Reviews with content warning for Misogyny - The Siren of Sussex

Reviews tagging 'Misogyny'

The Siren of Sussex by Mimi Matthews

11 reviews

wordsofclover's review against another edition

lighthearted medium-paced

Plot- or character-driven? Plot
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? No

4.0

It's the 1860s, and Evelyn Maltravers has arrived to London for her first season at the grand old age of three abd twenty, ready to salvage her family's reputation and her younger sisters' futures following a reckless decision made by another sibling. Evie must marry rich, and for this she needs the help of an expert habit maker as she knows her beauty lies not in the ballroom but on the back of her horse. Enter Ahmad Malik, whose skill with needle and thread is only bested by how handsome he is. Immediately there is an attraction between the two but with the opinions of high society in the way, what can they do to make it work.

I listened to this on audiobook and really enjoyed it. While there isn't necessarily insta-love in this book, there is insta-attraction. I would have liked the slow burn to have been built up even more than it was between the two and for it to have taken a bit longer for the two to realise how deeply attracted they were to each other. The historical elements in this book were very good and I appreciated how the author dealt with Ahmad being a POC, half Indian and half British, how he was treated by people as a POC but also as a tradesman, and then his opinions about colonisation and the general wrong ideas Brits had about India and its peoples - and then how Evelyn strived to learn more herself from those affected by British rule, not the colonizers themselves.

As a horse girl I loved the horse element in this book, and really loved the friendship between Evelyn and the Furies and I really look forward to reading the next book which I think was set up really nicely in this one.

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yourbookishbff's review

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hopeful lighthearted slow-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? No

4.0

This was a really enjoyable read and my first by Mimi Matthews! The historical touches (the pretty horse-breakers, the Victorian spiritualism, etc.) added a lot to the story, and I loved our two main characters. The male main character is biracial and Indian, and the female main character is white, and Matthews navigates the difficulties of interracial marriages at this time - as well as the difficulty in simply existing in the kingdom of your colonizer as an Indian person in the late 1800s (particularly after the uprising of 1857). Matthews is also biracial and Indian and notes in the author's note how Ahmad's story reflects her own feelings of being caught between worlds and cultures. This is slower-paced and a felt a little too long for the central conflict to support, but I'll likely continue the series! This is closed-door, with lots of pining and slow-building tension that is truly delicious.

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leannanecdote's review against another edition

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emotional hopeful inspiring reflective medium-paced

Plot- or character-driven? A mix
Strong character development? It's complicated
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

3.5

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wilybooklover's review against another edition

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emotional hopeful lighthearted medium-paced

4.0

A beautifully woven story full of longing and rich in historical detail.

I wish this had been a bit more slow burn, with more of a friendship forming first. It felt more like insta-lust the way they were so instantly enamoured of each other; a slower start would have been a bit more believable. Still, I loved both Ahmad and Evelyn separately and together. I especially enjoyed how respectful Ahmad was of women — not just middle- and upper-class women like Evelyn, but all women right down to sex workers. Evie’s independence and determination sets her up to be his ideal match despite the significant barrier of race and class. Their romance was so heartfelt and tender, full of simmering tension during the dressmaking scenes. Even when they didn’t think they could be together, they were open and honest about their feelings with each other.

I do think that you need to like both fashion and horses in order to enjoy this book, since they take such a prominent place in the plot. There’s also significant discussion on racism and colonialism that’s very naturally woven into Ahmad’s experience as a mixed race man in Victorian London. I loved that Evie takes it upon herself to buy books on India to inform herself on Ahmad’s experience. The addition of spiritualism was perhaps one plot point too many — all of these different things going on (there’s also subplots with Evie’s friends, one of Ahmad’s customers, Ahmad’s cousin, and Evie's sister) are kind of a detriment to the building romance, which could have had more focus.

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marleywrites's review against another edition

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emotional hopeful lighthearted medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.5

This book made me so happy. It dealt with tough topics, and there was a fair amount on angst. It was emotional and I was worried things wouldn’t end happily. But I never should have doubted, because, Evie. Need I say more?

I love Ahmad. He’s such a strong character and I was pleased with his character arc. I also loved his cousin, Mira. She was such a nice supporting character.

Evie’s friends were fun, too. I’m excited to see Julie’s story in book two!

I read this book because I wanted a horse girl book. And this did not disappoint. There is always room for more horses, but there was also plentiful horse content and metaphors in this book that I enjoyed.

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dearbookboyfriend's review against another edition

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emotional hopeful inspiring lighthearted medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

5.0

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overflowingshelf's review

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informative lighthearted medium-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

3.0

The Siren of Sussex was not as tempting as I hoped it would be. First, it should be said that while this is marketed as a romance, it is a closed-door romance. Second, it felt much more like historical fiction than historical romance. And third, listening to this as an audiobook was not the right move.

If you go into this book expecting a historical romance novel, this book probably won’t be for you. I knew going in it was closed door, yet I was still bummed by how lacking the romance felt. I wanted so much more from Evelyn and Ahmed’s “relationship.” While they spent a lot of time together, I didn’t see any chemistry between them. No sparks, no banter, no wistful gazing. Nothing. I need that to keep invested in a romance, especially when it’s closed door. I think this book did suffer from being closed door as it was hard to buy Ahmed and Evelyn were so madly in love that they were willing to get married at the end and screw society’s expectations. This made the characters feel much younger than they are – the romance would have felt more fitting in a YA romance than an adult romance.

However, that’s not to say it’s all bad. I did appreciate that the obstacles in their relationship were real obstacles. He’s half-Indian and a tailor; she’s a white, wealthy woman. Their being together was not something that would be easy or accepted by society. As a result, the romance was relatively low-angst as it was external pressures on them, so if you like that, you might enjoy this book more than me.

When it comes to the characters, I’ll have to be honest, Ahmed is the only one who left an impression on me. I’m reviewing this book a few months after reading it, and Evelyn just didn’t leave a mark. Her whole personality felt wrapped up in being a horsebreaker, and I didn’t get to know her beyond that. Meanwhile, with Ahmed, he felt like a more nuanced and richly complex character with a fully fleshed-out backstory. I liked how Matthews handled Ahmed’s complicated feelings about being biracial – he’s half-Indian and half-British and feels like an outsider amongst both people. In my opinion, he had more motivation and drive behind his actions than Evelyn.

If I had to sum up the plot, it would be that Evelyn needs eye-catching clothing worthy of a horsebreaker to attract a suitable suitor. She partners up with Ahmed as he has a skill for designing fetching gowns for women, plus her wearing his designs will help him generate business. It’s a relatively straightforward plot, and I found it a bit boring, to be honest. There were also a TON of random side plots that didn’t necessarily go anywhere of importance or contribute to the main plot, so the book did feel like it dragged at points.

Now, I won’t say this book is all bad. I loved all the historical information in it! Matthews has crafted a vibrant and detailed look at Victorian England. I loved learning about the Pretty Horsebreakers, as I had never heard about them before. You can tell Matthews has done a lot of research on the topic, and I think that pays off in helping you feel immersed in the time and setting. This is why this book is a great historical fiction story, but not a great historical romance. And while not everything about this book worked for me, I enjoyed Matthews’ writing style.

Finally, as I listened to this as an audiobook, I have to talk about the choices made with the narration. I am still BAFFLED why this book needed two narrators. Yes, I know the book does technically have two points of view, but the execution could have been better. It was so, so, so jarring when the narrator would switch in the middle of a scene. I get it may have been written with breaks in the books to indicate a POV switch, but every time it happened with the narration, it threw me for a loop and took me out of the scene, sometimes at pivotal emotional moments. As for the narrators, I did think their performance was quite good, though I enjoyed Lydia Hanman’s narration a bit more than Vidish Athavale’s (his female voices weren’t great). If I could read this book again, I would pick it up in print over audio.

There isn’t anything egregiously wrong with this book, but all the little things made it hard for it to capture my attention the way I hoped. I do think there are readers, particularly those who don’t like a lot of spice, who will enjoy this as a romance. But I like my historical romances to have a bit more chemistry between the leads, especially if it’s closed-door. I’m on the fence if I’ll pick up the next book in the series – I liked the couple it was hinting at for the next book, but I’m not sure I’m invested enough in the series to spend the time reading it. I guess time will tell if I continue on or not.

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