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challenging
dark
funny
sad
medium-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
No
Diverse cast of characters:
N/A
Flaws of characters a main focus:
Yes
dark
emotional
mysterious
medium-paced
Plot or Character Driven:
Character
Strong character development:
Complicated
Loveable characters:
No
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
dark
emotional
reflective
sad
tense
medium-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
No
emotional
hopeful
lighthearted
reflective
tense
slow-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
No
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
adventurous
dark
funny
tense
medium-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
challenging
dark
reflective
sad
tense
slow-paced
Plot or Character Driven:
Character
Strong character development:
Complicated
Loveable characters:
No
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
This play drags on forever. Hamlet's cowardice and indecision might be the point of the play, but so little happens after the first act. And it's not just Hamlet who keeps walking in circles, holding esoteric monolgues that ruin the flow of every scene/conversation without ever actually doing anything – pretty much every character behaves that way. When Polonius says "Brevity is the soul of wit.", even he is told to stop talking get to the point faster by the characters in the play itself.
The one who suffers most from this is Ophelia. So much time of the play is spent with characters talking about her, but Ophelia herself gets very little time to speak or act for herself. Even her death happens off-stage. All this is such a waste of potential, because she is definitely one of the more interesting characters in the play.
Early on, Hamlet's plan is somewhat sound: He first wants to make sure Claudius is actually a murderer before he kills him. But he also plans to assume an 'antic disposition', to pretend he lost his mind. This part doesn't make sense. It's never really clear what purpose this act is supposed to have and it feels more like Hamlet actually went mad and lost his wits rather than it being a ruse.
This becomes most apparent in the second half of the play. After Polonius' death, it feels like even Shakespeare mostly forgot that the goal of the play is to avenge Hamlet's father and kill Claudius. Act 4 and 5 are almost entirely diconnected from that premise and more concerned with how Claudius wants to get rid off Hamlet instead, bringing in Laertes as a so far mostly unused character. Especially the final combat between Laertes and Hamlet feels like Hamlet just completely lost the plot – and not in a way intended by the author. This finale also kills most characters in a fashion that feels more random than thematically relevant, poetic or conclusive.
dark
emotional
mysterious
tense
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Complicated
Loveable characters:
Complicated
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Complicated
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
No
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
Everyone is so dramatic... I love it
The writing..."to be or not to be"
The writing..."to be or not to be"