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tangleroot_eli's review
adventurous
challenging
emotional
reflective
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
It's only March, but the books I read for the rest of 2024 will have a hard fight to unseat this one as my favorite of the year.
Johnson's worldbuilding is exquisite. I got attached to her characters within paragraphs of their introductions. Her portrayals of classism, racism, and colonialism felt like constant gut-punches. If Spouse weren't waiting to read it before we have to return this copy to the library, I might've flipped right back to the beginning and started reading it again the moment I finished it.
Johnson's worldbuilding is exquisite. I got attached to her characters within paragraphs of their introductions. Her portrayals of classism, racism, and colonialism felt like constant gut-punches. If Spouse weren't waiting to read it before we have to return this copy to the library, I might've flipped right back to the beginning and started reading it again the moment I finished it.
Content Warnings
Graphic: Toxic relationship, Death, Domestic abuse, Murder, Physical abuse, and Classism
Moderate: Blood, Body horror, Gore, Child abuse, Addiction, Homophobia, Violence, Vomit, Child death, Confinement, Medical content, Racism, Death of parent, Deportation, and Injury/Injury detail
Minor: Kidnapping, Suicide, Gun violence, War, Suicidal thoughts, Religious bigotry, and Miscarriage
Graphic: Environmental degradation Minor: Whorephobia, Child laborohheyitskaitlin's review
adventurous
dark
emotional
hopeful
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Violence, Murder, Death, Domestic abuse, Injury/Injury detail, and Physical abuse
Moderate: Toxic relationship, Classism, Body horror, Gore, and Emotional abuse
Minor: Fire/Fire injury, Blood, Colonisation, Sexual content, Child death, Death of parent, Grief, Gun violence, Physical abuse, Sexual harassment, Torture, Abandonment, Child abuse, Addiction, Confinement, Cursing, and Drug abuse
dmbooks's review
adventurous
challenging
dark
mysterious
tense
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.75
Content Warnings
Graphic: Colonisation, War, Racism, Domestic abuse, and Classism
Moderate: Sexual content, Violence, and Confinement
Minor: Drug use
blakethebookeater's review
adventurous
challenging
dark
emotional
reflective
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
This book is perfect. It took a second for me to adjust to the worldbuilding, but once I did holy crap it just FLOWED. Cara is a traverser, which means she travels to other parallel Earths to collect data for the Eldridge company. She’s valuable because of her hard life, many of her other selves have died (and you can’t travel to other worlds where you exist).
The dichotomy in this book was RIDICULOUSLY well-written. We have the people of Ashtown (where Cara is from) who live in poverty and are looked down upon as savages by the citizens of the walled neighboring city of Wiley. The classism of this book is so poignant, and seeing Cara trying to weave her way between these two worlds was just as important and interesting as seeing her actually travel to different worlds.
I don’t want to give away much about the plot because of how shook it made me, but if you’re looking for extremely well-written and well-plotted sapphic sci-fi that will make you think long after closing the cover, than this one’s for you.
5/5 stars
The dichotomy in this book was RIDICULOUSLY well-written. We have the people of Ashtown (where Cara is from) who live in poverty and are looked down upon as savages by the citizens of the walled neighboring city of Wiley. The classism of this book is so poignant, and seeing Cara trying to weave her way between these two worlds was just as important and interesting as seeing her actually travel to different worlds.
I don’t want to give away much about the plot because of how shook it made me, but if you’re looking for extremely well-written and well-plotted sapphic sci-fi that will make you think long after closing the cover, than this one’s for you.
5/5 stars
Content Warnings
Graphic: Death, Domestic abuse, and Cursing
Moderate: Blood, Death of parent, Murder, and Racism
Minor: Child abuse, Child death, Chronic illness, Confinement, and Drug use
booksthatburn's review against another edition
adventurous
dark
mysterious
reflective
tense
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Dimensional travel is possible, but only if your doppelganger is dead. The MC travels to a world where her double was recently murdered, and the plot gets going in earnest from there. I was pleasantly surprised by how deliberate the pacing is, it doesn't rush to get us to that very important journey. Instead we linger in the setup, getting to know the hub world and at least one other before she goes to the plot-important one for the first time.
The MC is mostly a reliable narrator, but when she travels she can be very wrong about what’s happening in a particular world. This is used to its full advantage, creating subversion and surprise as she discovers mistakes in her assumptions and the new possibilities opened by those gaps. The plot which I thought would take the whole book to tell turned out to just be the first half before twisting all that was set up before to tell an even more interesting story. I would have been content with the story I thought I was getting, but I love what it turned out to be. This even included two of my favorite things: heists and interpersonal politics. So much of this book is built on understanding people, cultures, and how shifts in either between worlds change what can and cannot be done, what words to use, and how things will go down once they’re in motion.
The world-building (heh) is really good! It focuses on two main places and then gradually describes them by talking about how things (and people) are the same or different in the parallel worlds. It creates a feeling where every description of the background or a character is there for a reason. Would we normally care that this house is white? Maybe, maybe not, but if it’s a different color on most worlds and this time that indicates something important because of the knock-on effects of changes like [pick whatever spoiler you want], that makes it feel like the details matter. And, hey, even if you won’t remember what that house color was it still did its job and informed the world. This could have been and info-dumping nightmare of a book and instead it uses everything to make the worlds feel significant with its focus. It keeps the number of frequently referenced worlds low enough for the important ones to be memorable, but also giving little tidbits about ones we won’t actually get to see. I love parallel worlds and time travel stories and this was fantastic. The number of secondary characters whose variants I had to track was mercifully short, letting me enjoy the machinations without getting confused about which versions did or said which thing.
The backstory (and, increasingly, the main story) is chock-full of trauma, for the MC and most of the secondary characters as well. Check the CWs, because the book’s MC is dead on over 370 worlds and we find out many of the common reasons. It’s a steady drip of sometimes horrific details that fit the story and matter to current events, but none of the worlds are kind to children, and many of them were especially rough on the MC. It’s a great premise, and I appreciate how the book uses it to comment on the classism and racism inherent in a system which requires people who are dead elsewhere, which means they’re probably not privileged in the main world either. Little details like that are used really well throughout the book and I loved every minute of it.
The MC is mostly a reliable narrator, but when she travels she can be very wrong about what’s happening in a particular world. This is used to its full advantage, creating subversion and surprise as she discovers mistakes in her assumptions and the new possibilities opened by those gaps. The plot which I thought would take the whole book to tell turned out to just be the first half before twisting all that was set up before to tell an even more interesting story. I would have been content with the story I thought I was getting, but I love what it turned out to be. This even included two of my favorite things: heists and interpersonal politics. So much of this book is built on understanding people, cultures, and how shifts in either between worlds change what can and cannot be done, what words to use, and how things will go down once they’re in motion.
The world-building (heh) is really good! It focuses on two main places and then gradually describes them by talking about how things (and people) are the same or different in the parallel worlds. It creates a feeling where every description of the background or a character is there for a reason. Would we normally care that this house is white? Maybe, maybe not, but if it’s a different color on most worlds and this time that indicates something important because of the knock-on effects of changes like [pick whatever spoiler you want], that makes it feel like the details matter. And, hey, even if you won’t remember what that house color was it still did its job and informed the world. This could have been and info-dumping nightmare of a book and instead it uses everything to make the worlds feel significant with its focus. It keeps the number of frequently referenced worlds low enough for the important ones to be memorable, but also giving little tidbits about ones we won’t actually get to see. I love parallel worlds and time travel stories and this was fantastic. The number of secondary characters whose variants I had to track was mercifully short, letting me enjoy the machinations without getting confused about which versions did or said which thing.
The backstory (and, increasingly, the main story) is chock-full of trauma, for the MC and most of the secondary characters as well. Check the CWs, because the book’s MC is dead on over 370 worlds and we find out many of the common reasons. It’s a steady drip of sometimes horrific details that fit the story and matter to current events, but none of the worlds are kind to children, and many of them were especially rough on the MC. It’s a great premise, and I appreciate how the book uses it to comment on the classism and racism inherent in a system which requires people who are dead elsewhere, which means they’re probably not privileged in the main world either. Little details like that are used really well throughout the book and I loved every minute of it.
Content Warnings
Graphic: Violence, Gore, Blood, Torture, and Death
Moderate: Racism, Homophobia, Confinement, and Domestic abuse
Minor: Child abuse, Child death, and Addiction
CW for colonialism, racism, homophobia, gaslighting, confinement, child abuse (backstory), addiction (backstory), child death (not depicted), domestic abuse, violence, gore, blood, torture, major character death, death.
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