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lunep's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
5.0
Graphic: Alcohol, Alcoholism, Antisemitism, Body horror, Child abuse, Child death, Death, Death of parent, Domestic abuse, Fire/Fire injury, Gore, Injury/Injury detail, Kidnapping, Murder, Physical abuse, Religious bigotry, and Violence
Minor: Rape
mmefish's review against another edition
Graphic: Child abuse and Domestic abuse
Moderate: Child death and Animal cruelty
Minor: Rape
talonsontypewriters's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
2.0
Graphic: Child abuse, Domestic abuse, Violence, Injury/Injury detail, and Fire/Fire injury
Moderate: Antisemitism, Death, Death of parent, Murder, Animal death, Animal cruelty, Grief, Body horror, Blood, Xenophobia, Kidnapping, Alcohol, Alcoholism, Confinement, and Sexism
Minor: Child death, Vomit, Sexual harassment, Sexual violence, Rape, and Pedophilia
Passing mentions of infant death, death by childbirth, child marriage, and execution by hanging. Themes around agency, obligations, and possessiveness -- specifically of daughters/wives/women overall -- in family relationships and marriage. Sexual assault/harassment is mentioned and discussed but mostly not present; several scenes involve pressure upon mutually unconsenting parties to consummate a relationship and unwanted sexual advances.taliesinrex's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
Though I'm not totally used to reading - and fully enjoying, I should add - books heavy on first-person narration, especially ones that switch between narrators, in the case of Spinning Silver I think it really worked in its favor. Novik's prose reveals the deep sentimentalities of each narrating character with such sincerity that I found myself pretty misty-eyed at several points within each main character's journey and even the stories of supporting characters (Wanda and her siblings' relationship with Miryem's parents hit me especially hard). I think the culmination of the swapping narrators is during the climactic confrontation at Miryem's cousin's wedding, a scene that one would expect to see through Miryem or Irina's perspective, or even perhaps Wanda's that we view through the eyes of Wanda's frightened young brother, Stepon, who feels like an outsider to the whole story that has been unfolding just outside his view. This doesn't seem like something that should work to tie this scene together, but in all its frantic action, seeing it in the perspective of a young boy perplexed by the strange, otherworldly events taking place unites all the moving pieces perfectly.
All in all, I've gone on for long enough and just wanted to conclude by saying I found everything I was looking for and more from a retelling of a fairytale in Spinning Silver. It's incredibly clever and well-constructed, and I'd recommend it to basically any fan of fantasy. As an aside, I also wanted to add
Graphic: Child abuse and Physical abuse
Moderate: Antisemitism and Death of parent
Minor: Rape
nightofdesirableobjects's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
4.5
To get back to this particular book: it is a long, chunky work, and very slow burn. If you want people running off to save the world on page 2, this may not be for you. If you want interesting characters, a carefully built world where you are given only the bare bit of exposition you need at the time, some interesting commentary on humanity, and a gradual build-up until finally all the disparate characters meet, then look no further. The "big bad" in this one was not as interesting as that in Uprooted, but I was still hooked until the end.
Other reviewers have noted that the changing of narration between characters is confusing; personally I did not find it a problem. Each character was well developed and given their own style of speaking, so I could usually tell within a line or two who the chapter was going to follow. I do somewhat agree with some reviewers who said that we could have done without all this switching, and stayed with Miryem and Irina for the whole thing... but on the other hand hearing from others gave more depth to the world and nuance to the story, and I enjoyed being in Mirnatius' petulant little head.
Content warning for anti-semitism, not because the book is anti-semitic, but because the main character is Jewish and her experiences are described.
My one nit with Novik's fairy-tale stories is that they always end with some main characters falling in love and getting married. I may be weird but I love a miserable ending. Old-school fairy-tales were pretty grim (see what I did there?), so maybe Novik is going all modern with her happy endings. Not a dealbreaker for me, just a buzz-kill.
Moderate: Antisemitism
Minor: Rape
jennifer_bush_73's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.0
This was a good story, and, overall, I liked it. It was more fairytale than fantasy. But the poor grammar and mechanics were a distraction from story. The story got bogged down in too much detail. A good editor could have made the story more readable by cutting the redundant details and correcting the grammar errors.
Graphic: Antisemitism, Child abuse, Kidnapping, Religious bigotry, Stalking, Violence, Toxic relationship, Domestic abuse, Emotional abuse, and Murder
Moderate: Alcohol, Child abuse, Death of parent, Death, Emotional abuse, Grief, Murder, Physical abuse, and Toxic friendship
Minor: Rape, Domestic abuse, Genocide, and Murder
Fantasybooksandtea997's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
Moderate: Antisemitism, Child abuse, Violence, Religious bigotry, Sexism, and Torture
Minor: Rape
amandaquotidianbooks's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
2.5
Moderate: Antisemitism, Child abuse, Death of parent, and Domestic abuse
Minor: Rape
cassie_ellie's review against another edition
5.0
Moderate: Violence and Alcoholism
Minor: Rape
spinesinaline's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.0
I had nothing to go on when starting this book but I assumed it’d be some kind of fairytale retelling. While it is a retelling of sorts, the main fairytale it draws from is Rumpelstiltskin, it felt wholly inventive and new. There are elements of Snow White, Hansel and Gretel, and Red Riding Hood too but they feel more like familiar hints of old fairytales in the face of Novik’s creative world.
The story is presented through alternating 3rd-person POVs. Initially the main character is Miryem, the Jewish daughter of a moneylender who constantly deals with the antisemitism, thinly veiled or outright, from her village. I really enjoyed having a Jewish character in the centre of a fairytale and the descriptions of family life and celebrations, though her and her family face a lot of attacks and threats because of their faith. As the story progresses, we also get the perspectives of Wanda, a farmer’s daughter living in poverty, and Irina, the daughter of a duke dealing with the threat of the tsar.
It feels like a girl-power book without being explicit about it and I loved getting to see these girls find ways to take control of their situations – whether that’s with their knowledge of family, negotiations, or the courts. Each girl has her own strengths and while they aren’t always knowingly working together, as their stories converge later on, each of their contributions are needed in battling their common foes. I found it a little odd that in the second half of the book we got even more perspectives from side characters as it felt awkward and sudden, but it did make sense in a narrative way that we’d still want to follow those storylines. I would’ve preferred to have ended with the 3 MCs’ perspectives though, because our last looks at some of them were presented through a side character’s eyes and it felt very detached.
This is a YA so perhaps it’s to be expected that there will be romance but I felt iffy about it, especially as the relationships are formed out of very manipulative and emotionally (and at times physically) abusive situations. It’s not a major part of the book but a big warning for toxic relationships here. I would recommend looking up content warnings if you’re hesitant before reading this book as there’s quite a lot of violence.
Graphic: Antisemitism, Child abuse, Physical abuse, and Religious bigotry
Moderate: Animal cruelty, Blood, Child death, Death, Miscarriage, Sexism, Torture, Toxic relationship, and Violence
Minor: Animal death, Domestic abuse, Rape, and Vomit