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lolocole's review against another edition
challenging
dark
emotional
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? N/A
- Flaws of characters a main focus? It's complicated
3.0
When they said Gothic Cinderella, they meant it. There is a menacing energy driving this book. It's coated with Ella's desperation, with impossible situations, with the claustrophobia of being a women with no resources but violence.
This book had me in a thrall- it was like the impulse to stare at a car crash. You know something horrible has happened, you know equally with the pit in your stomach that you don't actually want to see destruction, and you find your eyes glued to it anyway.
I am fascinated by the loose ends of this story.Was Ella the one murdering all along? Was there even a woman in the dark? Was murder even necessary for the wishes? Was there such thing as a soul? If not, was Ella's death/suicide at the end a result of guilty paranoia? Did she kill her mother? Why are the accounts of her as a child so cryptic and violent and disorienting? What happened to change the violent silent child? Did Mrs. Pembroke die as a result of magic? I am just reeling.
The fact that Ella was an unreliable narrator didn't really hit home until half of the book had flashed by. We were so deep in her head, feeling the injustices piled upon her and the girls she worked with that the increasing wild nature of her justifications for her actions felt like a startling revelation.
Being a woman is so scary.
This book had me in a thrall- it was like the impulse to stare at a car crash. You know something horrible has happened, you know equally with the pit in your stomach that you don't actually want to see destruction, and you find your eyes glued to it anyway.
I am fascinated by the loose ends of this story.
The fact that Ella was an unreliable narrator didn't really hit home until half of the book had flashed by. We were so deep in her head, feeling the injustices piled upon her and the girls she worked with that the increasing wild nature of her justifications for her actions felt like a startling revelation.
Being a woman is so scary.
Content Warnings
Moderate: Pregnancy, Emotional abuse, Rape, Sexual assault, Abortion, and Physical abuse
livetgjennomb_ker's review against another edition
challenging
dark
mysterious
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.0
Content Warnings
Moderate: Gaslighting, Murder, Abortion, Rape, Emotional abuse, Physical abuse, Sexual assault, Blood, Classism, Misogyny, Death, and Death of parent
wnyreader's review against another edition
adventurous
dark
mysterious
tense
medium-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
3.5
This book has a lot of promise that it’s ending didn't quite live up to. If there are following books in the works, that might explain the unfinished feeling this book gave me. As a standalone, however, it didn’t quite work.
Content Warnings
Moderate: Sexual harassment, Sexual assault, Death, and Emotional abuse
pertlek's review
dark
mysterious
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.25
I really wanted to love this book. I tried so hard to honestly the whole gothic twist on Cinderella is what drew me in but in reality it’s this poor girl who just wants some basic human needs like safety and shelter and the only possible way she was able to get those things was by trading in her soul. <spoilers> I honestly really wanted her to be happy in the end not necessarily with Charles but to see her go and travel with her friends. But instead her want of basic needs left her dead after she used her last wish and she was never able to be truly happy. I k ow that not all books end happily but this book truly didn’t have a second of hope attached to it. <\spoilers>
Content Warnings
Moderate: Blood, Death, Physical abuse, Adult/minor relationship, Alcoholism, Child death, Classism, Emotional abuse, and Miscarriage
wordswitwonder's review against another edition
dark
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.5
Content Warnings
Graphic: Child abuse, Domestic abuse, Alcoholism, Classism, Physical abuse, Alcohol, Bullying, and Emotional abuse
Moderate: Abortion, Miscarriage, Misogyny, Rape, Sexual assault, Adult/minor relationship, Grief, Murder, Sexual harassment, and Pedophilia
Minor: Religious bigotry, Lesbophobia, Gaslighting, and Pregnancy
soundlysmitten's review
dark
emotional
mysterious
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
The Shadow in the Glass tells the story of a young, mistreated maid in Victorian era London who seizes a dubious opportunity to improve her station in life. It’s loosely based on ‘Cinderella,’ but besides the main character’s diminutive and status—along with a few corresponding symbols which appear at the beginning and end—the narrative takes a large departure from the classic fairytale. In this retelling, instead of accepting a gift bestowed by her fairy godmother, Eleanor makes a Faustus-like deal with a mysterious ‘black-eyed woman’ only she can see. In exchange for seven wishes, Eleanor signs her soul away to the creature. As she needn’t deliver until the last wish is made, she intends to stop at the sixth. But Eleanor’s wishes always result in complications she thinks she needs more to fix.
Although this is listed as a fantasy, to me the story felt more like a cross between a historical novel with Gothic elements and a psychological thriller with supernatural factors at play. It’s more harrowing than thrilling, though. While I’d say it’s medium paced, long sections and spots where the writing gets dense can actually make it feel pretty slow.
Told in third-person from Eleanor’s point of view, it isn’t always clear what is or isn’t real. She’s experienced quite a bit of trauma by the time we meet her and the limitations of her life have her feeling claustrophobic. Some people might interpret Eleanor as an entitled character, but I don’t think it’s fair to imply she doesn’t deserve better. Of course she does. No one deserves to endure the twisted conditions she and her co-workers must. So personally, I’d say Eleanor starts out with good reason to feel bitter. If not for the life she almost had, for all the other loss she’s experienced, and for the torment of working in Mr. Pembroke’s household. It can surely be said that Eleanor goes on to make some selfishly cruel, misguided decisions. But as I mentioned, she’s a desperate and deluded protagonist… and each wish she makes corrupts her character further.
While I understand the dire environment the author sought to create, it was difficult to read through all of the instances of physical and sexual abuse. Women turning against women is also not something I enjoy reading about. Honestly, I think violence might taint every part of this story. Even the romance, as the love interest is oh so distraught to find Eleanor being abused in a position he arranged, but all he does is get her in trouble and leave her there…
As you might have guessed, this is not a book with a neat, feel good resolution. Although I mostly prefer to read HEAs, I don’t think I would have minded the conclusion if it had been fleshed out further. But towards the end, some of the events that play out seem a bit too convenient. And worse, we are left with a number of essential questions.All throughout the story, the author drops little hints that Eleanor herself may have a history of violent behavior. And multiple times, the night after a wish is ‘granted,’ Eleanor wakes up in a disheveled state, suggesting her involvement in carrying out said wish. For a while, I thought the black-eyed woman might just be a figment of Eleanor’s imagination—a way for Eleanor to distance herself from the brutal acts she commits. And although the ending makes it seem as if the black-eyed woman is indeed real, it still isn’t clear whether the woman has been carrying out the wishes on Eleanor’s behalf, possessing others to do so, or goading Eleanor to take matters into her own hands.
The only other criticism I have is about Eleanor’s self-talk regarding the wishes. Her decision making process is so repetitive. Every time, she starts by says she’s not going to make another wish—she is NOT—because the last time she did, something terrible happened. Then she flips her position and says no, that wasn’t really a consequence of the wish—it can't be. And she needs to make another wish right now because: insert justification. Maybe that’s a more realistic thought process than I’d like to believe. But I found it rather annoying…
All the same, with themes of desire, greed, power, and revenge, this is an intriguing read on the consequences of flirting with evil. It’s a much darker narrative than I typically like to get lost in, so I can’t say I loved it. And I probably won’t be giving it a re-read. But it is captivating and I’m sure it’s *the* book for somebody else out there.
Although this is listed as a fantasy, to me the story felt more like a cross between a historical novel with Gothic elements and a psychological thriller with supernatural factors at play. It’s more harrowing than thrilling, though. While I’d say it’s medium paced, long sections and spots where the writing gets dense can actually make it feel pretty slow.
Told in third-person from Eleanor’s point of view, it isn’t always clear what is or isn’t real. She’s experienced quite a bit of trauma by the time we meet her and the limitations of her life have her feeling claustrophobic. Some people might interpret Eleanor as an entitled character, but I don’t think it’s fair to imply she doesn’t deserve better. Of course she does. No one deserves to endure the twisted conditions she and her co-workers must. So personally, I’d say Eleanor starts out with good reason to feel bitter. If not for the life she almost had, for all the other loss she’s experienced, and for the torment of working in Mr. Pembroke’s household. It can surely be said that Eleanor goes on to make some selfishly cruel, misguided decisions. But as I mentioned, she’s a desperate and deluded protagonist… and each wish she makes corrupts her character further.
While I understand the dire environment the author sought to create, it was difficult to read through all of the instances of physical and sexual abuse. Women turning against women is also not something I enjoy reading about. Honestly, I think violence might taint every part of this story. Even the romance, as the love interest is oh so distraught to find Eleanor being abused in a position he arranged, but all he does is get her in trouble and leave her there…
As you might have guessed, this is not a book with a neat, feel good resolution. Although I mostly prefer to read HEAs, I don’t think I would have minded the conclusion if it had been fleshed out further. But towards the end, some of the events that play out seem a bit too convenient. And worse, we are left with a number of essential questions.
The only other criticism I have is about Eleanor’s self-talk regarding the wishes. Her decision making process is so repetitive. Every time, she starts by says she’s not going to make another wish—she is NOT—because the last time she did, something terrible happened. Then she flips her position and says no, that wasn’t really a consequence of the wish—it can't be. And she needs to make another wish right now because: insert justification. Maybe that’s a more realistic thought process than I’d like to believe. But I found it rather annoying…
All the same, with themes of desire, greed, power, and revenge, this is an intriguing read on the consequences of flirting with evil. It’s a much darker narrative than I typically like to get lost in, so I can’t say I loved it. And I probably won’t be giving it a re-read. But it is captivating and I’m sure it’s *the* book for somebody else out there.
Content Warnings
Moderate: Abortion, Adult/minor relationship, Alcoholism, Blood, Bullying, Death, Domestic abuse, Emotional abuse, Gore, Grief, Mental illness, Miscarriage, Murder, Panic attacks/disorders, Pedophilia, Physical abuse, Rape, Sexual assault, Sexual harassment, and Violence
Minor: Animal death, Death of parent, Drug abuse, Misogyny, Religious bigotry, Sexism, Sexual content, and Vomit
inkslinger's review against another edition
dark
emotional
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.0
'The Shadow in the Glass' by JJA Harwood has all the classic Gothic atmosphere of Poe's The Tell-Tale Heart, delivered in the wrappings of an elegant, dark modern fairytale.
Putting a delightfully morbid twist on the age old Cinderella story, the book follows a lowly maid named Eleanor.. 'Ella'.. as she struggles in the wake of loss. Having fallen into service after the passing of the only person who looked out for her after her mother's death, Ella's left with a licentious man who she once called stepfather.
Secreting herself away in the late Mistress' library whenever she can manage, Ella escapes through the stories tucked along the shelves. One night, a fairy godmother hears her pleas and makes her an offer that will change her life immeasurably. Ella gets seven wishes, but each comes at a price.. and the cost is steep.
Honestly, the retelling is such a strong story on its own that it was easy to forget its origins. Though there are obvious connections like the main character's nickname and a distinctive detail at the very end of the book, it just doesn't really read like a Cinderella story unless you go in looking to match things up.
From a presentation standpoint, if I hadn't known the premise.. the fairy godmother and evil stepfather are almost unrecognizable. I was so caught up in the familial logistics and the defining traits of the author's creations.. that for much of the book if the synopsis hadn't told me who these people were, I probably wouldn't have seen the correlation until the end.
The storytelling is gritty and magnificent. From the opening pages, there's an undercurrent of something bad on the horizon. It isn't spelled out right away, but like a classic Poe story.. your instincts pick it up and you can just feel the tension building with dreadful slowness. You can see what lies in the road ahead once things get going and it feels like it just might swallow you whole.
There's something special about an author who can make you feel like you're slowly marching to your own end, while simultaneously keeping your hope alive that just maybe you'll be wrong. That someone or something will avert the crisis in your path.
Harwood has just such a gift. If you're a fan of eerie Gothic tales, don't miss this one. Since it's only her debut novel, I'll be eagerly watching to see what else she might have up her proverbial sleeve.
(I received this title as an ARC, but also purchased a copy. All opinions are mine and freely given.)
Putting a delightfully morbid twist on the age old Cinderella story, the book follows a lowly maid named Eleanor.. 'Ella'.. as she struggles in the wake of loss. Having fallen into service after the passing of the only person who looked out for her after her mother's death, Ella's left with a licentious man who she once called stepfather.
Secreting herself away in the late Mistress' library whenever she can manage, Ella escapes through the stories tucked along the shelves. One night, a fairy godmother hears her pleas and makes her an offer that will change her life immeasurably. Ella gets seven wishes, but each comes at a price.. and the cost is steep.
Honestly, the retelling is such a strong story on its own that it was easy to forget its origins. Though there are obvious connections like the main character's nickname and a distinctive detail at the very end of the book, it just doesn't really read like a Cinderella story unless you go in looking to match things up.
From a presentation standpoint, if I hadn't known the premise.. the fairy godmother and evil stepfather are almost unrecognizable. I was so caught up in the familial logistics and the defining traits of the author's creations.. that for much of the book if the synopsis hadn't told me who these people were, I probably wouldn't have seen the correlation until the end.
The storytelling is gritty and magnificent. From the opening pages, there's an undercurrent of something bad on the horizon. It isn't spelled out right away, but like a classic Poe story.. your instincts pick it up and you can just feel the tension building with dreadful slowness. You can see what lies in the road ahead once things get going and it feels like it just might swallow you whole.
There's something special about an author who can make you feel like you're slowly marching to your own end, while simultaneously keeping your hope alive that just maybe you'll be wrong. That someone or something will avert the crisis in your path.
Harwood has just such a gift. If you're a fan of eerie Gothic tales, don't miss this one. Since it's only her debut novel, I'll be eagerly watching to see what else she might have up her proverbial sleeve.
(I received this title as an ARC, but also purchased a copy. All opinions are mine and freely given.)
Content Warnings
Graphic: Emotional abuse, Murder, and Sexism
Moderate: Alcoholism, Bullying, and Miscarriage
Minor: Adult/minor relationship, Animal death, Child death, Death of parent, Emotional abuse, Misogyny, Physical abuse, Terminal illness, and Violence
sheryl_reads's review against another edition
dark
mysterious
slow-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
2.0
I was sent a free ebook copy of this book from NetGalley in return for a honest review
The Shadow in the Glass is a retelling of Cinderella - it follows the story of Eleanor, a housemaid who was once the ward of the lady of the house, who is granted 7 wishes by a mysterious dark lady. If she wishes 7 times, her soul will belong to this dark lady.
The premise of the book had a lot of promise and I think if the main character was more likeable, then it would be more enjoyable. However, I found Eleanor to be greedy, selfish and very difficult to root for.
Her intentions are meant to be good - helping her fellow servants and making a better life for herself. But all of her decisions are wrapped up in an overarching sense of entitlement. She was orphaned as a child, taken in by a rich lady and brought up to expect to be living a certain life. And she’ll go to any lengths to get that wealthy life, even when it becomes clear what the costs are. She comes over as bratty rather than determined.
The pace of the book is slow also. The 7 wishes feel drawn out and I felt that there was no great mystery as to how it was going to turn out. The characters life is fairly limited, so there’s only so many people she can affect by wishing. The end is also very drawn out and contrived to fit the Cinderella story. The last chapter has Eleanor waiting from 11.15 until midnight to make a last attempt to save her soul - it’s fair to say 45 minutes it too long to keep up any level of suspense...
Overall I give this 2 ⭐️- I finished it, but I didn’t enjoy it. I wouldn’t recommend it to others - there are better fairytale retellings available.
Content Warnings
Moderate: Abortion, Addiction, Adult/minor relationship, Alcoholism, Blood, Bullying, Child death, Chronic illness, Death, Death of parent, Domestic abuse, Drug use, Emotional abuse, Forced institutionalization, Grief, Mental illness, Murder, Miscarriage, and Sexual content
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