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morenowagain's review against another edition
adventurous
challenging
dark
emotional
inspiring
reflective
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
Content Warnings
Moderate: Abortion, Police brutality, Misogyny, Murder, Slavery, Suicide, Racism, Alcohol, Violence, Blood, Injury/Injury detail, Death of parent, Gun violence, Incest, Sexual content, Toxic friendship, Racial slurs, and Stalking
barry_x's review against another edition
adventurous
emotional
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.5
This book is stunning. Upon it's conclusion I needed to sit and exhale and let all the emotions I was feeling fall over me. All day long I have been thinking about the characters, the themes, what the book is about and what it means. It's a book which draws you in, you're not sure what it is about but each chapter not only tells you a little more, it makes you reconsider your perspectives as you learn what is happening in the world from another characters point of view. However, the reader is never assaulted with a 'a-ha' moment, like they are manipulated with a twist. Rather the reader explores, learns and discovers the characters histories alongside them.
Ostensibly, the novel is the story of Milkman. The story follows his life from his birth to his middle age as we learn who he is, where he has come from and who he will become. Milkman's birth name is Macon Dead. Which is his father's name, and his father's name before him. His grandfather named thus because a drunken white man registering the freed slaves name after mishearing where he had come from and giving him the surname after hearing of Macon's parents being deceased.
This book, is a book about identity, about who we are, about who names us, and the legacy those names carry. There is so much going on in just the naming of the characters. The women of the Dead family are named after characters in the Bible, in some cases by illiterate men. We have Pilate, Reba and Hagar, Magdalene known as Lena and Corinthians. Named based on a flick through a book I question what identity these girls have in a white and male world. It made me think about the naming of people and what they actually 'own' with a name.
Milkman's name has it's history which is identified early in the novel, and yet all his male peers have nicknames too. Are the nicknames a way of claiming an identity beyond what a parent (and perhaps a white man) once gave them? An act of independence?
Morrison's writing is beautiful, engaging. I was drawn into the story almost immediately, but it is a story that takes it's time with the reader. Each chapter has a different perspective, or jumps ahead a bunch of years as we follow Milkman from birth, to boyhood to adolescence and adulthood. It does feel as though each chapter is self-contained, and yet the sum of the parts are much greater than the themes and stories within. One can't help but be touched by the stories within. I felt I cared throughout the book as we followed generations of the Dead family.
And yet, whilst I cared, I found myself disliking or even reviling characters - particularly Milkman's parents. And then a chapter or two later I am emphasising with them, and in turn, disliking our central character and his friend. Every character in the book is worthy of care, but many of them are not especially likeable.
This is a story of inter-generational families learning who they are, and discovering their past. Written in the 1970's it also feels like an emergence of black America and it's recognition of, and shaking off of its trauma from slavery and the impact this has on the collective psyche a century later. There are motifs throughout of wanting to fly, to escape, but also with the notion that if one flies that one will fall and others will be left picking up the pieces. One can almost trace the trajectory of black America throughout the 20th century, of starting anew and making something of oneself, of the constant impact of systemic racism, of a black radicalism and what it means if one leaves their culture and people behind.
I read this as part of a 'speculative fiction by authors of colour' challenge, and the speculative elements are light in here. This book though is rooted in a magical realism tradition though. There may or may not be ghosts. People may or may not be able to fly. The fantastical weaves nonchalantly with the mundane. My overwhelming impression is that this is a novel of stories, of oral traditions, and of families. Each reader will get something different about it. Is it a critique of black men expecting women to do their labour? Is it a critique on black capitalism? Is it a story about fathers and sons, or a story about wives and daughters? I can't really say other than feeling that I'll be thinking of this novel for a long time.
Ostensibly, the novel is the story of Milkman. The story follows his life from his birth to his middle age as we learn who he is, where he has come from and who he will become. Milkman's birth name is Macon Dead. Which is his father's name, and his father's name before him. His grandfather named thus because a drunken white man registering the freed slaves name after mishearing where he had come from and giving him the surname after hearing of Macon's parents being deceased.
This book, is a book about identity, about who we are, about who names us, and the legacy those names carry. There is so much going on in just the naming of the characters. The women of the Dead family are named after characters in the Bible, in some cases by illiterate men. We have Pilate, Reba and Hagar, Magdalene known as Lena and Corinthians. Named based on a flick through a book I question what identity these girls have in a white and male world. It made me think about the naming of people and what they actually 'own' with a name.
Milkman's name has it's history which is identified early in the novel, and yet all his male peers have nicknames too. Are the nicknames a way of claiming an identity beyond what a parent (and perhaps a white man) once gave them? An act of independence?
Morrison's writing is beautiful, engaging. I was drawn into the story almost immediately, but it is a story that takes it's time with the reader. Each chapter has a different perspective, or jumps ahead a bunch of years as we follow Milkman from birth, to boyhood to adolescence and adulthood. It does feel as though each chapter is self-contained, and yet the sum of the parts are much greater than the themes and stories within. One can't help but be touched by the stories within. I felt I cared throughout the book as we followed generations of the Dead family.
And yet, whilst I cared, I found myself disliking or even reviling characters - particularly Milkman's parents. And then a chapter or two later I am emphasising with them, and in turn, disliking our central character and his friend. Every character in the book is worthy of care, but many of them are not especially likeable.
This is a story of inter-generational families learning who they are, and discovering their past. Written in the 1970's it also feels like an emergence of black America and it's recognition of, and shaking off of its trauma from slavery and the impact this has on the collective psyche a century later. There are motifs throughout of wanting to fly, to escape, but also with the notion that if one flies that one will fall and others will be left picking up the pieces. One can almost trace the trajectory of black America throughout the 20th century, of starting anew and making something of oneself, of the constant impact of systemic racism, of a black radicalism and what it means if one leaves their culture and people behind.
I read this as part of a 'speculative fiction by authors of colour' challenge, and the speculative elements are light in here. This book though is rooted in a magical realism tradition though. There may or may not be ghosts. People may or may not be able to fly. The fantastical weaves nonchalantly with the mundane. My overwhelming impression is that this is a novel of stories, of oral traditions, and of families. Each reader will get something different about it. Is it a critique of black men expecting women to do their labour? Is it a critique on black capitalism? Is it a story about fathers and sons, or a story about wives and daughters? I can't really say other than feeling that I'll be thinking of this novel for a long time.
Content Warnings
Moderate: Animal death, Racism, Incest, Child abuse, and Racial slurs
Minor: Murder, Slavery, Deadnaming, and Toxic friendship
lana_taylor23's review against another edition
dark
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
Content Warnings
Moderate: Toxic friendship, Incest, Death, Hate crime, Adult/minor relationship, Racism, Murder, Sexual content, Toxic relationship, and Stalking
Minor: Misogyny, Police brutality, and Domestic abuse
hannaheinhorn's review against another edition
adventurous
challenging
emotional
funny
reflective
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
this is my second time reading this book. the first time i read it i was in high school, and it completely changed my taste in literature as well as my outlook on life. revisiting it, i loved it even more. this novel speaks with all the appropriate nuance about what it means to decolonize one’s heritage and legacy. milkman is a heinous character, but through him the story of how women love is so eloquently told. i relate to lena a lot, as an oldest daughter with a middle sister and baby brother. i truly think anyone who has had to dive into their family’s history in order to heal will relate and love this novel.
Content Warnings
Graphic: Incest, Toxic relationship, Suicide, Racial slurs, Murder, Misogyny, Grief, Toxic friendship, Domestic abuse, and Death
Moderate: Abandonment, Adult/minor relationship, Classism, Lesbophobia, Hate crime, and Racism
kari_g's review against another edition
adventurous
mysterious
reflective
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
5 stars implies that I recommend it, and I really don’t. If you aren’t gonna tough it out, then it isn’t worth your time, but if you make it to the end, it’s truly life changing. I am better for having read this book.
Content Warnings
Graphic: Racism, Adult/minor relationship, Murder, Incest, Toxic relationship, Blood, Suicide, Death, Terminal illness, Cursing, Sexual content, Racial slurs, Pregnancy, Violence, and Toxic friendship
Moderate: Animal death, Classism, Gun violence, Drug use, Emotional abuse, Homophobia, Vomit, Infertility, Rape, Hate crime, Physical abuse, Death of parent, Grief, Pedophilia, Police brutality, Slavery, Terminal illness, and Stalking
Minor: Schizophrenia/Psychosis , Religious bigotry, Body shaming, Confinement, Alcoholism, Excrement, and Infidelity
purplehulk713's review against another edition
adventurous
challenging
dark
emotional
hopeful
mysterious
reflective
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Stirring. Toni Morrison certainly knew how to construct wholly unique worlds with realistic racial values and constructs but also her own fictional, ”local” almost, patterns of living that give true character to her novels like Song of Solomon. I felt bad having to rush through it for school, especially since it was a book that we would not discuss for very long, though there a semester’s worth of material to unpack. Though there are definitely hateable characters like Macon Dead II, Milkman’s father, he is characterized so well over the course of the book that you come to empathize with him if not like him for all that he has experienced in his life. Names are incredibly relevant—Milkman, for example, whose name is not his given name, but as he is colloquially known, most likely because since he was born in whatever shape or form, anyone could see that he only sought life for what it could give him, sucking it dry as if it were a milk cow. This is why he forsakes Hagar, whose name literally means “forsaken”, and this is truly so relevant to her character because she becomes so dependent on his approval of and desire for her that her ultimate realization that she will never have it kills her. Even the book’s name is so relevant—an allusion to a biblical book of Jewish erotic love poetry, describing a depth of passion for another person without which neither one of them could live. Milkman never truly has this in his life, not with his family, with any of his girlfriends, or with his difficult-to-describe relationship with Guitar. It’s the sense of flight which he seeks the whole novel. The final mysteries including the origins of the Dead family, Shalimar, and the children’s song was so tantalizing both to read and to analyze. My favorite character was Pilate—I found her character most compelling for what I felt was her sincerity despite her position of sentencing (another emphasis on the relevance of names). I only did not give this book five stars because it does not totally click with me, you know? Maybe if I were to read it again. But anyway, will surrender to the air and take flight?
Content Warnings
Graphic: Body horror, Death of parent, Emotional abuse, Gore, Racism, Pregnancy, Murder, Alcohol, Blood, Incest, Racial slurs, Toxic friendship, Gun violence, Hate crime, Pedophilia, and Sexual content
kers_tin's review against another edition
challenging
dark
emotional
reflective
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
3.75
Content Warnings
Graphic: Violence, Toxic friendship, Incest, Sexual violence, and Toxic relationship
Moderate: Death, Death of parent, Sexual assault, Sexual content, Hate crime, Murder, Domestic abuse, Emotional abuse, Gun violence, Medical trauma, Racism, Rape, and Suicide attempt
michaelion's review against another edition
mysterious
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
I can confidently say: I was touched. I don't know if I was moved, but in another life I'm sure there's a version of me, either in another universe or that lives hidden in the back of my own mind now, who would have weeped. Maybe I was moved. I get it. I think I know what that feels like.
Content Warnings
Graphic: Incest, Classism, and Domestic abuse
Moderate: Death of parent, Misogyny, Physical abuse, Racism, Stalking, Toxic friendship, Toxic relationship, Sexism, Adult/minor relationship, and Alcohol
Minor: Abortion, Homophobia, Murder, Rape, and Violence
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