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hannahcstocks's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.0
Graphic: Ableism, Child abuse, Dysphoria, Misogyny, Racial slurs, Classism, Slavery, Death, Injury/Injury detail, Mental illness, Chronic illness, Death of parent, Blood, Confinement, Alcoholism, Physical abuse, Addiction, Alcohol, Forced institutionalization, Gaslighting, Gun violence, Body horror, Deportation, Domestic abuse, Emotional abuse, Kidnapping, Sexism, Murder, Schizophrenia/Psychosis , Self harm, Police brutality, Racism, Sexual content, Stalking, Suicidal thoughts, Suicide, Suicide attempt, Toxic relationship, Toxic friendship, Torture, Violence, Vomit, War, and Xenophobia
gvstyris's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.25
But if there was hope, it lay in the proles. You had to cling on to that. When you put it in words it sounded reasonable: it was when you looked at the human beings passing you on the pavement that it became an act of faith.
Although I would argue that 1984 is far from the most realistic dystopian novel I have ever read, its influence on popular culture (and the wider genre!) is absolutely undeniable. I was surprised upon re-read how conceptual Orwell's Oceania is: it manages to still read a little like a political manifesto despite lacking Animal Farm's much more explicit allegories. This novel is also incredibly accessible because Orwell really breaks down the world for the reader, which was a welcome change after Dune.
There are a couple areas where 1984 really shined for me. Primarily, newspeak. Orwell aptly portrays language as a tool for control and manipulation, and the appendix's inclusion really made a difference for me. I was also in complete awe of the pages devoted to 'Goldstein's' agenda, which highlight the broader sociopolitical context of this novel so cleverly. They reminded me of The Handmaid Tale's 'Historical Notes' section -- genuinely such a cool way to place Orwell's world within a timeline that the reader is familiar with.
A couple criticisms have turned me off from a higher rating. As pointed out in the afterword of my copy, race is entirely absent from Orwell's world, which is a somewhat bizarre (and unconvincing) choice given its post-Holocaust setting. The misogyny and subtle racism are also pretty distasteful, which I think is important to acknowledge in a novel intending to speculate on the fate of humanity. Julia's character is relatively vapid and disinterested in broader political affairs, which was a struggle for me when contrasted so obviously with Winston's 'intellect.'
That being said, 1984 is absolutely worth the read, and outshines Fahrenheit 451 in almost every way possible...
One does not establish a dictatorship in order to safeguard a revolution; one makes the revolution in order to establish the dictatorship.
Graphic: Physical abuse
Moderate: Sexism, War, Misogyny, Death, and Murder
Minor: Racism
wun4's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.75
Graphic: Confinement, Violence, and War
Moderate: Antisemitism, Racism, and Rape
te_ss_i's review against another edition
- Plot- or character-driven? Character
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
5.0
Graphic: Gaslighting, Physical abuse, Sexual assault, War, Police brutality, Toxic relationship, Violence, Antisemitism, Colonisation, Panic attacks/disorders, Sexism, Xenophobia, Grief, Rape, Death, Emotional abuse, Body horror, Genocide, Mental illness, Classism, Confinement, Death of parent, Forced institutionalization, Kidnapping, Misogyny, Murder, Racism, Suicidal thoughts, and Torture
ataraxie's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
3.75
Moderate: Racism
Minor: Rape
beth_48's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
Graphic: War, Hate crime, and Classism
Moderate: Suicide, Alcohol, Police brutality, Racism, Torture, Colonisation, and Sexual content
heinzbeanboy's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
It's a beautiful thing, the destruction of words.
Graphic: Torture
Moderate: Classism, War, Gaslighting, Police brutality, and Racism
Minor: Rape and Sexual assault
dangerousmindsbook's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Emotional abuse, Genocide, Violence, Colonisation, Classism, Confinement, Cultural appropriation, and Racism
cowardlyteaman's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Winston would randomly get this urge to either rape or kill people who did nothing else but exist in his presence. It was tiring, not thought-provoking. I liked him much better in part three of the book, though! Ironically enough, maybe, but his whole character during part one and two was being a pig. That was completely out of focus during part three! Splendid.
Julia should have been removed entirely. I didn't like her in the beginning, and I didn't like her at the end. Her whole character was having sex and saying foul things. If you try too hard to make a character who's supposed to be controversial and rebellious, you end up with a character I only want to die in a pit.
O'Brien.🫶 He saved the book, to be honest. I genuinely believe that this book would have been 5 stars for me if Orwell had removed Julia and spent more time building on Winston and O'Brien's relationship instead.
All in all, I do believe that this book was worth it. I read it for history, and during the first half, I thought of this book as complete and utter bullshit. But at least I came to like it—really like it towards the end.
Graphic: Body horror, Classism, Emotional abuse, Forced institutionalization, Drug use, Physical abuse, Alcohol, Body shaming, Bullying, Confinement, Gaslighting, Misogyny, Sexism, Torture, and Violence
Moderate: Antisemitism, Racism, Body horror, Child death, Abandonment, Xenophobia, Fatphobia, Death of parent, Suicidal thoughts, and Rape
helenaruby's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.5
Graphic: Gaslighting, Misogyny, Police brutality, Torture, Drug abuse, Confinement, Forced institutionalization, Drug use, Injury/Injury detail, Stalking, and Kidnapping
Moderate: Alcoholism, Sexual content, War, and Racism