Reviews

The Dressing-Up Box by David Constantine

hanin's review

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mysterious reflective tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? Yes

3.25

litficwithellie's review

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challenging dark medium-paced
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? It's complicated

3.5

AD, gifted

I was provided with a free e-copy of this book by the publishers, Comma Press, in exchange for my honest review.

I didn’t really know what to expect going into this book. To be entirely honest, I’d actually forgotten that it was a short story collection rather than a novel. Despite loving short stories, I have to admit I was a little bit disappointed when the first story ended and I was presented with a new set of characters, because I was burning to read more about the children in the first story. The opening story is where the collection takes its name from: a group of children are living in a large house, with an almost military-style guard rota in place. Quite why these children are here alone, and why they need to guard the house from the adults outside is a mystery, and it was a mystery I wanted solving! But no, I was whisked away to a new setting, new characters, with just a thematic overlap to tie me back to the story I wanted so desperately to read more of. 

Some of the stories definitely stood out to me more than others. The Dressing-Up Box, the first story in the collection was one such story. When I Was A Child, the story of the Catholic orphanage where the children are abused also stood out to me as a particularly dark exploration of the themes recurring throughout the collection, and again — I wanted to read more, I wanted to know these children would be saved. But there’s no real salvation in most of these stories. The other story that I remember standing out to me the most was Ashton and Elaine, the story of a young black boy found and taken in by a white family. All the characters in this collection share a need for sanctuary, and some of them tentatively find something they could call safe, or home, while others are left searching. The other recurring theme throughout this collection is the theme of withdrawal, which I noticed in varying degrees throughout the stories. In some, like Ashton and Elaine, where Ashton refuses to speak for a long time, this withdrawal is obvious, but in some other stories it was much more subtle, and sometimes I actually struggled to see how a story slotted into the wider collection.

These stories are, generally, quite dark, bordering on gothic in places. I felt like David Constantine’s writing style really suited the dark aspect of the collection. Many of the stories did blur into one another, however, and there are a few titles that I couldn’t tell you anything about the story they belong to. Sometimes the characters seemed flat, and with this lack of depth in the characters I struggled to stay engaged through some of the stories. This is definitely a collection for when you’re able to give it your full attention, because I found myself latching onto distractions more than the stories in some parts, which I will admit I am often liable to do. 

Review also posted on GoodReads, and my blog (ad, gifted): eleanorsophiewrites.wordpress.com/2020/07/11/the-dressing-up-box
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