Reviews with content warning for Infidelity - You Made a Fool of Death with Your Beauty

This is my last Emezi book, I’m up to date on all their works finally! I’m having a good time, not the greatest time, not the best time, but a good time.

This book also made me start a lesbian / sapphic reading list for a specific reason present in Emezi’s other books. This is about to become a review I don’t usually write, an actual critique of an author's work. Emezi’s talented at everything they do, no complaints there. It’s poignant to me, though, to have two bisexual characters who end up with the opposite sex. Of course bisexuals can end up with whoever but ALL of Emezi’s books are like that (I guess not the YA). This book could’ve been more powerful with a milf mommy. The book could’ve been more powerful if Alim explained to his kids that he previously chose them over another great love (the man he dated) and this person now reminded him that he shouldn’t’ve had to choose. But knowing what I know about Emezi, based on all of their books, they don’t care to explain things to people. Even in this book Feyi tells Nasir she doesn’t owe him that explanation. It happens in Freshwater with the Ala and their ex husband, I’m pretty sure it happens in Little Rot. This seems to be a fundamental feature of, if not Emezi’s mindset as a person (not me armchair diagnosing), Emezi’s writing style / themes that will always come up in their writing. A very “I don’t owe you anything” mindset. The only reason I don’t like it is because this could’ve enhanced the story, made way for more character exploration. This is so long.

Back to basics, I made the lesbian / sapphic reading list because this book frustrated me. Queer relationships aren't a gimmick, something for a bi girl to do with her player lesbian bestie, just for her to end up with a man in the end. Nor are queer relationships gateways for a man to be in a societally acceptable looking relationship in the end. The queer relationships in Emezi's books frustrated me to make the list because its' the same thing I would write as a teenager. It's just a little easter egg funny little tidbit that the female main character kisses and goes on dates with her lesbian best friend! But they;d never end up together! Her soulmate is a man! Very sad. Very frustrating. I don't do that anymore. This critique of Emezi is more of my own personal issue that bubbled up. I still love their work and still will continue reading but I wanted to voice my frustration for my future self who's gonna look back at my reviews and go "How did I feel about that one again? Oh yeah. Woof."

From my notes: Emezi writes sex a lot like Toni Morrison did, either the characters or very bored or it is deeply animalistic. I love it. Also my guess for the location of the island is Dominica. French influence, English speaking, near Antigua. I don't know if Dominica has mountains though... Also also love them name dropping their sister. I'd do it too!

Content Warnings

acorn192k's review against another edition

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emotional hopeful medium-paced

Plot- or character-driven? Character
Strong character development? No
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

3.5

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mood_reading_maya's review against another edition

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challenging emotional sad medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

3.25

This was an intricate and messy romance. I'm going to focus on two aspects that made the story particularly challenging. First is the tourist aspect. The majority of this book takes place on an unnamed (or perhaps I missed it's singular mention) tropical island in the Caribbean. There is neither an established sense of place nor insights or observations from Feyi's perspective during her stay on the island. In that sense, the story felt unmoored and vague. (Though perhaps that's the point, as Feyi struggles to "feel alive" again.) Feyi has arrived in a landscape vastly different from her well known NYC surroundings, and she is immersed in a world of wealth, privilege, and access. This leads into the second aspect - the power dynamics. Feyi arrives in this island location as a guest of Nasir, albeit in his famous Michelin star chef father Alim's home. She is afforded access and introductions into the local gallery/museum scene through her connections to both Nasir and Alim. While she determines early on that her relationship with Nasir will not extend beyond friendship, a starting point they have both agreed to, Feyi never communicates this to establish boundaries or clarify expectations. Miscommunication has entered the chat - and it's a doozy. Nasir feels entitled to more from his relationship with Feyi, that she should be grateful for the access, lodgings, meals, and transport she's been provided, and perhaps that she is indebted to him as such. Which... doesn't really feel like friendship, though that's Nasir's claim - "let's go slow; I'll be patient; just friends for now." While Alim also holds a certain level of power over Feyi, through his fame, wealth, age, and connections, he is more mindful about that dynamic. There is less demand on his side. His acts of service toward Feyi are performed from a deeper sense of care and attraction, but also rooted in their shared connection over their loss of a spouse.

Content Warnings

iftheshoef1tz's review

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challenging emotional tense medium-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

3.5

I was excited to read this book because it was billed as “messy characters being messy” and I saw two reviews that said that every character in the book was awful. I do think they were messy, as promised, but I don’t think they were as awful as I was expecting. I don’t agree with Feyi and Alim’s choices, but I think I understand why they were made. Out of a different type of grief, I did some shady things when I was younger. Two people I know from university were in separate relationships (one of them was engaged) before they met each other, then they left their current partners for each other. It caused huge scandal, but they had apparently found what they were missing in their other relationships, and they’re still together, ten years and four kids later. I think this kind of thing can and does happen.

My biggest beef with this book is that the set-up felt like it took forever (although I just checked the book and it’s not that many pages) and then Feyi and Alim fall for each other super fast. I am always a fan of a slow(er) burn, so maybe that’s my issue here, but I would have thought that Alim, at least, as Nasir’s father, would have really hit the brakes on anything for longer than he did. So much of the end was also not what I was expecting? A lot of it felt very pat and trite (

Milan calling randomly? For the first time, like…ever?

) and I really didn’t care for the way

Nasir and Feyi build this rapprochement by the end

, but it had only been, like…a couple weeks or something.

There was a lot of beautiful writing in this book though, as well as thoughtful prose on grief and mourning. Just didn’t quite stick the landing for me.

Content Warnings

taleofabibliophile's review against another edition

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emotional funny hopeful medium-paced

4.5

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lynxpardinus's review against another edition

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emotional hopeful reflective

4.25

Content Warnings

offbrandclubsoda's review against another edition

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challenging hopeful reflective medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

3.75

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