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siria's review against another edition
- Plot- or character-driven? Character
3.75
A spare, melancholy book about the tension between feeling the impulse to precisely observe people and events and the elusive nature of memory; about how much you can feel for those whose lives briefly intersect with yours and whom you never see again, and the terrible push-pull between family members who find one another mutually incomprehensible. My Name is Lucy Barton is about bonds and isolation, explored as the eponymous narrator recounts both a lengthy stint she endured in hospital in New York in the '80s, and her impoverished and abusive childhood in '60s rural Illinois. Elizabeth Strout is very good at showing/not-showing the elisions, the sidlings up to and away from the painful things. As I read I found myself admiring Strout's restraint as a writer. However, although I liked the novel and the unresolved nature of the ending clearly signposts the further books that are to come in this series, I don't find myself pulled to continue reading about Lucy and her family—in a strange way, I think My Name is Lucy Barton told me everything I need to know about them.
Content Warnings
Moderate: Child abuse and Domestic abuse
karmapen's review
dark
emotional
fast-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
5.0
Content Warnings
Graphic: Child abuse, Vomit, Medical content, and Death of parent
Moderate: Abandonment
bookedbymadeline's review against another edition
fast-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
Easy, quick read at less than 200 pages. I read this in one sitting, and only finished because I have book 2 and have heard it’s better than Lucy Barton, plus as I said it’s a quick read.
Stream of consciousness writing style with chapters jumping from different points of time which could be confusing at times. I’m not a big fan of this writing style because it usually lacks depth and the characters felt one dimensional.
I felt detached to the characters because there’s a lot of telling instead of showing. Maybe it’s because of how short the novel is and it tries to span so much time in so few pages.
The book is an interesting exploration of a childhood lived in extreme poverty, neglect, tense mother-daughter relationships, and loneliness. I did appreciate some quotes that made me think but overall it’s not bad or great, just average and forgettable. I’m hoping other reviewers are right and book 2 (as well as another of Strout’s novels, Olive Kitteridge) is better.
Content Warnings
Graphic: Infidelity, Emotional abuse, Child abuse, Death of parent, Classism, Medical content, and Grief
Moderate: Death
Minor: War, Murder, Genocide, and Homophobia
astrangerhere's review
challenging
emotional
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Moderate: Child abuse
thesaltiestlibrarian's review
challenging
emotional
reflective
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.5
Content Warnings
Graphic: Death of parent
Moderate: Homophobia, Medical trauma, and Panic attacks/disorders
Minor: Child abuse
sslinkard's review against another edition
challenging
emotional
reflective
sad
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
4.0
Content Warnings
Moderate: Homophobia and Child abuse
Minor: Rape
rhia_a's review against another edition
- Plot- or character-driven? Character
4.0
Content Warnings
Minor: Emotional abuse, Abandonment, Child abuse, Mental illness, and Confinement
deedireads's review against another edition
emotional
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
All my reviews live at https://deedispeaking.com/reads/.
TL;DR REVIEW:
My Name Is Lucy Barton is everything you hope for in an Elizabeth Strout novel: warm and simple on the surface, but layered with emotion and nuance underneath.
For you if: You like character-driven books with quietly impactful prose.
FULL REVIEW:
Elizabeth Strout is one of those authors on my list — I read and loved Olive Kitteridge, and I know I’ll love more of her backlist, but I just haven’t gotten there. Well, having the third book in this Amgash series (Oh William!) on this year’s Booker Prize shortlist was the kick in the pants I needed to get started! And, of course, I loved this one too.
My Name Is Lucy Barton is a slim, fun-structured novel narrated by (as you might guess) the main character, Lucy Barton. She’s looking back to the period of time when she was in the hospital recovering from surgery and her mother came to sit by her bedside. It was essentially the only interaction she had with her mother in her adult life, ever since she left her family’s cycle of extreme poverty and abuse to go to college on a scholarship and then moved to New York to become a writer.
I don’t know how Elizabeth Strout manages to write characters that feel 100% fully formed from the first sentence they speak, but it’s really amazing. And her writing is always warm and simple on the surface, but layered with emotion and nuance underneath. She’s cozy and moving at the same time. This book is no different; the depth of Lucy’s relationships not only with her mother but also her ex-husband, her children, her brother and father, and even her West Village neighbors are rich with joy, pain, and humanity. She also deftly tackles the complexities and conflicting emotions of changing class, breaking free from a familial cycle of poverty.
This is a super fast read — less than 4 hours on audio at 1x, but it’s worth it. If you loved Olive Kitteridge, you’ll love this. But it’s also different enough that I think you might love it even if Olive wasn’t your jam. I’m very much looking forward to reading more from Amgash!
TL;DR REVIEW:
My Name Is Lucy Barton is everything you hope for in an Elizabeth Strout novel: warm and simple on the surface, but layered with emotion and nuance underneath.
For you if: You like character-driven books with quietly impactful prose.
FULL REVIEW:
Elizabeth Strout is one of those authors on my list — I read and loved Olive Kitteridge, and I know I’ll love more of her backlist, but I just haven’t gotten there. Well, having the third book in this Amgash series (Oh William!) on this year’s Booker Prize shortlist was the kick in the pants I needed to get started! And, of course, I loved this one too.
My Name Is Lucy Barton is a slim, fun-structured novel narrated by (as you might guess) the main character, Lucy Barton. She’s looking back to the period of time when she was in the hospital recovering from surgery and her mother came to sit by her bedside. It was essentially the only interaction she had with her mother in her adult life, ever since she left her family’s cycle of extreme poverty and abuse to go to college on a scholarship and then moved to New York to become a writer.
I don’t know how Elizabeth Strout manages to write characters that feel 100% fully formed from the first sentence they speak, but it’s really amazing. And her writing is always warm and simple on the surface, but layered with emotion and nuance underneath. She’s cozy and moving at the same time. This book is no different; the depth of Lucy’s relationships not only with her mother but also her ex-husband, her children, her brother and father, and even her West Village neighbors are rich with joy, pain, and humanity. She also deftly tackles the complexities and conflicting emotions of changing class, breaking free from a familial cycle of poverty.
This is a super fast read — less than 4 hours on audio at 1x, but it’s worth it. If you loved Olive Kitteridge, you’ll love this. But it’s also different enough that I think you might love it even if Olive wasn’t your jam. I’m very much looking forward to reading more from Amgash!
Content Warnings
Graphic: Classism
Moderate: Death of parent, Medical content, and Child abuse
Minor: Bullying
liannaengland's review against another edition
4.25
Content Warnings
Graphic: Child abuse, Death of parent, and Medical content
ericageorge91's review against another edition
hopeful
reflective
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.75
The first time I read this book, I finished it feeling nothing but indifference. I thought the stories were random and meandering and I kept waiting for something to shift and for me to start really caring but it never happened. It felt like a literary version of waiting for my body to sneeze.
Going into it a second time around, knowing that there’s no plot to be had, allowed me to appreciate the story a lot more.
I knew Lucy was a lonely character, but it took the reread for me to notice that Strout is writing this story as an extension of the character’s loneliness. Lucy just seems to be chatting her stream of consciousness to the reader like we’re her friend lending her a listening ear and she loves us—just loves us! Reading it with the Lonely Bitch lens, I’m able to see how pervasive Lucy’s loneliness was and realize that her random stories (crying subway children, the Met statue of the father and his children) are more intentional than I thought.
References to child abuse (physical, emotional, sexual) and neglect, discussions of infidelity, war, gun violence
Content Warnings
Graphic: Homophobia
Minor: War, Child abuse, Infidelity, Emotional abuse, Gun violence, Physical abuse, and Sexual assault