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blakethebookeater's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
The dichotomy in this book was RIDICULOUSLY well-written. We have the people of Ashtown (where Cara is from) who live in poverty and are looked down upon as savages by the citizens of the walled neighboring city of Wiley. The classism of this book is so poignant, and seeing Cara trying to weave her way between these two worlds was just as important and interesting as seeing her actually travel to different worlds.
I don’t want to give away much about the plot because of how shook it made me, but if you’re looking for extremely well-written and well-plotted sapphic sci-fi that will make you think long after closing the cover, than this one’s for you.
5/5 stars
Graphic: Cursing, Death, and Domestic abuse
Moderate: Racism, Blood, Death of parent, and Murder
Minor: Child abuse, Child death, Chronic illness, Confinement, and Drug use
phoebereads's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
5.0
Graphic: Violence
Moderate: Addiction, Death, Domestic abuse, Toxic relationship, Blood, and Grief
Minor: Child death and Death of parent
alayamorning's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Graphic: Death, Domestic abuse, Emotional abuse, Physical abuse, Toxic relationship, Violence, and Blood
Moderate: Addiction, Drug abuse, Genocide, Suicidal thoughts, Vomit, Medical trauma, and Murder
booksthatburn's review against another edition
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
The MC is mostly a reliable narrator, but when she travels she can be very wrong about what’s happening in a particular world. This is used to its full advantage, creating subversion and surprise as she discovers mistakes in her assumptions and the new possibilities opened by those gaps. The plot which I thought would take the whole book to tell turned out to just be the first half before twisting all that was set up before to tell an even more interesting story. I would have been content with the story I thought I was getting, but I love what it turned out to be. This even included two of my favorite things: heists and interpersonal politics. So much of this book is built on understanding people, cultures, and how shifts in either between worlds change what can and cannot be done, what words to use, and how things will go down once they’re in motion.
The world-building (heh) is really good! It focuses on two main places and then gradually describes them by talking about how things (and people) are the same or different in the parallel worlds. It creates a feeling where every description of the background or a character is there for a reason. Would we normally care that this house is white? Maybe, maybe not, but if it’s a different color on most worlds and this time that indicates something important because of the knock-on effects of changes like [pick whatever spoiler you want], that makes it feel like the details matter. And, hey, even if you won’t remember what that house color was it still did its job and informed the world. This could have been and info-dumping nightmare of a book and instead it uses everything to make the worlds feel significant with its focus. It keeps the number of frequently referenced worlds low enough for the important ones to be memorable, but also giving little tidbits about ones we won’t actually get to see. I love parallel worlds and time travel stories and this was fantastic. The number of secondary characters whose variants I had to track was mercifully short, letting me enjoy the machinations without getting confused about which versions did or said which thing.
The backstory (and, increasingly, the main story) is chock-full of trauma, for the MC and most of the secondary characters as well. Check the CWs, because the book’s MC is dead on over 370 worlds and we find out many of the common reasons. It’s a steady drip of sometimes horrific details that fit the story and matter to current events, but none of the worlds are kind to children, and many of them were especially rough on the MC. It’s a great premise, and I appreciate how the book uses it to comment on the classism and racism inherent in a system which requires people who are dead elsewhere, which means they’re probably not privileged in the main world either. Little details like that are used really well throughout the book and I loved every minute of it.
Graphic: Death, Gore, Torture, Violence, and Blood
Moderate: Confinement, Domestic abuse, Homophobia, and Racism
Minor: Addiction, Child abuse, and Child death
CW for colonialism, racism, homophobia, gaslighting, confinement, child abuse (backstory), addiction (backstory), child death (not depicted), domestic abuse, violence, gore, blood, torture, major character death, death.kylieqrada's review
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Moderate: Addiction, Child abuse, Child death, Physical abuse, Toxic relationship, Violence, and Blood
puzzledbooks's review
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
Moderate: Body horror, Death, Physical abuse, and Blood
malloryfitz's review
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Characters- (4/5) Cara was a really interesting protagonist, especially because we got to see her thoughts and ruminations on the other versions of herself. She was clever and pithy and really self-reflective without ever being weepy or melodramatic or too meta about it. And it was so fascinating to see her relationships with her family, friends, and enemies across different worlds. It really opened those relationships up to deeper depths. It also raised a lot of interesting thought about nature/nurture, and whether people can change, and how much they're shaped by their circumstances. Wrestles with those questions a lot, and Cara's voice was really strong for that.
Plot- (3/5) The thing was, I liked the alternate world plot a lot more than the "actual" plot that the book ended with. The alternate world plot was just a lot more interesting to me than the Earth-0 plot, which was well done, just didn't hold my attention as much. Maybe it was just because I liked the way Johnson played with the idea of a world that's almost yours--if a few things changed that had major shifting consequences. Like I said, the Earth-0 plot, which ended up being the main plot for the second half of the book was well constructed, I just didn't like it as much.
World- (5/5) I really enjoyed Johnson's world building. It wasn't too technical, but the subtleties that were developed between parallel universes gave the worlds a lot of depth. I also liked that we got a good understanding each sector of the world--the city, the Rurals, the Wastes, the desert. And Cara's extensive experience was the perfect way to draw attention to the differences between those settings.
Writing- (4/5) Johnson's writing wasn't flowery, but she had some really poignant lines. And she created a lot of dialogue about important themes like whose lives matter the most, the way class dynamics can play out, and the violence and trauma of growing up in really terrible situations. She was also able to get the book title in there a lot.
Overall- (3.9/5) The Space Between Worlds was a fascinating character study, thanks to the multiverse concept and the protagonist's unique position between these universes. The world building and characters went hand in hand for this book, building on each other to create many-faceted characters and raise questions about how circumstances can shape our personalities. There were a lot of other themes Johnson was able to incorporate too, and Cara was a great protagonist to bring them to light. I did find the main plot to be less compelling than the initial mystery plot, but the character portraits were excellent, and I loved exploring the differences between the parallel universes.
Graphic: Body horror, Toxic relationship, Violence, and Blood
Moderate: Addiction, Child abuse, Child death, Cursing, Death, Drug abuse, Drug use, Emotional abuse, Homophobia, Physical abuse, Sexual content, Grief, and Medical trauma
catsy2022's review against another edition
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
I turn away, trying to remember the last time I cared about anything to scream for it.
The Space Between Worlds is a refreshing and unexpected read for 2020. I'd place this in the same camp as The Last Policeman and The Gone World which I also read this year. This book is about Cara, a traverser who works for the mysterious Eldridge company; a traverser is someone who travels between worlds. Their purpose is usually analytical, but Cara becomes embroiled in something that's bigger than she expected. She comes from a poor city named Ashtown that has grown into the rival empire of Wiley Town, where pale-skilled rich people live.
I really enjoyed the elements of this story, the characters and world were great, I loved reading about them and how Cara thinks. I loved the complexities of their life and how starkly different from our own life they were. The bounds of the world are limited to Wiley and Ashtown and so we never really go beyond their individual goals. I still really enjoyed this and I liked the myth and mystery around Nyame, the god who inhabits the space between worlds.
There are a few different groups in play in this story, each playing their important part and being explained through the book's modest 320 pages. I think what fell short for me in this book is the direction the story went. I found that the middle of the book could have been something big and immense but it started randomly and I felt that it was ultimately not that major to the course of the story. I really felt the story falling apart around 250 and couldn't really see the motivation to why the story went the direction it did. I was surprised honestly about one change to their way of life late in the story; after it is all pieced together I wondered, was that really all worth it?
Still a decent read, I had a lot of fun and powered through it.
Moderate: Death, Gore, Physical abuse, Racism, and Blood
Minor: Child abuse and Drug abuse
lilifane's review
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
I didn't know much about this book when I started reading it, only that it takes place in a world where the multiverse is confirmed and where it's possible to travel between the different earths.
Cara, the protagonist, is one of the few people who get the chance to experience this, because there is one catch: you have to be dead on the other earth, to be able to survive the journey to it. And from the 380 worlds that are similar enough to travel to, Cara is dead on all but 8. So she is hired by the inventor of the technology that makes traversing possible to travel to other worlds and gather information on them, intel that will help her own world to learn and thrive. But then she makes a discovery that changes everything.
I enjoyed the first half of the book a lot. It's a little much at the beginning but the worldbuilding is phenomenal, the cast is diverse and I loved Cara's voice from the start. She is such an amazing complex character. She is strong, smart, ambitious, fragile, makes bad decisions. You get frustrated with her sometimes but she also surprises you when you expect it the least. The writing is beautiful and full of details that get important later. The plot is unexpected, it switches between slow and fast pace, between action and contemplation (it gets a little generic in the second half though). For me it was never about the plot. It's about the world and it's rules, about the character developments, about the struggles between what is right and what is easy to do, about fittng in vs. belonging. I really liked all the characters, even the villains, because due to the multiple earths and versions, you get to know a lot of different aspects of them. I loved the sibling dynamics throught the whole book, the found families, even the spiritual aspects which fit surprisingly well with everything. And then there is this slow burn wlw subplot...
It's really hard for me to describe the book because I haven't read anything like it before and there is so much to think about and discuss. And even though I think the second half was weaker than the first half, the ending was just perfect for me.
Graphic: Death, Domestic abuse, Emotional abuse, Gore, Physical abuse, Sexual violence, Toxic relationship, Violence, and Blood
Moderate: Grief
Minor: Addiction, Drug abuse, and Drug use
caseythereader's review
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Death, Physical abuse, Toxic relationship, and Blood
Moderate: Addiction and Drug abuse
Minor: Sexual content