, Racism, Torture, Medical trauma, Murder, Physical abuse, Police brutality, Pedophilia, Abandonment, Sexual violence, and Trafficking

Moderate: Blood, Classism, Panic attacks/disorders, Colonisation, Fire/Fire injury, Ableism, Pregnancy, Mental illness, Miscarriage, Suicidal thoughts, Gun violence, and Misogyny

Minor: Bullying, Chronic illness, Suicide, and Alcohol