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anna_hepworth's review
emotional
hopeful
reflective
slow-paced
- Plot- or character-driven? N/A
- Strong character development? N/A
- Loveable characters? N/A
- Diverse cast of characters? N/A
- Flaws of characters a main focus? N/A
4.5
Because this is a book of love letters to a dead author, it is a difficult read, as well as sometimes overwhelming. And there is significant repetition of some of the thoughts, because Octavia Butler was so important to so many people who went on to become writers of science fiction and fantasy; many of those journeys are thematically similar.
And I say love letters rather than fan letters or anything else, because they are so much more than fan letters. They talk of the abiding change that Butler made in the lives of so many people by being not only an amazing writer, but someone who had faith in the writing of others, and lifted people up.
It isn't a five star read for me because I did find it repetitive and at times I've put it down for weeks on end. And as such I think I missed what it might have been in aggregate, with all those threads coming together to give shape to the influence that Butler continues to have.
And I say love letters rather than fan letters or anything else, because they are so much more than fan letters. They talk of the abiding change that Butler made in the lives of so many people by being not only an amazing writer, but someone who had faith in the writing of others, and lifted people up.
It isn't a five star read for me because I did find it repetitive and at times I've put it down for weeks on end. And as such I think I missed what it might have been in aggregate, with all those threads coming together to give shape to the influence that Butler continues to have.
Content Warnings
Minor: Death
nwhyte's review
3.0
https://nwhyte.livejournal.com/3011065.html
Luminescent Threads, in a similar format to Letters to Tiptree and sharing an editor, brings together short pieces by almost fifty writers about the effect that Butler's writing had on them, including several who have attended the Clarion writers' workshop thanks to the scholarship established in Butler's name. Most of the pieces were written in the immediate aftermath of the Trump victory and inauguration, and many of the writers were still reeling in shock and invoking Butler, who foresaw the sort of regime that Trump would like to lead, as an inspiration in dark times.
I have to say that I was less satisfied with Luminescent Threads than I was with Letters to Tiptree. I felt that there was less internal organisation - it might have been more interesting to group the scholarly essays separately from the more personal letters. I also really missed Butler's own voice - Letters to Tiptree included a number of letters from Tiptree, whereas here we hear from Butler only in one short interview at the end. I salute the commitment of the editors and contributors, but the structure didn't quite work for me.
Luminescent Threads, in a similar format to Letters to Tiptree and sharing an editor, brings together short pieces by almost fifty writers about the effect that Butler's writing had on them, including several who have attended the Clarion writers' workshop thanks to the scholarship established in Butler's name. Most of the pieces were written in the immediate aftermath of the Trump victory and inauguration, and many of the writers were still reeling in shock and invoking Butler, who foresaw the sort of regime that Trump would like to lead, as an inspiration in dark times.
I have to say that I was less satisfied with Luminescent Threads than I was with Letters to Tiptree. I felt that there was less internal organisation - it might have been more interesting to group the scholarly essays separately from the more personal letters. I also really missed Butler's own voice - Letters to Tiptree included a number of letters from Tiptree, whereas here we hear from Butler only in one short interview at the end. I salute the commitment of the editors and contributors, but the structure didn't quite work for me.
rivqa's review
4.0
Catching a glimpse of someone's life through others' impressions of them can be a fraught exercise. But this collection of letters to, essays about and an interview with Octavia E. Butler offers a multitude of perspectives -- friends, students, and readers, forming a picture that may not be complete, but is comprehensive. A lovely, timely tribute to a visionary writer.
taraminter's review
informative
inspiring
reflective
medium-paced
- Strong character development? N/A
- Loveable characters? N/A
- Diverse cast of characters? Yes
- Flaws of characters a main focus? N/A
5.0
morgandhu's review
5.0
Luminescent Threads: Connections to Octavia E. Butler, edited by Alexandra Pierce and Mimi Mondal, is a collection of tributes, homages, memories, essays and other writings in honour of this vastly influential, respected and beloved author. It follows in the vein of other recent collections honouring James Tiptree Jr, aka Alice Sheldon, and Samuel “Chip” Delany.
Alexandra Pierce says in her Introduction to the collection:
“This book collects some of the ways people relate and connect to Butler, with each section’s title a quote from a letter or essay within it. The first section, ‘Your work is a river I come home to’, focuses on how Butler has inspired people: in their work, in their lives. In the second, which uses a line from Butler’s own essay ‘Positive Obsessions’, authors reflect on systemic and current political issues that Butler either commented on or would have, were she still alive. ‘Love lingers in between dog-eared pages’ includes letters and essays mainly interested in Butler’s fiction—from Kindred to Xenogenesis to Fledgling—with reactions, arguments, and reflections on her work. Next, in ‘I am an Octavia E. Butler Scholar’, are letters from some of the Octavia E. Butler Scholars: Clarion and Clarion West students who received the Octavia E. Butler Memorial Scholarship, set up by the Carl Brandon Society in Butler’s honour after her death. The following chapter fits neatly after the Clarion one: ‘Forget talent. There is only the work’. It features writers reflecting on how Butler influenced their writing through tutoring at Clarion or otherwise. The subsequent section, ‘I love you across oceans, across generations, across lives’ includes, broadly speaking, love letters. They recount ways in which Butler and her work changed something about the writers in situations as individual as the people describing them. The book is rounded out with a memorial that appeared in Science Fiction Studies in 2010, highlighting Butler’s many contributions to science fiction as well as examining how Butler has been studied. And we end with Octavia Butler’s own words, in an interview with Stephen W. Potts from 1996. It was important to us we allow Butler to speak for herself.”
Butler’s work has always been important to me; like so many others, I count her as one of my favourite authors, someone whose work has not only entertained but challenged and inspired me. One of the most important things to me about Butler’s work is how unapologetically political she is, in the broadest sense of examining existing power relations and social injustice, and imagining ways to survive, resist, oppose, change, create a more just and community-oriented world. That’s a feeling shared by many of those who contributed to this volume.
Mimi Mondal writes in her Introduction about the experience of editing this volume in the aftermath of the 2016 US elections, of being an immigrant from India, who had seen the country of her birth elect a “right-wing religious demagogue” in 2014.
“I remember staying curled up in bed way past daytime on November 8, trying to grasp for a reason to get up and finding none, absolutely none. My landlord at the time, an otherwise extremely active and optimistic gay man in his early fifties, was lying crumpled in the other bedroom. My mother, on the other end of a cross-continental phone call, was advising me to stay indoors, in case there was backlash in the streets. Where was I going to go now? What was the point of doing anything, writing anything, believing anything? Someone like me wasn’t wanted anywhere—not back at home, not even in this other country which had taken so much of my faith and love. Once again, I was back to being a number: the gunk that needed to be drained out of the swamp, denied visas to stay or work, turned back from airports, put on the other side of a wall, and made to pay for it too.
It was through this endless numbness that I walked into this project. I felt barely functional, but I took it up because I had read and loved more of Octavia’s work in the meantime, because I had never stopped feeling grateful for the scholarship, because I had to keep my brain and my hand going. I had been an editor before. Even on a really bad day when nothing else made sense, I could mechanically line-edit pages and pages of text. I did not expect this anthology to hold me together, make me cry tears of gratefulness, help me draw strength and hope, through the next few months as wave after wave of bad news kept hitting. I expected these letters to fondly reminisce about a favourite author whom some of the writers may have met, but I did not expect unrestrained conversation about politics, or avowals of continued resistance and solidarity. I expected to help create a tribute volume, something elegantly detached and intellectual that went well with the muted shades of libraries and halls of fame, but the letters in this anthology are alive, bleeding, screaming, urgent—in a way that reflects my own state of mind at these times.”
These are the things that Butler calls forth from us, the passions for justice, for resistance, for struggle, for speaking and writing and performing truth in the face of unbridled arrogance, privilege and power.
In essays and more personal narratives, writers such as Andrea Hairston, Nisi Shawl, Karen Lord, Katheen Kayembe, Rachel Swirsky, Steven Barnes and Nnedi Okorafor - to name only a few - discuss Butler’s work, and talk with passion about what Butler meant, and means, to them. In turn, their words help the reader to clarify and expand on what Butler and her work mean to us.
She was genius, and giant, and she left us such generous gifts.
Alexandra Pierce says in her Introduction to the collection:
“This book collects some of the ways people relate and connect to Butler, with each section’s title a quote from a letter or essay within it. The first section, ‘Your work is a river I come home to’, focuses on how Butler has inspired people: in their work, in their lives. In the second, which uses a line from Butler’s own essay ‘Positive Obsessions’, authors reflect on systemic and current political issues that Butler either commented on or would have, were she still alive. ‘Love lingers in between dog-eared pages’ includes letters and essays mainly interested in Butler’s fiction—from Kindred to Xenogenesis to Fledgling—with reactions, arguments, and reflections on her work. Next, in ‘I am an Octavia E. Butler Scholar’, are letters from some of the Octavia E. Butler Scholars: Clarion and Clarion West students who received the Octavia E. Butler Memorial Scholarship, set up by the Carl Brandon Society in Butler’s honour after her death. The following chapter fits neatly after the Clarion one: ‘Forget talent. There is only the work’. It features writers reflecting on how Butler influenced their writing through tutoring at Clarion or otherwise. The subsequent section, ‘I love you across oceans, across generations, across lives’ includes, broadly speaking, love letters. They recount ways in which Butler and her work changed something about the writers in situations as individual as the people describing them. The book is rounded out with a memorial that appeared in Science Fiction Studies in 2010, highlighting Butler’s many contributions to science fiction as well as examining how Butler has been studied. And we end with Octavia Butler’s own words, in an interview with Stephen W. Potts from 1996. It was important to us we allow Butler to speak for herself.”
Butler’s work has always been important to me; like so many others, I count her as one of my favourite authors, someone whose work has not only entertained but challenged and inspired me. One of the most important things to me about Butler’s work is how unapologetically political she is, in the broadest sense of examining existing power relations and social injustice, and imagining ways to survive, resist, oppose, change, create a more just and community-oriented world. That’s a feeling shared by many of those who contributed to this volume.
Mimi Mondal writes in her Introduction about the experience of editing this volume in the aftermath of the 2016 US elections, of being an immigrant from India, who had seen the country of her birth elect a “right-wing religious demagogue” in 2014.
“I remember staying curled up in bed way past daytime on November 8, trying to grasp for a reason to get up and finding none, absolutely none. My landlord at the time, an otherwise extremely active and optimistic gay man in his early fifties, was lying crumpled in the other bedroom. My mother, on the other end of a cross-continental phone call, was advising me to stay indoors, in case there was backlash in the streets. Where was I going to go now? What was the point of doing anything, writing anything, believing anything? Someone like me wasn’t wanted anywhere—not back at home, not even in this other country which had taken so much of my faith and love. Once again, I was back to being a number: the gunk that needed to be drained out of the swamp, denied visas to stay or work, turned back from airports, put on the other side of a wall, and made to pay for it too.
It was through this endless numbness that I walked into this project. I felt barely functional, but I took it up because I had read and loved more of Octavia’s work in the meantime, because I had never stopped feeling grateful for the scholarship, because I had to keep my brain and my hand going. I had been an editor before. Even on a really bad day when nothing else made sense, I could mechanically line-edit pages and pages of text. I did not expect this anthology to hold me together, make me cry tears of gratefulness, help me draw strength and hope, through the next few months as wave after wave of bad news kept hitting. I expected these letters to fondly reminisce about a favourite author whom some of the writers may have met, but I did not expect unrestrained conversation about politics, or avowals of continued resistance and solidarity. I expected to help create a tribute volume, something elegantly detached and intellectual that went well with the muted shades of libraries and halls of fame, but the letters in this anthology are alive, bleeding, screaming, urgent—in a way that reflects my own state of mind at these times.”
These are the things that Butler calls forth from us, the passions for justice, for resistance, for struggle, for speaking and writing and performing truth in the face of unbridled arrogance, privilege and power.
In essays and more personal narratives, writers such as Andrea Hairston, Nisi Shawl, Karen Lord, Katheen Kayembe, Rachel Swirsky, Steven Barnes and Nnedi Okorafor - to name only a few - discuss Butler’s work, and talk with passion about what Butler meant, and means, to them. In turn, their words help the reader to clarify and expand on what Butler and her work mean to us.
She was genius, and giant, and she left us such generous gifts.
bethmitcham's review
4.0
Reading the reactions and emotions so many authors have about Butler made me want to reread all her works. Again.
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