Reviews tagging 'Death of parent'

Giovanni's Room by James Baldwin

28 reviews

kers_tin's review against another edition

dark reflective sad tense medium-paced

• Plot- or character-driven? A mix
• Strong character development? Yes
• Loveable characters? It's complicated
• Diverse cast of characters? No
• Flaws of characters a main focus? Yes

4.25

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Content Warnings

Moderate: Grief, Homophobia, Infidelity, Suicidal thoughts, Toxic relationship, Alcohol, Death, and Misogyny

Minor: Sexual assault, Child death, and Death of parent

onmalsshelf's review against another edition

tense medium-paced

• Plot- or character-driven? Character
• Strong character development? No
• Loveable characters? No
• Diverse cast of characters? It's complicated
• Flaws of characters a main focus? Yes

2.5

Some of the best writing I’ve ever read in a classic, but with the most insufferable cast of characters. Oi with the misogyny already 

Also The Atlantic lied in their blurb, ‘Exciting…a book that belongs in the top rank of fiction’

Exciting? Where?

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Content Warnings

Graphic: Outing, Death of parent, Emotional abuse, Blood, Alcohol, Panic attacks/disorders, Homophobia, Classism, and Mental illness

itsgeesus's review against another edition

challenging dark emotional reflective sad tense fast-paced

• Plot- or character-driven? Character
• Strong character development? Yes
• Loveable characters? It's complicated
• Diverse cast of characters? No
• Flaws of characters a main focus? Yes

3.5

I really enjoy Baldwin, I think his writing is fantastic and hooks you in no matter the story. Even though this was relatively a quick read, it was addictive, with the exploration of queerness feeling so real and gritty. The internalised homophobia David felt throughout is something that was especially poignant, given that it would have been something many American men would've felt pre-Stonewall. Some readers may even experience it today. Sure, it was often uncomfortable to read, but it felt genuine, and David's struggle to accept his love for Giovanni is something to be commended. The pressure of 'fitting in' with a heteronormative society was a theme I really enjoyed throughout because no matter what decade this would have been read in, it is still somehow relevant. 

I would say, however, that the way Hella was written in was fairly misogynistic, whether by accident or not. At times, it felt as if her absence was used by David to justify his affair with Giovanni, rather than David wanting to explore because he genuinely felt attracted to Giovanni. Even with Hella around, the way David spoke about her and other women felt weird, like even for 1956 society. The vibe I got was "men are superior, women are just mistresses". That was the only thing to have pulled me away from such a story.

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Content Warnings

Minor: Sexual content, Transphobia, Misogyny, Suicidal thoughts, Death, Death of parent, and Murder

edgaranjapoe's review

challenging emotional sad medium-paced

• Plot- or character-driven? Character
• Strong character development? It's complicated
• Loveable characters? It's complicated
• Diverse cast of characters? Yes
• Flaws of characters a main focus? Yes

5.0

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Content Warnings

Graphic: Homophobia, Infidelity, and Toxic relationship

Moderate: Alcohol, Grief, Misogyny, and Sexual content

Minor: Car accident, Domestic abuse, Emotional abuse, Mental illness, Murder, Rape, Sexual harassment, Toxic friendship, Sexual assault, Adult/minor relationship, Blood, Abandonment, Death, War, Transphobia, Violence, Classism, Bullying, Death of parent, Alcoholism, Child death, and Injury/Injury detail

laurendenton's review against another edition

dark emotional mysterious reflective sad tense medium-paced

• Plot- or character-driven? A mix
• Strong character development? Yes
• Loveable characters? It's complicated
• Diverse cast of characters? It's complicated
• Flaws of characters a main focus? Yes

4.5

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Content Warnings

Graphic: Sexism, Alcohol, and Misogyny

Moderate: Adult/minor relationship, Confinement, Cursing, Abandonment, Death, Grief, Infidelity, Sexual content, Death of parent, Violence, Homophobia, Suicidal thoughts, and Murder

Minor: Vomit, Fire/Fire injury, Body shaming, and Fatphobia

alsoapples's review against another edition

dark emotional sad slow-paced

• Plot- or character-driven? Character
• Strong character development? Yes
• Loveable characters? It's complicated
• Diverse cast of characters? Yes
• Flaws of characters a main focus? Yes

4.5

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Content Warnings

Graphic: Homophobia and Sexual harassment

Moderate: Toxic relationship, Classism, Suicidal thoughts, Gaslighting, and Alcohol

Minor: Murder and Death of parent

kingcrookback's review

dark emotional reflective sad medium-paced

• Plot- or character-driven? Character
• Strong character development? It's complicated
• Loveable characters? It's complicated
• Diverse cast of characters? Yes
• Flaws of characters a main focus? Yes

I kept thinking about the conversation Baldwin had with Maya Angelou, where he said, in response to a question about being gay, "[...] all I know about human life is if I love you... I love you. And if I love you and duck it, I die." I've read some criticism--most of it recent and mostly from people who are too young to seriously consider what it must have been like to be gay/queer before the late '90s at the earliest--saying that Giovanni's Room contributes to the idea that gay/queer life is tragedy. I think such a viewpoint is informed by a pretty severe misunderstanding of the book. The misery that David feels and the end of Giovanni's story are not brought about purely by virtue of their being gay but rather they're proofs of Baldwin's thesis that denying the truth of who you love is a kind of death. It's David's internalized homophobia that stops him from admitting his love for Giovanni, which leads first to Giovanni's decline and eventual execution and second to Hella's unhappiness. But it isn't so simple as David making the decision to allow himself to love Giovanni; Baldwin is deliberate in portraying the factors that complicate David fully accepting the fact that he feels this love, very powerful forces that include internalized homophobia, notions of masculinity, compulsory heterosexuality, and class. Tied into the issue of class are the concepts of race, nationality, and culture, and how these concepts even further complicate ideas of manhood/masculinity and justice.

Guillaume being a member of an old money French family and Giovanni being a poor Italian immigrant in Paris, it's difficult to fathom that class and nation didn't play significant roles in Giovanni's trial and, consequently, his fate. Thus, it's difficult to fathom that Baldwin didn't deliberately seek to depict how these broader ideas affect and complicate daily emotional life.

On the subject of race/nationality, if I recall correctly, there was also some criticism about the fact that Baldwin chose to write his protagonist as a white man rather than a Black one. However, I found that even though there were no Black characters present, the story was very aware of David's American-ness, if not exactly his whiteness. It's been said that people become more aware of how their homelands have impacted them once they travel abroad, and this is true for David. Though he becomes familiar enough with Paris to get around and have an understanding of the rhythms of the culture, he is never truly at home in Paris. Giovanni and the French characters alike speak of the differences they perceive between Americans and people of the Old World, and later, Giovanni speaks scornfully of the image of moneyed American tourists in his hometown. Rather than separating the subjects of race and homosexuality by writing a white protagonist, I believe Baldwin chose to examine them in conjunction with each other by focusing initially on white masculinity. Whiteness as a concept is irrevocably tied to a sense of superiority and supremacy, but David in the end finds that clinging to his idea of masculinity ultimately fails him, leaving him low.

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Content Warnings

Graphic: Death, Homophobia, and Toxic relationship

Moderate: Alcohol, Classism, Murder, Misogyny, Child death, and Death of parent

Minor: Domestic abuse

poirot's review against another edition

emotional reflective slow-paced

• Plot- or character-driven? Character
• Strong character development? It's complicated
• Loveable characters? No
• Diverse cast of characters? No
• Flaws of characters a main focus? Yes

2.5

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Content Warnings

Graphic: Homophobia, Alcohol, Death, Misogyny, Murder, Outing, Sexism, and Toxic relationship

Moderate: Suicidal thoughts and Death of parent

Minor: Child death, Miscarriage, and Pregnancy

b0ygenius's review against another edition

dark emotional reflective sad tense slow-paced

• Plot- or character-driven? Character
• Strong character development? Yes
• Loveable characters? It's complicated
• Diverse cast of characters? No
• Flaws of characters a main focus? Yes

4.5

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Content Warnings

Graphic: Alcohol, Alcoholism, Death, Grief, Homophobia, Infidelity, Misogyny, Murder, and Toxic relationship

Moderate: Cursing and Suicidal thoughts

Minor: Body shaming, Child death, and Death of parent

thesawyerbean's review against another edition

emotional reflective sad slow-paced

• Plot- or character-driven? Character
• Strong character development? It's complicated
• Loveable characters? No
• Diverse cast of characters? No
• Flaws of characters a main focus? Yes

4.25

Nobody can stay in the garden of Eden.

A vivid and devastating piece of queer literature - both brave and important to portray the experiences of queer men, the struggles of coming to terms with their identity and the asphyxiating force of internal conflicts and prejudice within the historical context of its writing. I could not unpick the knot in my throat as I read through to the conclusion, seeing how the vulnerable budding romance soured into tragedy.

I can’t help feeling that I placed him in the shadow of the knife.

This was a fantastic read. However, while the power of the descriptive prose was evident and affecting, the long-winded, punctuation-ridden sentences were often confusing and convoluted. The metaphorical language was gorgeous, but also in some ways overdone in my opinion. 

Despite these criticisms, I do believe this to be a must-read for fans of classics and queer literature.

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Content Warnings

Graphic: Alcohol, Death, Suicidal thoughts, Alcoholism, Child death, Death of parent, Homophobia, Murder, Misogyny, and Toxic relationship