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dark
mysterious
sad
slow-paced
Piercing themes ahead of its time and gets at the crux of the male-female double standards that have long existed and continue to, but other elements of the book (character development, getting at the honest heart of thoughts / intentions / reflections, prose) were lacking for my taste
challenging
slow-paced
Plot or Character Driven:
A mix
Strong character development:
No
Loveable characters:
No
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
dark
emotional
reflective
medium-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
https://dunnooowrite.wordpress.com/2017/09/01/the-tenant-of-wildfell-hall/
dark
emotional
hopeful
sad
slow-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
No
Flaws of characters a main focus:
Complicated
Lovely story of love, duty, forgiveness, and happiness.
Good one time read.
Good story. But a bit boring narrative.. the arguments and characterization of Mr.Huntingdon is very much real. That needs to be applauded.
Good story. But a bit boring narrative.. the arguments and characterization of Mr.Huntingdon is very much real. That needs to be applauded.
emotional
reflective
slow-paced
emotional
reflective
relaxing
medium-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
N/A
Flaws of characters a main focus:
Yes
Engaging, if predictable, first half to 2/3rds, but my god by the last 100 pages was I sick of all of them. And the previously excusable cartoonishness of Huntingdon’s rottenness went beyond the pale. As did Helen’s piety. Whether intentional or not, I’m not sure, but Gilbert is an extremely self-centered narrator. Uncomfortable with his actual childishness being so absolved — and rewarded! — in the last section.
At times those extreme parts of the characters’ personalities are so overplayed that I’d say its satire, but I didn’t get a hint of that from the writing. Just poorly conceived.
The middle epistolary section from Helen’s voice is the most enjoyable section, easily.
At times those extreme parts of the characters’ personalities are so overplayed that I’d say its satire, but I didn’t get a hint of that from the writing. Just poorly conceived.
The middle epistolary section from Helen’s voice is the most enjoyable section, easily.