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now_booking's review
emotional
hopeful
mysterious
reflective
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.0
This is an autobuy author for me. I’m not a huge fan of YA fiction but in Elizabeth Acevedo’s hands, I’m typically sold. So when I heard she had released her first adult novel, I rushed to get it. And I’m not disappointed.
This is a multigenerational or maybe inter generational family history of the Marte family over 3 generations…. Set around middle Marte sister and dreamer of death’s, Flor’s, sudden desire to have a living wake, this is a story of mothers and daughters, sisters and aunties and the complex and essential nature of those relationships across a life span.
I overall liked this- it’s very much in the mysticism / literary fiction lane, whether with Flor’s ability to predict deaths in her dreams, or Pastora’s ear for discerning the truth, or Camilla’s ability to heal with herbs, or Matilde’s gift of embodying music, or whether it’s having evil aunt’s possessed or a daughter (Ona) with her pride in her “alpha” genitalia, this recollection of the Marte women’s history and collective experience across generations reads almost as a memoir and provides proud insights into Dominican culture and heritage.
I’m typically not a fan of novels where the timelines jump about but here Ona, the main narrator, an anthropologist documenting her family history, manages to make this not so jarring and few seem less. The Martes feel real- perhaps because this is not a memoir of one person but rather of the women in the family, the stories stop and start naturally. These are not women with “and then…” stories that build to some unattainable finale. These are snippets of memory and anecdotes like we all have, like we’re familiar with from grandmothers, mothers and aunts. They’re pockets of stories that help you understand the characters and guess how they came to be in their current state, but they feel like memories and character development rather than full on plot. That’s not to say that this book has no plot, it’s clearly a story of how a family faces their mortality and their heritage at an inflection point of the potential impending death of a matriarch.
For me, this ultimately felt like a story about love- the difficulty and misunderstandings and errors in demonstrating love between mothers and daughters but also around romantic love and heartbreak and the hope of healing. I overall enjoyed this. I perhaps wish there had been a bit more story about characters I cared about like Yadi and Ant… or perhaps Ona and Jeremiah. Perhaps I wished for a bit more comfort of the pastoral bits of happiness. I think I understand what the author wanted to do with this book but at the same time felt that by spreading the storytelling net so wide and not getting very deep, the book did not resonate as much. The writing was of course solid, the scenarios super relatable or otherwise empathy-provoking. You can’t read this without feeling something. And yet, it didn’t feel complete or as whole… perhaps the characters felt a little shortchanged… but perhaps that’s also intentional by the author…you never know anything about anyone and perhaps by approaching this book in this way, we are left with the same gaps in knowledge and questions and curiousities that exist in our own family lore.
This is a multigenerational or maybe inter generational family history of the Marte family over 3 generations…. Set around middle Marte sister and dreamer of death’s, Flor’s, sudden desire to have a living wake, this is a story of mothers and daughters, sisters and aunties and the complex and essential nature of those relationships across a life span.
I overall liked this- it’s very much in the mysticism / literary fiction lane, whether with Flor’s ability to predict deaths in her dreams, or Pastora’s ear for discerning the truth, or Camilla’s ability to heal with herbs, or Matilde’s gift of embodying music, or whether it’s having evil aunt’s possessed or a daughter (Ona) with her pride in her “alpha” genitalia, this recollection of the Marte women’s history and collective experience across generations reads almost as a memoir and provides proud insights into Dominican culture and heritage.
I’m typically not a fan of novels where the timelines jump about but here Ona, the main narrator, an anthropologist documenting her family history, manages to make this not so jarring and few seem less. The Martes feel real- perhaps because this is not a memoir of one person but rather of the women in the family, the stories stop and start naturally. These are not women with “and then…” stories that build to some unattainable finale. These are snippets of memory and anecdotes like we all have, like we’re familiar with from grandmothers, mothers and aunts. They’re pockets of stories that help you understand the characters and guess how they came to be in their current state, but they feel like memories and character development rather than full on plot. That’s not to say that this book has no plot, it’s clearly a story of how a family faces their mortality and their heritage at an inflection point of the potential impending death of a matriarch.
For me, this ultimately felt like a story about love- the difficulty and misunderstandings and errors in demonstrating love between mothers and daughters but also around romantic love and heartbreak and the hope of healing. I overall enjoyed this. I perhaps wish there had been a bit more story about characters I cared about like Yadi and Ant… or perhaps Ona and Jeremiah. Perhaps I wished for a bit more comfort of the pastoral bits of happiness. I think I understand what the author wanted to do with this book but at the same time felt that by spreading the storytelling net so wide and not getting very deep, the book did not resonate as much. The writing was of course solid, the scenarios super relatable or otherwise empathy-provoking. You can’t read this without feeling something. And yet, it didn’t feel complete or as whole… perhaps the characters felt a little shortchanged… but perhaps that’s also intentional by the author…you never know anything about anyone and perhaps by approaching this book in this way, we are left with the same gaps in knowledge and questions and curiousities that exist in our own family lore.
Content Warnings
Graphic: Child abuse, Death, Emotional abuse, Infertility, Infidelity, Mental illness, Miscarriage, Misogyny, Physical abuse, Toxic relationship, Grief, Death of parent, Toxic friendship, and Abandonment
Moderate: Addiction, Alcoholism, Body shaming, Sexual assault, and Sexual harassment
Minor: Child death, Homophobia, Racism, Vomit, and Classism
atamano's review
emotional
hopeful
reflective
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Graphic: Infidelity, Misogyny, and Sexism
Moderate: Alcoholism, Death, Emotional abuse, Racism, Sexual assault, Sexual content, Grief, Death of parent, Pregnancy, Abandonment, and Classism
Minor: Infertility, Forced institutionalization, Blood, and Injury/Injury detail
celery's review
dark
emotional
funny
hopeful
inspiring
reflective
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
How many different words do you need to describe a vagina?
Content Warnings
Graphic: Ableism, Addiction, Alcoholism, Animal death, Body shaming, Child abuse, Child death, Confinement, Cursing, Death, Domestic abuse, Drug use, Emotional abuse, Fatphobia, Gore, Gun violence, Hate crime, Incest, Infertility, Infidelity, Mental illness, Miscarriage, Misogyny, Panic attacks/disorders, Physical abuse, Racism, Sexism, Sexual assault, Sexual content, Sexual violence, Toxic relationship, Violence, Blood, Excrement, Vomit, Medical content, Grief, Medical trauma, Stalking, Car accident, Death of parent, Murder, Pregnancy, Gaslighting, Toxic friendship, Abandonment, Alcohol, Sexual harassment, Colonisation, Injury/Injury detail, Classism, and Deportation
bedtimesandbooks's review
emotional
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
Content Warnings
Graphic: Child abuse, Death, Infertility, Infidelity, Miscarriage, Sexual assault, Toxic relationship, Violence, Grief, Death of parent, Pregnancy, and Classism
Moderate: Sexual content
reading_rebellion's review against another edition
This book had some good pros-y quotes but ultimately just wasn't for me. I'm not familiar with the author so this was my first introduction to their work. The book definitely tries to break the mold and go in a more experiential route in many ways which is good, but I found it disordered and confusing.
It was difficult to distinguish who from who. I found myself not able to follow the story. There actually isn't a specific story at all. It really is a collection of individual stories that have some overlap based on time, location and familial bonds, but ultimately are separate stories. A character driven collection.
It doesn't follow traditional labeling of chapters instead opts for the specific character as the chapter name. This is fine for reading the physical book as you are turning a page to denote a new character or chapter, but when listening to the audiobook (which is my primary choice), it's very confusing because it's easy to miss when it's moved on to another chapter/characters story.
The time jumping and pacing also threw me off too. I couldn't tell if we were in the present day or the past regarding the timeline leading up to the main plot point. I had to reread things to understand what was going on and who was being referred to often.
This is one that you have to be in a specific mood for and maybe for a specific audience that I don't fit into. Definitely literary with heavy topics and themes. I may revisit this at a different time and definitely read the physical book.
TLDR: Good prose, slow pacing, character driven collection of stories with past and present timelines, literary with heavy topics, may be for a specific audience that likes more of a historical fiction.
It was difficult to distinguish who from who. I found myself not able to follow the story. There actually isn't a specific story at all. It really is a collection of individual stories that have some overlap based on time, location and familial bonds, but ultimately are separate stories. A character driven collection.
It doesn't follow traditional labeling of chapters instead opts for the specific character as the chapter name. This is fine for reading the physical book as you are turning a page to denote a new character or chapter, but when listening to the audiobook (which is my primary choice), it's very confusing because it's easy to miss when it's moved on to another chapter/characters story.
The time jumping and pacing also threw me off too. I couldn't tell if we were in the present day or the past regarding the timeline leading up to the main plot point. I had to reread things to understand what was going on and who was being referred to often.
This is one that you have to be in a specific mood for and maybe for a specific audience that I don't fit into. Definitely literary with heavy topics and themes. I may revisit this at a different time and definitely read the physical book.
TLDR: Good prose, slow pacing, character driven collection of stories with past and present timelines, literary with heavy topics, may be for a specific audience that likes more of a historical fiction.
Content Warnings
Moderate: Addiction, Alcoholism, Mental illness, Sexual content, and Classism
cadence99's review
challenging
emotional
hopeful
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
This was a fantastic first read for me from Elizabeth Acevedo. Her writing is deeply lyrical, and drew me in so easily to the narrative of this family’s story. Thought it’s not normally my favorite format, I REALLY loved the shifting points of view and flashes back and forth between timelines here. In written form, the flow felt so natural, weaving in remembrances of life as the book simultaneously works toward its conclusion. However, I’m really glad that I read a physical copy and not audio, because I think I would’ve had a much more difficult time following the narrative.
One think I didn’t LOVE here was that it felt VERY clear that the author was making their debut into adult fiction- there is no mistaking that there are adult themes at play, to an extent that they felt overused.
This book was an emotional, funny, and hopeful anthology of a family’s love. It left me feeling deeply connected to the characters and to their history
One think I didn’t LOVE here was that it felt VERY clear that the author was making their debut into adult fiction- there is no mistaking that there are adult themes at play, to an extent that they felt overused.
This book was an emotional, funny, and hopeful anthology of a family’s love. It left me feeling deeply connected to the characters and to their history
Content Warnings
Graphic: Alcoholism, Body horror, Child abuse, Cursing, Death, Domestic abuse, Emotional abuse, Infertility, Infidelity, Miscarriage, Misogyny, Physical abuse, Sexual content, Violence, Grief, Medical trauma, Death of parent, Pregnancy, Abandonment, and Alcohol
Minor: Ableism, Colonisation, and Classism
thecriticalreader's review
emotional
hopeful
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
Review:
I enjoyed my experience reading Family Lore by Elizabeth Acevedo; I found the characters and their family story to be interesting and the writing to be beautiful and powerful. Acevedo unapologetically uplifts the lives and experiences of her six main characters, portraying them as flawed but ultimately sympathetic people who live ordinary live despite their supernatural abilities.
Despite my overall positive reception of Family Lore, I imagine that it will not be everyone’s cup of tea. For one, it goes into descriptive detail of multiple bodily functions/fluids, which will undoubtedly turn many readers off. For another, it uses a lot of sentences, phrases, and words in Spanish, so people who cannot read Spanish may find themselves annoyed at frequently having to guess at the meaning or look up the phrases.
The book also uses a rather unconventional storytelling form; the different points-of-view are supposedly compiled by one character, Ona, an anthropology professor who wishes to capture her family’s lore in a book. However, it is easy to forget this, as many of the chapters feel like traditional third-person narratives told from the perspectives of the different women. On top of the switching of perspectives between six characters, the book tells the fifty or more years of family history in a non-chronological fashion. My guess is that the author does this to mimic the way family lore is passed down; that is, in piecemeal fashion from various viewpoints rather than as a singular, cohesive, narrative. The drawback to Acevedo’s approach is that it takes considerable focus on the reader’s part to keep track of a story with an already ambitious scope, which will probably frustrate some readers. While I was able to (more or less) follow the characters and the narrative, I think I did lose a bit of enjoyment and understanding from this format. I also found the anthropological aspect a little annoying, because it was never clear which parts of the story were truly from a person’s perspective and which were interpreted or fabricated by Ona to complete her book. I would have preferred a more traditional third-person narrative without Ona’s interjections, or a book that leans more heavily into the anthropological angle.
I enjoyed Family Lore and think it has a lot going for it in terms of the power of its narrative, characters, and writing. That being said, I think this book will not be for everyone due to some of the choices Acevedo makes for her storytelling.
The Run-Down:
You might like Family Lore if . . .
· You like multi-generational family sagas
· You enjoy or don’t mind some magical realism
· You appreciate when authors make untraditional storytelling choices in order to best uphold the experiences of their characters and community rather than to make the reader comfortable
· You don’t mind switching POVs and non-chronological narratives
You might not like Family Lore if . . .
· You cannot read Spanish and don’t like it when books have lots of untranslated Spanish words and phrases in them
· You dislike detailed descriptions of bodily functions and fluids
· You have a hard time following or dislike books that switch POVs between many characters, tell their stories out of order, and follow a long timeline
· You find it difficult to sympathize with or root for characters who are flawed and sometimes do bad things
Content Warnings
Graphic: Alcoholism, Child abuse, Emotional abuse, Infertility, Infidelity, Sexual content, Toxic relationship, and Excrement
Moderate: Animal death, Cursing, Drug use, Mental illness, Panic attacks/disorders, Sexism, Death of parent, Pregnancy, and Abandonment
Minor: Incest, Miscarriage, Slavery, Police brutality, Grief, Colonisation, and Classism
Graphic: Ophidiophobia, menstruationktdakotareads's review against another edition
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
Content Warnings
Moderate: Body shaming, Death, Infertility, Infidelity, Grief, Death of parent, and Classism