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andreapap15's review
adventurous
challenging
dark
emotional
hopeful
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
I will never shut up about this book. I don't give 5* to anything except absolute faves
Content Warnings
Moderate: Antisemitism and Vomit
maeverose's review against another edition
slow-paced
3.0
TL;DR: I’m sad because I really liked some aspects of this and it had the potential to be a favorite, but it needed to be shorter, have less povs, and have the romance not be toxic, and then make it a little more of a focus. I also don’t care for the gratuitous violence…
The toxic romances. First I should say that this isn’t a romance book. I went into this with the expectations of it being a fantasy romance and it’s definitely not. That’s my bad, I thought I’d heard people talk about it as if it was. There’s only a tiny tiny bit of romance at the very end, but the way the two male love interests treat their eventual partners is incredibly toxic. I made some lists to illustrate the point (spoilers, obviously & tw for rape and sa):
The Staryk king threatened to kill Miryem if she didn’t complete his tasks, threatened to kill her family, forced her to marry him, was physically aggressive with her, nearly raped her, trapped her in her room with no food or water for a day, used her to lengthen winter in turn harming people from her world, generally treated her like shit, it’s also made clear that his people killed and raped innocent people in the sunlit world for centuries, and he had no problem with it. Mirnatius scared Irina as a child by leaving her dead squirrels, clearly had no issues with the demon trying to kill her, touched her sexually without her consent and might’ve raped her if she hadn’t stopped him, generally treated her like shit
And it’s so sad because both of those relationships could have been really fun if they hadn’t been horrible to each other. I love a good enemies to lovers but this is not how you do it.
Gratuitous violence. Mostly from Wendy and Stepon’s povs, where they had to bring up at every opportunity that their father abused them. It felt like the author was just throwing it in there to keep the book feeling dark and gritty but there was no real purpose to it. We already know from the first few chapters that their father is a despicable human being, it didn’t need to be mentioned repeatedly every single time it switched to one of their povs.
The multiple povs. I only cared about Miryem’s and Irina’s a little bit towards the second half of the book. However I wouldn’t say the others were unnecessary (well, Magreta’s maybe) or couldn’t be interesting to other readers. I felt that it was usually pretty clear who’s pov it was right away, but the book does switch povs multiple times in every chapter, so it could get annoying.
Bad autism rep? I wanted to talk about one of the perspectives in particular: Wanda’s younger brother Stepon. His narrative voice is especially different from the others and I can’t tell if it’s just supposed to be that he’s young, abused and had a very isolated upbringing, or if he’s autistic coded. He has sensory issues with noise too, which could be a trauma response from his abuse, I’m not sure, but it felt like an attempt at a very stereotypical representation of autism, and if it was I don’t like that. It’s a very narrow minded interpretation of autism, not to mention it was just so tedious to read.
It’s overwritten. It definitely could’ve (should’ve, imo) been at least 100 pages shorter. Maybe its just because I wasn’t enjoying it that much but it felt like a drag to get through. I was bored for a lot of it.
The writing. Her style just doesn’t work for me. I liked the winter descriptions, and the folktale style of it, but I found certain sentences to be worded awkwardly to where I’d have to read them multiple times to get what she meant. It was the same with Uprooted for me. Like she’s trying to make it sound pretty but it’s just awkward to read. Could just be me. I did find some sentences that were actually grammatically incorrect though…
Homophobic?? This one was easy to miss, but the only - very minor side character - that’s gay has a crush on his own cousin. I feel like I don’t need to explain how that’s problematic.
Gratuitous violence. Mostly from Wendy and Stepon’s povs, where they had to bring up at every opportunity that their father abused them. It felt like the author was just throwing it in there to keep the book feeling dark and gritty but there was no real purpose to it. We already know from the first few chapters that their father is a despicable human being, it didn’t need to be mentioned repeatedly every single time it switched to one of their povs.
The multiple povs. I only cared about Miryem’s and Irina’s a little bit towards the second half of the book. However I wouldn’t say the others were unnecessary (well, Magreta’s maybe) or couldn’t be interesting to other readers. I felt that it was usually pretty clear who’s pov it was right away, but the book does switch povs multiple times in every chapter, so it could get annoying.
Bad autism rep? I wanted to talk about one of the perspectives in particular: Wanda’s younger brother Stepon. His narrative voice is especially different from the others and I can’t tell if it’s just supposed to be that he’s young, abused and had a very isolated upbringing, or if he’s autistic coded. He has sensory issues with noise too, which could be a trauma response from his abuse, I’m not sure, but it felt like an attempt at a very stereotypical representation of autism, and if it was I don’t like that. It’s a very narrow minded interpretation of autism, not to mention it was just so tedious to read.
It’s overwritten. It definitely could’ve (should’ve, imo) been at least 100 pages shorter. Maybe its just because I wasn’t enjoying it that much but it felt like a drag to get through. I was bored for a lot of it.
The writing. Her style just doesn’t work for me. I liked the winter descriptions, and the folktale style of it, but I found certain sentences to be worded awkwardly to where I’d have to read them multiple times to get what she meant. It was the same with Uprooted for me. Like she’s trying to make it sound pretty but it’s just awkward to read. Could just be me. I did find some sentences that were actually grammatically incorrect though…
Homophobic?? This one was easy to miss, but the only - very minor side character - that’s gay has a crush on his own cousin. I feel like I don’t need to explain how that’s problematic.
Content Warnings
Graphic: Animal cruelty, Child death, Fire/Fire injury, Violence, Gore, Physical abuse, Vomit, Child abuse, and Misogyny
Moderate: Alcohol, Animal death, Domestic abuse, Antisemitism, Blood, Death of parent, Alcoholism, Body horror, Rape, Sexual assault, Terminal illness, and Toxic relationship
Minor: Classism, Incest, and Miscarriage
Graphic: Eye trauma Moderate: mentioned child rapetalonsontypewriters's review against another edition
adventurous
dark
mysterious
slow-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
2.0
Content Warnings
Graphic: Child abuse, Domestic abuse, Violence, Injury/Injury detail, and Fire/Fire injury
Moderate: Antisemitism, Death, Death of parent, Murder, Animal death, Animal cruelty, Grief, Body horror, Blood, Xenophobia, Kidnapping, Alcohol, Alcoholism, Confinement, and Sexism
Minor: Child death, Vomit, Sexual harassment, Sexual violence, Rape, and Pedophilia
Passing mentions of infant death, death by childbirth, child marriage, and execution by hanging. Themes around agency, obligations, and possessiveness -- specifically of daughters/wives/women overall -- in family relationships and marriage. Sexual assault/harassment is mentioned and discussed but mostly not present; several scenes involve pressure upon mutually unconsenting parties to consummate a relationship and unwanted sexual advances.spinesinaline's review against another edition
adventurous
dark
hopeful
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.0
Well that was very good.
I had nothing to go on when starting this book but I assumed it’d be some kind of fairytale retelling. While it is a retelling of sorts, the main fairytale it draws from is Rumpelstiltskin, it felt wholly inventive and new. There are elements of Snow White, Hansel and Gretel, and Red Riding Hood too but they feel more like familiar hints of old fairytales in the face of Novik’s creative world.
The story is presented through alternating 3rd-person POVs. Initially the main character is Miryem, the Jewish daughter of a moneylender who constantly deals with the antisemitism, thinly veiled or outright, from her village. I really enjoyed having a Jewish character in the centre of a fairytale and the descriptions of family life and celebrations, though her and her family face a lot of attacks and threats because of their faith. As the story progresses, we also get the perspectives of Wanda, a farmer’s daughter living in poverty, and Irina, the daughter of a duke dealing with the threat of the tsar.
It feels like a girl-power book without being explicit about it and I loved getting to see these girls find ways to take control of their situations – whether that’s with their knowledge of family, negotiations, or the courts. Each girl has her own strengths and while they aren’t always knowingly working together, as their stories converge later on, each of their contributions are needed in battling their common foes. I found it a little odd that in the second half of the book we got even more perspectives from side characters as it felt awkward and sudden, but it did make sense in a narrative way that we’d still want to follow those storylines. I would’ve preferred to have ended with the 3 MCs’ perspectives though, because our last looks at some of them were presented through a side character’s eyes and it felt very detached.
This is a YA so perhaps it’s to be expected that there will be romance but I felt iffy about it, especially as the relationships are formed out of very manipulative and emotionally (and at times physically) abusive situations. It’s not a major part of the book but a big warning for toxic relationships here. I would recommend looking up content warnings if you’re hesitant before reading this book as there’s quite a lot of violence.
I had nothing to go on when starting this book but I assumed it’d be some kind of fairytale retelling. While it is a retelling of sorts, the main fairytale it draws from is Rumpelstiltskin, it felt wholly inventive and new. There are elements of Snow White, Hansel and Gretel, and Red Riding Hood too but they feel more like familiar hints of old fairytales in the face of Novik’s creative world.
The story is presented through alternating 3rd-person POVs. Initially the main character is Miryem, the Jewish daughter of a moneylender who constantly deals with the antisemitism, thinly veiled or outright, from her village. I really enjoyed having a Jewish character in the centre of a fairytale and the descriptions of family life and celebrations, though her and her family face a lot of attacks and threats because of their faith. As the story progresses, we also get the perspectives of Wanda, a farmer’s daughter living in poverty, and Irina, the daughter of a duke dealing with the threat of the tsar.
It feels like a girl-power book without being explicit about it and I loved getting to see these girls find ways to take control of their situations – whether that’s with their knowledge of family, negotiations, or the courts. Each girl has her own strengths and while they aren’t always knowingly working together, as their stories converge later on, each of their contributions are needed in battling their common foes. I found it a little odd that in the second half of the book we got even more perspectives from side characters as it felt awkward and sudden, but it did make sense in a narrative way that we’d still want to follow those storylines. I would’ve preferred to have ended with the 3 MCs’ perspectives though, because our last looks at some of them were presented through a side character’s eyes and it felt very detached.
This is a YA so perhaps it’s to be expected that there will be romance but I felt iffy about it, especially as the relationships are formed out of very manipulative and emotionally (and at times physically) abusive situations. It’s not a major part of the book but a big warning for toxic relationships here. I would recommend looking up content warnings if you’re hesitant before reading this book as there’s quite a lot of violence.
Content Warnings
Graphic: Antisemitism, Child abuse, Physical abuse, and Religious bigotry
Moderate: Animal cruelty, Blood, Child death, Death, Miscarriage, Sexism, Torture, Toxic relationship, and Violence
Minor: Animal death, Domestic abuse, Rape, and Vomit
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