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celery's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Graphic: Animal death, Body horror, Body shaming, Child death, Cursing, Death, Drug use, Gore, Infidelity, Mental illness, Misogyny, Panic attacks/disorders, Rape, Sexism, Sexual assault, Sexual content, Sexual violence, Suicidal thoughts, Suicide, Violence, Forced institutionalization, Blood, Vomit, Grief, Stalking, Car accident, Suicide attempt, Death of parent, Murder, Schizophrenia/Psychosis , Pregnancy, Fire/Fire injury, Gaslighting, Alcohol, Sexual harassment, Injury/Injury detail, and Classism
sauvageloup's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.0
this review on tumblr by flying-elliska has all my thoughts well said:
https://www.tumblr.com/flying-elliska/672822130083233792/and-now-for-sapphic-reads-time-the-sequel-tm?source=share
pros:
- the setting was a fleshed out character in itself and I loved that. the orchard apples, the tower, the orangerie, the beach, etc.
- I liked the story of the original woman, simone, who lived on the land.
- some imagery was definitely creepy and disturbing, especially eating wasps.
- the main characters were interesting, and I liked that they became a poly triad rather than a love triangle.
cons:
- too many characters, too much rambling, too meta, too plotty and just too long.
- I never really got truly creeped out. it just didnt sink deep enough into that and there wasnt enough real danger. the deaths were distant and over fast. didnt feel that sad at any of them.
- more interesting to see more flo and Clara for sure.
a different read for sure and I'm glad I read it, but disappointing and a bit slow too.
Graphic: Animal death, Body horror, Bullying, Child death, Cursing, Death, Fatphobia, Infidelity, Misogyny, Sexism, Sexual content, Grief, Death of parent, Murder, and Alcohol
Moderate: Addiction, Body shaming, Drug abuse, Drug use, Homophobia, Mental illness, Panic attacks/disorders, Sexual assault, Sexual violence, Suicide, Terminal illness, Violence, Vomit, Suicide attempt, Lesbophobia, Injury/Injury detail, and Classism
_teoeo's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
4.0
But I have to admit that the explanation for everything (most of it?) isn't as satisfying as I hoped. And, ngl, this book didn't have to be 600 pages long. 100-150 pages less would totally do it.
Graphic: Death, Drug use, Panic attacks/disorders, and Schizophrenia/Psychosis
Moderate: Alcoholism, Suicide, and Death of parent
Minor: Animal death
owenwilsonbaby's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
4.25
I loved this! The last 600 page novel I read was Dune and in some ways that felt like such a slog in comparison to this. I occasionally had issues - pauses that lasted too long, issues with the pacing - especially when the beginning and middle felt like they were building to something that wasn't quite carried to fruition by the culmination of Alex and Libby's plot and the modern Hollywood plot. The tone at the start was also interesting to adjust to, with a very camp Gothic element - often an interesting shift when the narrator themselves is a bit of an all-knowing, anonymous character (and frequently reminds the reader of this).
That said, all of these are minor quibbles in an otherwise fun and absorbing take on queer horror. Danforth has a brilliant grasp on when to employ terror and when to employ horror. The novel has lots of potential themes but ultimately seems to be about the dangers of spectacle, not unlike my other horror favourite of this year, Jordan Peele's Nope. I also loved Harper, Audrey and Merritt's characters, who are all complex and three-dimensional. Merritt was especially interesting and accurate as a survivor of bereavement by suicide, and someone who came to writing and success young and is now floundering in her 20s.
Graphic: Animal death, Body horror, Child death, Homophobia, Mental illness, Toxic relationship, Vomit, Grief, Murder, Pregnancy, and Toxic friendship
Moderate: Death, Suicide, and Death of parent
Minor: Fatphobia