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I can give it credit for its historical importance, as one of the first writings by a white author to bring attention to the deplorable horrors, genocide and violence of colonialism in Africa. However, this doesn’t mean it was good. In fact, I would hazard to say it was more dehumanising to the people it was attempting to uplift. What was even more perplexing was that the very man who had committed atrocities, that the whole plot line was apparently centred around, was then heralded as some kind of god, hero or virtuous man after his death, instead of the despot he was.
I don’t know, maybe I was simply not paying enough attention because I was severely bored, but I do not get it.
Graphic: Body horror, Gore, Racial slurs, Racism, Slavery, Murder, Colonisation
Graphic: Slavery
Graphic: Gun violence, Mental illness, Misogyny, Physical abuse, Racial slurs, Racism, Slavery, Suicide, Violence, Murder, War
Graphic: Death, Racial slurs, Racism, Slavery, Blood
Minor: Cannibalism
- Had high hopes for this book initially given its (at the time) progressive views on imperialism & colonialism
- It was overall still SUPER racist & the author really put a lot of effort into trying to sound profound
- I think it’s probably a good book to read in terms of literary analysis, but can be difficult to get through because of its harsh themes & general structure
- TONS OF QUEER UNDERTONES
- Tons of blatant racism & sometimes graphic descriptions
- Probably wouldn’t read again for pleasure
Graphic: Cursing, Death, Hate crime, Racial slurs, Racism, Slavery, Violence, Murder, Colonisation
Graphic: Racial slurs, Racism, Sexism, Slavery
Graphic: Animal death, Confinement, Death, Genocide, Gore, Gun violence, Misogyny, Racial slurs, Racism, Rape, Sexual violence, Slavery, Suicide, Violence, Blood, Kidnapping, Grief, Cannibalism, Religious bigotry, Murder, Alcohol, Colonisation, War, Injury/Injury detail, Classism
Conrad’s descriptions and depictions of black people are dehumanizing to their core. No black character in this book feels real, feels like a person we may empathize with and care for. It is in the descriptions of Kurtz’s black mistress, of the slave-boy whose only contribution to the narrative is the line “Mistah Kutz, he dead” - Conrad does not share our empathies. Africa is a primitive, uncivilized, immoral landscape.
Graphic: Racism, Slavery, Violence, Colonisation
Graphic: Racism, Slavery, Violence
Graphic: Physical abuse, Racism, Slavery