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daniellekat's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
3.25
Graphic: Child death, Violence, and War
Moderate: Fire/Fire injury and Injury/Injury detail
Minor: Blood
emmieclassix's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.75
Graphic: Violence, War, and Injury/Injury detail
Moderate: Child death, Death, and Death of parent
thaliareads's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Death, Violence, Grief, Murder, Fire/Fire injury, and War
Minor: Animal death
While this book does get a little sad, it should still be appropriate for a young adult audience.betweentheshelves's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Despite their length, Riordan books are quick reads for me because of the way they are paced. I can see why kids of all kinds come into the library and say they've flown through these books because it is easy to do! Not only are all of the characters fun, but there's action and humor and it's just an all around good time, despite the impending doom.
Also, Nico! I can see why people say he's one of their favorite characters because I just want to wrap him in a big hug. I'm glad we finally get to see from his point of view. And his interaction with Percy at the end? Gold.
While this one doesn't end on a cliffhanger, you can kind of tell that Riordan is setting up for another series. It's an overall good conclusion to this story arc, but there's an opening there at the end for another series.
Graphic: Death, Violence, and War
Moderate: Animal death, Blood, and Grief
Minor: Homophobia, Suicide, and Death of parent
sophie42's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.25
Graphic: Death, Fire/Fire injury, War, and Injury/Injury detail
Moderate: Cursing, Violence, and Blood
Minor: Suicide
val_theburrowofstories's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
Graphic: Death, Violence, and War
Moderate: Death of parent
brekker_by_brekker's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Death, Violence, and War
icedlemonade's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Death, Violence, and War
Minor: Genocide, Suicide, Death of parent, and Murder
hales_1243's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? N/A
- Flaws of characters a main focus? Yes
5.0
Graphic: Child death, Death, Gore, Suicide, Violence, Blood, Vomit, Grief, Fire/Fire injury, and War
Moderate: Death of parent
jenny_librarian's review against another edition
- Plot- or character-driven? A mix
- Diverse cast of characters? Yes
4.0
But the way the chapters are arranged bothers me. I feel like a big part of why I couldn’t get 100% invested during the second half of the book is because the author uses “boomerang storytelling”: writing a few chapters from one character’s POV, then going back to the beginning of that timeframe and doing the same for another character that’s somewhere else. It might have been impossible to write otherwise, but that’s probably because by the time he sat to write this book, Riordan had way too many characters in way too many different places.
It’s a great ending
Graphic: Violence
Moderate: Death, Blood, and War