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rtthalia's review
reflective
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
3.75
Content Warnings
Moderate: Blood, Colonisation, Injury/Injury detail, Violence, War, Xenophobia, Death, and Fire/Fire injury
rlinnyc's review
adventurous
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.25
Content Warnings
Minor: Gaslighting, Violence, Body horror, Alcohol, Blood, Classism, Cursing, Fire/Fire injury, Murder, Medical content, and War
strange_little_ranger's review
adventurous
mysterious
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
Content Warnings
Minor: Colonisation, Blood, Cancer, Death, Fire/Fire injury, Gore, Medical content, Police brutality, War, Grief, Gun violence, Alcohol, Injury/Injury detail, and Vomit
booksthatburn's review against another edition
adventurous
reflective
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
A MEMORY CALLED EMPIRE is a political drama sparked by a murder mystery which asks whether the safety of secrecy is worth its weight in blood.
Mahit is the main character but she's not only herself (at least, that's the plan). She's supposed to have a technologically-enabled memory of her predecessor, Yskandr, the most recent ambassador to Texicalaan. It's fifteen years out of date but she's making do until a plot thing happens and she's alone in her head for much of the narrative. As an ambassador she's trying to make choices which will preserve her people's way of life, but increasingly she finds that her predecessor may have had different aims and made other promises.
Mahit forms her own connections (especially but not only with Three Seagrass), but she also has to contend with the remnants of relationships formed by Yskandr. His death is the catalyst for her arrival, but she doesn't know what promises he made (or broke). I enjoyed the webs of politics so much partly because Three Seagrass and Mahit are able to communicate well about the structure of what certain moves matter. I love the rapport between Three Seagrass and Twelve Azalea, beginning with but not limited to their nicknames for each other ("Reed" and "Petal", respectively).
The worldbuilding is excellent, colored with small details about ordinary objects and spaces, specifically how Mahit relates to them. Mahit's outsider status provides ample opportunity for in-universe explanations, but her training before arriving in Teixcalaan means that she doesn't need explanations for the simple stuff which would bog down the narrative even if a genuinely new visitor might benefit from the tutorial. Much of the active worldbuilding is through discussions about language and culture, filtering other characters' explanations and descriptions through Mahit's background as a Stationer. I particularly enjoyed the ways that foods are described, since generally I recognize the foods, but her way of describing them excellently conveyed what they are even though she didn't have the terms or the specific cultural context in Teixcalaan.
The plot centers around a murder mystery of sorts and the politics of imperial succession. It's emboldened and complicated by the aims of an empire whose people think of themselves as the only ones who matter, and their uncertain language around describing others while still letting their very words recognize humans outside Teixcalaan as people. I enjoyed the mystery, the "murder" portion of the mystery is just one part of a very fascinating whole. Mahit and Three Seagrass are players in an ongoing conversation about what it means to be a person, and how the language one uses changes the thoughts they'll have. This plays out gradually, where the discussion is given room to breathe amidst the more hectic parts of the plot.
I love this and I'm planning to keep reading the series, this is an excellent start and I'm eager to see where it goes.
Mahit is the main character but she's not only herself (at least, that's the plan). She's supposed to have a technologically-enabled memory of her predecessor, Yskandr, the most recent ambassador to Texicalaan. It's fifteen years out of date but she's making do until a plot thing happens and she's alone in her head for much of the narrative. As an ambassador she's trying to make choices which will preserve her people's way of life, but increasingly she finds that her predecessor may have had different aims and made other promises.
Mahit forms her own connections (especially but not only with Three Seagrass), but she also has to contend with the remnants of relationships formed by Yskandr. His death is the catalyst for her arrival, but she doesn't know what promises he made (or broke). I enjoyed the webs of politics so much partly because Three Seagrass and Mahit are able to communicate well about the structure of what certain moves matter. I love the rapport between Three Seagrass and Twelve Azalea, beginning with but not limited to their nicknames for each other ("Reed" and "Petal", respectively).
The worldbuilding is excellent, colored with small details about ordinary objects and spaces, specifically how Mahit relates to them. Mahit's outsider status provides ample opportunity for in-universe explanations, but her training before arriving in Teixcalaan means that she doesn't need explanations for the simple stuff which would bog down the narrative even if a genuinely new visitor might benefit from the tutorial. Much of the active worldbuilding is through discussions about language and culture, filtering other characters' explanations and descriptions through Mahit's background as a Stationer. I particularly enjoyed the ways that foods are described, since generally I recognize the foods, but her way of describing them excellently conveyed what they are even though she didn't have the terms or the specific cultural context in Teixcalaan.
The plot centers around a murder mystery of sorts and the politics of imperial succession. It's emboldened and complicated by the aims of an empire whose people think of themselves as the only ones who matter, and their uncertain language around describing others while still letting their very words recognize humans outside Teixcalaan as people. I enjoyed the mystery, the "murder" portion of the mystery is just one part of a very fascinating whole. Mahit and Three Seagrass are players in an ongoing conversation about what it means to be a person, and how the language one uses changes the thoughts they'll have. This plays out gradually, where the discussion is given room to breathe amidst the more hectic parts of the plot.
I love this and I'm planning to keep reading the series, this is an excellent start and I'm eager to see where it goes.
Content Warnings
Graphic: Blood, Murder, Death, Gun violence, Violence, and Suicide
Moderate: Grief, Alcohol, Fire/Fire injury, Medical content, Medical trauma, and Self harm
Minor: Pregnancy and Ableism
wrzlprmft's review against another edition
adventurous
funny
hopeful
informative
mysterious
reflective
medium-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.25
Content Warnings
Graphic: Classism, Blood, Colonisation, Murder, Suicide, Death, Medical content, and Medical trauma
Moderate: Fire/Fire injury and Gun violence
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