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nxpe's review against another edition
adventurous
challenging
dark
emotional
funny
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Flaws of characters a main focus? No
5.0
Margaret Rogerson does not write a bad book- I am convinced. This book was so amazing, and I enjoyed it so much!
I was not expecting the extreme plot twists nearing the end, but they were very welcomed. I was convinced the priest had some sinister, horrendously evil plan... So, it being the Divine was a shock to me (I didn't mind though, she annoyed me a little bit).
I love the friendship development between Artemesia and Marguerite. I was worried because of the lack of romance in the book, but genuinely it wasn't needed. The friendship development between them and between Artemesia/revenant was beautiful. Also, I love the revenant! It was so funny, clever, and I love that it cared for it's vessels.
I love the friendship development between Artemesia and Marguerite. I was worried because of the lack of romance in the book, but genuinely it wasn't needed. The friendship development between them and between Artemesia/revenant was beautiful. Also, I love the revenant! It was so funny, clever, and I love that it cared for it's vessels.
Content Warnings
Graphic: Fire/Fire injury, Death, and Self harm
Moderate: Blood and Child abuse
Minor: Suicide and Vomit
yaoipaddle's review against another edition
adventurous
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.0
I really like this book!
I like the world that it takes place in and I like all of the characters. There was enough mystery and intrigue to keep me interested but not so much that it felt like I had to stop and remember everything going on.
I really like the side characters as well. I think their interactions are really fun. I like learning more and more about the world and characters as the story goes on too. I also like how the story was not bogged down by any romance!
Sometimes I feel like certain characterization of Artemesia and the revenant is too rushed. I feel as though I would have wanted more struggle between them but so much of it feels skipped over. Also I dislike how most of the time Artemesia just passes out so the author can avoid writing the rest of the scene. But these are the only negatives of the book for me. I excuse it because it's YA but I hope the pacing is fixed in future books (I think it is a series.)
I like the world that it takes place in and I like all of the characters. There was enough mystery and intrigue to keep me interested but not so much that it felt like I had to stop and remember everything going on.
I really like the side characters as well. I think their interactions are really fun. I like learning more and more about the world and characters as the story goes on too. I also like how the story was not bogged down by any romance!
Sometimes I feel like certain characterization of Artemesia and the revenant is too rushed. I feel as though I would have wanted more struggle between them but so much of it feels skipped over. Also I dislike how most of the time Artemesia just passes out so the author can avoid writing the rest of the scene. But these are the only negatives of the book for me. I excuse it because it's YA but I hope the pacing is fixed in future books (I think it is a series.)
Content Warnings
Graphic: Fire/Fire injury
Moderate: Blood and Child abuse
Minor: Suicide, Self harm, and Death
r_a_bell's review against another edition
adventurous
dark
emotional
hopeful
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
The writing in this is so beautiful. The way the main character slowly develops relationships with the other characters makes you invested. And the plot and system of magic is really interesting and clearly well thought out.
The way of depicts the effects of trauma and discusses it feels very real and doesn’t smack you in the face. It feels natural to the story, not forced.
I also really liked that there wasn’t a big romance or love interest. Not every story needs to revolve around one and it actually makes it more engaging. There is a romance between side characters which is cute and endearing, and helps bring a certain lightheartedness.
This is a really great book for someone who feels like they’ve outgrown YA in some ways, but can’t seem to get into adult fiction and how detached it often feels.
The way of depicts the effects of trauma and discusses it feels very real and doesn’t smack you in the face. It feels natural to the story, not forced.
I also really liked that there wasn’t a big romance or love interest. Not every story needs to revolve around one and it actually makes it more engaging. There is a romance between side characters which is cute and endearing, and helps bring a certain lightheartedness.
This is a really great book for someone who feels like they’ve outgrown YA in some ways, but can’t seem to get into adult fiction and how detached it often feels.
Content Warnings
Graphic: Domestic abuse, Injury/Injury detail, Panic attacks/disorders, Violence, War, Child abuse, Confinement, Death, Emotional abuse, and Fire/Fire injury
Minor: Grief, Murder, Self harm, Gore, Animal cruelty, Torture, and Eating disorder
Trigger warning for animal abuse is for the most minor of mentions, it’s something I’m extremely sensitive about, so I really mean minor. Nothing is actually described it’s just mentioned to explain the behavior of an animal (who is then treated very nicely and heals from the trauma). Eating disorder isn’t really for an eating disorder, but more for disordered eating, if that makes sense. It’s not an eating disorder that’s described, but the way a character’s eating behaviors are described could be triggering for some peoplevaniavela's review against another edition
adventurous
dark
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.0
Artemisia is a Grey Sister who works alongside the nuns of the convent, preparing the corpses for their final resting place. But when an army of possessed soldiers comes to destroy the one place that has made her feel at home, she is forced to use the relic of a saint to protect the monastery.
The world building is simple but interesting, with well-developed themes of religion in that era. Although the pace is slow, we manage to immerse ourselves in this world and connect with the characters.
We have a main character with trauma and a sad backstory, which is one of the most used tropes in fantasy. I liked seeing the consequences of her childhood abuse in the present.
The writing was simple but kept me interested in her story from the beginning of the book. All the secondary characters were also good. I liked how versatile the revenant's personality was.
Overall, this was a good book.
tw: abandonment, child neglect, child abuse in past, possession, self-harm, threats of suicide, grief, brief mention of animal abuse, mention of animal deaths, blood depictions, vomiting, drugging, anxiety depictions, talk of plagues, loss of a loved one in the past, mention of spiders, death.
The world building is simple but interesting, with well-developed themes of religion in that era. Although the pace is slow, we manage to immerse ourselves in this world and connect with the characters.
We have a main character with trauma and a sad backstory, which is one of the most used tropes in fantasy. I liked seeing the consequences of her childhood abuse in the present.
The writing was simple but kept me interested in her story from the beginning of the book. All the secondary characters were also good. I liked how versatile the revenant's personality was.
Overall, this was a good book.
tw: abandonment, child neglect, child abuse in past, possession, self-harm, threats of suicide, grief, brief mention of animal abuse, mention of animal deaths, blood depictions, vomiting, drugging, anxiety depictions, talk of plagues, loss of a loved one in the past, mention of spiders, death.
Content Warnings
Graphic: Abandonment and Child abuse
Moderate: Grief, Vomit, Self harm, and Blood
Minor: Animal death, Animal cruelty, and Death
alexalily's review against another edition
adventurous
dark
hopeful
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Self harm and Fire/Fire injury
Moderate: Violence, War, Child abuse, Injury/Injury detail, Blood, Confinement, Death, and Suicide
booksthatburn's review against another edition
dark
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
VESPERTINE is a bloody tale of revenants, reluctant saints, and unlikely allies in a world where the dead walk.
I like the banter between Artemisia and the revenant. This is one place where the audiobook narrator's performance really shines, as it enhanced an already excellent story by making the revenant's voice pitch perfect for its characterization. Their conversations sometimes feel like banter while staying generally appropriate to the seriousness of each new situation. I was worried that Trouble (the bird) would be a gimmicky animal sidekick, but his appearances are brief and important. He has enough of a presence to keep his few contributions from coming out of nowhere, and his relatively few appearances keep the narrative from feeling like a comedic trio of possessed, possessor, and animal friend.
The worldbuilding is filled in gradually, starting with Artemisia’s incomplete understanding of the history of her home and the forces at play, then gradually filling in as she learns from the revenant and tries to stay alive.
The way this handles trauma, mental illness, and disability in the narrative is pretty great. It's a world where magic is real and very present, but while magic completely dispels some ailments it's not treated as a cure-all. Artemisia has burn scars on her hands which affect her daily existence. The way her hands healed affects her motor skills and ability to sense things like temperature. She still has panic attacks and various levels of mental distress when triggering events occur. There's a minor character who is deeply traumatized by an unrelated experience with possession, and even the revenant has a phobia borne of trauma. It's a world filled with undead, death, and violence, and the way that all the characters are either explicitly or implicitly traumatized accordingly helps it feel cohesive in a way I hadn't expected but very much appreciate.
The plot builds slowly, focusing more on Artemisia's efforts not to get caught once she has the revenant, then gradually she ends up in a position to do more with the information which became available to her. It has great "accidental hero (saint)" vibes with a plot that backs that up.
I like the banter between Artemisia and the revenant. This is one place where the audiobook narrator's performance really shines, as it enhanced an already excellent story by making the revenant's voice pitch perfect for its characterization. Their conversations sometimes feel like banter while staying generally appropriate to the seriousness of each new situation. I was worried that Trouble (the bird) would be a gimmicky animal sidekick, but his appearances are brief and important. He has enough of a presence to keep his few contributions from coming out of nowhere, and his relatively few appearances keep the narrative from feeling like a comedic trio of possessed, possessor, and animal friend.
The worldbuilding is filled in gradually, starting with Artemisia’s incomplete understanding of the history of her home and the forces at play, then gradually filling in as she learns from the revenant and tries to stay alive.
The way this handles trauma, mental illness, and disability in the narrative is pretty great. It's a world where magic is real and very present, but while magic completely dispels some ailments it's not treated as a cure-all. Artemisia has burn scars on her hands which affect her daily existence. The way her hands healed affects her motor skills and ability to sense things like temperature. She still has panic attacks and various levels of mental distress when triggering events occur. There's a minor character who is deeply traumatized by an unrelated experience with possession, and even the revenant has a phobia borne of trauma. It's a world filled with undead, death, and violence, and the way that all the characters are either explicitly or implicitly traumatized accordingly helps it feel cohesive in a way I hadn't expected but very much appreciate.
The plot builds slowly, focusing more on Artemisia's efforts not to get caught once she has the revenant, then gradually she ends up in a position to do more with the information which became available to her. It has great "accidental hero (saint)" vibes with a plot that backs that up.
Content Warnings
Graphic: Blood, Murder, Death, Violence, Self harm, and Vomit
Moderate: Confinement, Fire/Fire injury, Panic attacks/disorders, Injury/Injury detail, Terminal illness, Suicide attempt, Mental illness, Ableism, Excrement, Kidnapping, and Slavery
Minor: Child abuse and Suicide
paper_elytra's review against another edition
adventurous
dark
emotional
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Great world, well revealed. Would love more exploration of this world! Characters were Fierce and yet vulnerable, the fighting was swift.
Content Warnings
Graphic: Fire/Fire injury, Self harm, and Violence
Moderate: Child abuse
sunsetcity's review against another edition
adventurous
dark
mysterious
medium-paced
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Flaws of characters a main focus? Yes
3.0
Content Warnings
Graphic: Death, Forced institutionalization, Abandonment, Blood, Child abuse, and Grief
jessicaludden's review against another edition
adventurous
funny
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
3.0
“The revenant might be a monster, but it was my monster.”
This was an interesting read. I loved the magic system and the whole concept of spirits, nuns, and relics, but I think the world building is lacking. The world in this story feels bigger than one book to me. There were many times while reading that I found myself confused on the logistics of the world and the possibilities of the magic. There were also many times I wished for more detail and backstory. For example, I would’ve loved more time learning about the origins of the revenants and the Old Magic that is constantly referenced throughout the book. It just didn’t feel like the way things happen in this world was explained very clearly at the beginning.
I think the central issue of the story and the big bad was underwhelming. I liked the plot twist that Leander actually had no idea about Sarathiel and it was actually the Divine who was helping him, but I think Sarathiel’s overall purpose got lost in translation between the soldier spirits, him killing the Divine, and the rituals that Artemisia needed to do to save the world (at least I think that’s what she was trying to do). The stakes never felt very high to me and I think it’s due to the lack of detail I had with the world building.
I also think the side characters fell a little flat. The seeds of character complexity were there, but it felt like something was missing in their connection to Artemisia. I think their friendships could’ve been used a lot better and been more important in her story.
What I loved about this story was the dynamic between Artemisia and the revenant. They had really good banter and were both very blunt with each other. The revenant was hilarious, but I also loved seeing it’s softer side as the story progressed. I loved seeing their relationship build and the trust get developed. I especially loved the ending where Artemisia realized Rathanael had decided to sacrifice himself in order to save her and destroy Sarathiel. Their connection was the best part of this book and it’s what occurred for most of the story, which makes sense because she was literally a vessel for it. Overall, I enjoyed reading this. It could’ve been better in terms of the world building, but Artemisia and the revenant’s relationship made it enjoyable.
Favorite Quotes:
“‘You miss feeling things. You like being in a human body.’
‘That doesn’t mean I want to be in yours!’”
“‘Have you ever considered that your body carries you?’”
“‘No, and I don’t see why it matters. Humans are so tedious. Oh, you have dangly bits. Congratulations, you’re going to put on armor and swing a sword about. Oh, you’ve ended up with the other kind. Too bad—time to either have babies or become a nun.’”
“‘I’ll remind you,’ it said finally. ‘Rather than expecting you to remember on your own. When you need to eat, when you’re sick or hurt, and whether it’s serious enough to seek help. But you have to promise that you’ll listen to me.’”
“…the longing I had felt that day and many days since was homesickness. Homesickness for a place I had never been, for the answers to questions I carried in my heart but for which I had no words. I hadn’t recognized it then, because I hadn’t understood what it felt like to have a home.”
“‘I’ll have you know that I’m very good-looking by undead standards…’”
“‘You are the worst vessel I’ve ever had…’”
“If power we’re a measure of worth, Charles wouldn’t have needed me at all.”
“I glanced around at her, Charles, Jean. The people in the hall. I felt the revenant, bristling with impatience. And I realized she was mistaken—I hadn’t been alone, not for some time.”
“Perhaps this was how history treated saints. It didn’t matter what was real, what had truly happened. Even as they lived, their lives passes into legend.”
“…I found myself crouched in an alley with my heart hammering, feeling like an idiot as the revenant flitted through my body searching for injuries, finding nothing.
‘What happened?’ it demanded for the fourth or fifth time. ‘What’s wrong with you?’”
“‘I’m not going to let anyone hurt you again.’”
“I knew then that we really were going to be all right, because I had survived it before, and I would survive it again.”
“The world was radiant. My thoughts were silver fire.”
“‘I don’t want to do it, which in my experience is the surest sign that I need to.’”
“‘Stop drying,’ I told him. A faint smile touched his lips. ‘Is that all?’”
This was an interesting read. I loved the magic system and the whole concept of spirits, nuns, and relics, but I think the world building is lacking. The world in this story feels bigger than one book to me. There were many times while reading that I found myself confused on the logistics of the world and the possibilities of the magic. There were also many times I wished for more detail and backstory. For example, I would’ve loved more time learning about the origins of the revenants and the Old Magic that is constantly referenced throughout the book. It just didn’t feel like the way things happen in this world was explained very clearly at the beginning.
I think the central issue of the story and the big bad was underwhelming. I liked the plot twist that Leander actually had no idea about Sarathiel and it was actually the Divine who was helping him, but I think Sarathiel’s overall purpose got lost in translation between the soldier spirits, him killing the Divine, and the rituals that Artemisia needed to do to save the world (at least I think that’s what she was trying to do). The stakes never felt very high to me and I think it’s due to the lack of detail I had with the world building.
I also think the side characters fell a little flat. The seeds of character complexity were there, but it felt like something was missing in their connection to Artemisia. I think their friendships could’ve been used a lot better and been more important in her story.
What I loved about this story was the dynamic between Artemisia and the revenant. They had really good banter and were both very blunt with each other. The revenant was hilarious, but I also loved seeing it’s softer side as the story progressed. I loved seeing their relationship build and the trust get developed. I especially loved the ending where Artemisia realized Rathanael had decided to sacrifice himself in order to save her and destroy Sarathiel. Their connection was the best part of this book and it’s what occurred for most of the story, which makes sense because she was literally a vessel for it. Overall, I enjoyed reading this. It could’ve been better in terms of the world building, but Artemisia and the revenant’s relationship made it enjoyable.
Favorite Quotes:
“‘You miss feeling things. You like being in a human body.’
‘That doesn’t mean I want to be in yours!’”
“‘Have you ever considered that your body carries you?’”
“‘No, and I don’t see why it matters. Humans are so tedious. Oh, you have dangly bits. Congratulations, you’re going to put on armor and swing a sword about. Oh, you’ve ended up with the other kind. Too bad—time to either have babies or become a nun.’”
“‘I’ll remind you,’ it said finally. ‘Rather than expecting you to remember on your own. When you need to eat, when you’re sick or hurt, and whether it’s serious enough to seek help. But you have to promise that you’ll listen to me.’”
“…the longing I had felt that day and many days since was homesickness. Homesickness for a place I had never been, for the answers to questions I carried in my heart but for which I had no words. I hadn’t recognized it then, because I hadn’t understood what it felt like to have a home.”
“‘I’ll have you know that I’m very good-looking by undead standards…’”
“‘You are the worst vessel I’ve ever had…’”
“If power we’re a measure of worth, Charles wouldn’t have needed me at all.”
“I glanced around at her, Charles, Jean. The people in the hall. I felt the revenant, bristling with impatience. And I realized she was mistaken—I hadn’t been alone, not for some time.”
“Perhaps this was how history treated saints. It didn’t matter what was real, what had truly happened. Even as they lived, their lives passes into legend.”
“…I found myself crouched in an alley with my heart hammering, feeling like an idiot as the revenant flitted through my body searching for injuries, finding nothing.
‘What happened?’ it demanded for the fourth or fifth time. ‘What’s wrong with you?’”
“‘I’m not going to let anyone hurt you again.’”
“I knew then that we really were going to be all right, because I had survived it before, and I would survive it again.”
“The world was radiant. My thoughts were silver fire.”
“‘I don’t want to do it, which in my experience is the surest sign that I need to.’”
“‘Stop drying,’ I told him. A faint smile touched his lips. ‘Is that all?’”
Content Warnings
Minor: Blood, Suicide, Panic attacks/disorders, Abandonment, Fire/Fire injury, Child abuse, and Eating disorder
snowwhitehatesapples's review
adventurous
dark
hopeful
reflective
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
5.0
Review can also be found at Snow White Hates Apples.
It’s been a while since I’ve read a fantasy YA novel that doesn’t star some conventionally pretty main character who’s more morally white than grey, so, hello breath of fresh air that is Vespertine !
The story centres around Artemisia, a young woman with a troubled past who’s training to be a Gray Sister (a nun who cleanses the bodies of the dead so that their souls can pass on and not rise as spirits that hunger for the living). She’s socially awkward, very introverted and 100% not looking forward to a life other than the predictable one of a Gray Sister. Unfortunately for her, she’s our main character so the Lady has other plans in store. Artemisia’s convent gets attacked and she awakens the revenant bound to a high relic. Thus, beginning her journey where she and the revenant must work together to save the kingdom of Loraille—all while unravelling the mystery and truths between the saints, magic and the spirits.
We move from one event to another rather quickly as the action never stops in Vespertine and that makes the book un-put-down-able. To complement this, there is no romance and instead, we’re given this delightful focus on Artemisia’s growth. I wholeheartedly adore this focus as we get to witness her coming out of her shell and leaving her comfort zone, navigating people and relationships, realizing things and just…growing in general.
Other than that, I enjoyed the dynamics between Artemisia and the revenant. The way they conversed and worked with each other was at times, entertaining and at others, heart-wrenching as one of them is a recluse who didn’t know how to connect and communicate, and the other, a snarky tsundere. However, I must admit that I was initially thrown off by how the revenant speaks. For a pretty ancient being that’s been locked up for quite a while and hasn’t actually conversed with others, he talks rather ‘modern’ (in Artemisia’s time).
I also greatly enjoyed how there’s actual communication between the characters. It’s not just talking, but proper attempts to really understand the other, especially after misunderstandings happen. This particular aspect shines in Vespertine and I love it.
The worldbuilding for this book provides a nice foundation for us to understand the simple yet well-thought-out magic system. Of course, there’s room for improvement and expansion, but since this is only the first book of the series, I’m excited to see how the world and the magic system expand in the sequel. I’m also excited to see where the story goes and how the relationship between Leander and Artemisia further develops since we’ve got this oddly anticlimactic but hopeful ending that foreshadows their potential reunion.
All in all, Vespertine is the kind of YA novel that I’m always looking forward to reading. A BAMF heroine who isn’t immediately powerful in her own right but becomes a bigger BAMF as the story progresses, no romance, and the multilayered theme of humans VS monsters all in one book? 10/10 my heart is sold.
It’s been a while since I’ve read a fantasy YA novel that doesn’t star some conventionally pretty main character who’s more morally white than grey, so, hello breath of fresh air that is Vespertine !
The story centres around Artemisia, a young woman with a troubled past who’s training to be a Gray Sister (a nun who cleanses the bodies of the dead so that their souls can pass on and not rise as spirits that hunger for the living). She’s socially awkward, very introverted and 100% not looking forward to a life other than the predictable one of a Gray Sister. Unfortunately for her, she’s our main character so the Lady has other plans in store. Artemisia’s convent gets attacked and she awakens the revenant bound to a high relic. Thus, beginning her journey where she and the revenant must work together to save the kingdom of Loraille—all while unravelling the mystery and truths between the saints, magic and the spirits.
We move from one event to another rather quickly as the action never stops in Vespertine and that makes the book un-put-down-able. To complement this, there is no romance and instead, we’re given this delightful focus on Artemisia’s growth. I wholeheartedly adore this focus as we get to witness her coming out of her shell and leaving her comfort zone, navigating people and relationships, realizing things and just…growing in general.
Other than that, I enjoyed the dynamics between Artemisia and the revenant. The way they conversed and worked with each other was at times, entertaining and at others, heart-wrenching as one of them is a recluse who didn’t know how to connect and communicate, and the other, a snarky tsundere. However, I must admit that I was initially thrown off by how the revenant speaks. For a pretty ancient being that’s been locked up for quite a while and hasn’t actually conversed with others, he talks rather ‘modern’ (in Artemisia’s time).
I also greatly enjoyed how there’s actual communication between the characters. It’s not just talking, but proper attempts to really understand the other, especially after misunderstandings happen. This particular aspect shines in Vespertine and I love it.
The worldbuilding for this book provides a nice foundation for us to understand the simple yet well-thought-out magic system. Of course, there’s room for improvement and expansion, but since this is only the first book of the series, I’m excited to see how the world and the magic system expand in the sequel. I’m also excited to see where the story goes and how the relationship between Leander and Artemisia further develops since we’ve got this oddly anticlimactic but hopeful ending that foreshadows their potential reunion.
All in all, Vespertine is the kind of YA novel that I’m always looking forward to reading. A BAMF heroine who isn’t immediately powerful in her own right but becomes a bigger BAMF as the story progresses, no romance, and the multilayered theme of humans VS monsters all in one book? 10/10 my heart is sold.
Thank you so much Pansing for sending me a copy of this in exchange for an honest review! Vespertine by Margaret Rogerson is available at all good bookstores.
Content Warnings
Moderate: Child abuse, Confinement, Death, Blood, Abandonment, Gore, and Fire/Fire injury