Reviews with content warning for Child abuse - Family Lore

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Family Lore by Elizabeth Acevedo

29 reviews

deedireads's review

emotional reflective medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? No

4.25

All my reviews live at https://deedispeaking.com/reads/.

TL;DR REVIEW:

Family Lore was right up my alley: beautiful, heartbreaking, and crackling with life. These characters are so well written, and Acevedo’s talent as a poet shines.

For you if: You like family sagas with many POVs, magical realism, and prose by poets.

FULL REVIEW:

If you can believe it, Family Lore was my first Elizabeth Acevedo. (I’ve always meant to read her books but they’ve just slipped through the cracks of my TBR every time!) And it’s no surprise that I liked it very much: a character-driven story about strong women and their relationships, magical realism, and prose by a poet? Sign me right up.

The book focuses on six women from the Dominican-American Marte family: Flor, Matilde, Pastora, and Camila (all sisters); plus Ona (Flor’s daughter) and Yadi (Pastora’s daughter). Nearly all of them have family “gifts,” and Flor’s is that she can see someone’s death ahead of time. So when she decides to throw herself a living wake but won’t say why, naturally everyone is concerned. At the same time, Matilde is reckoning with a lifelong bad marriage, Flor is struggling to conceive, and Yadi’s teenage love is suddenly back in town. The narrative bounces between them all, and between past and present, as we hurdle toward the wake.

This book isn’t going to be for everyone (especially if you have trouble keeping track of a lot of POV characters, are squeamish about bodily functions, or feel embarrassed by bold references to sex and sexuality), but there’s no denying Acevedo’s mastery here. It took me a bit to really get into the story — and I had to forgive some pretty glaring factual errors about my alma mater, Binghamton University (I’m 99% sure she originally wrote about Cornell but changed it at the last minute) lol — but once I did, I was all in. I found this book beautiful, heartbreaking, and crackling with life. These characters are so well written, and Acevedo’s talent as a poet means there are some really breathtaking sentences in here. Acevedo also reads the audiobook herself, which always leads to such a great listening experience.

I’m glad I read this one, and Acevedo’s backlist is more firmly on my TBR than ever.

Content Warnings

cadence99's review

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challenging emotional hopeful reflective medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.0

This was a fantastic first read for me from Elizabeth Acevedo. Her writing is deeply lyrical, and drew me in so easily to the narrative of this family’s story. Thought it’s not normally my favorite format, I REALLY loved the shifting points of view and flashes back and forth between timelines here. In written form, the flow felt so natural, weaving in remembrances of life as the book simultaneously works toward its conclusion. However, I’m really glad that I read a physical copy and not audio, because I think I would’ve had a much more difficult time following the narrative.

One think I didn’t LOVE here was that it felt VERY clear that the author was making their debut into adult fiction- there is no mistaking that there are adult themes at play, to an extent that they felt overused.

This book was an emotional, funny, and hopeful anthology of a family’s love. It left me feeling deeply connected to the characters and to their history

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mandi_lea's review

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reflective slow-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

3.0

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thewoodlandbookshelf's review

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emotional reflective medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? It's complicated
Flaws of characters a main focus? Yes

4.25

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thecriticalreader's review

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emotional hopeful slow-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

3.75

Review:

I enjoyed my experience reading Family Lore by Elizabeth Acevedo; I found the characters and their family story to be interesting and the writing to be beautiful and powerful. Acevedo unapologetically uplifts the lives and experiences of her six main characters, portraying them as flawed but ultimately sympathetic people who live ordinary live despite their supernatural abilities.

Despite my overall positive reception of Family Lore, I imagine that it will not be everyone’s cup of tea. For one, it goes into descriptive detail of multiple bodily functions/fluids, which will undoubtedly turn many readers off. For another, it uses a lot of sentences, phrases, and words in Spanish, so people who cannot read Spanish may find themselves annoyed at frequently having to guess at the meaning or look up the phrases.

The book also uses a rather unconventional storytelling form; the different points-of-view are supposedly compiled by one character, Ona, an anthropology professor who wishes to capture her family’s lore in a book. However, it is easy to forget this, as many of the chapters feel like traditional third-person narratives told from the perspectives of the different women. On top of the switching of perspectives between six characters, the book tells the fifty or more years of family history in a non-chronological fashion. My guess is that the author does this to mimic the way family lore is passed down; that is, in piecemeal fashion from various viewpoints rather than as a singular, cohesive, narrative. The drawback to Acevedo’s approach is that it takes considerable focus on the reader’s part to keep track of a story with an already ambitious scope, which will probably frustrate some readers. While I was able to (more or less) follow the characters and the narrative, I think I did lose a bit of enjoyment and understanding from this format. I also found the anthropological aspect a little annoying, because it was never clear which parts of the story were truly from a person’s perspective and which were interpreted or fabricated by Ona to complete her book. I would have preferred a more traditional third-person narrative without Ona’s interjections, or a book that leans more heavily into the anthropological angle.

I enjoyed Family Lore and think it has a lot going for it in terms of the power of its narrative, characters, and writing. That being said, I think this book will not be for everyone due to some of the choices Acevedo makes for her storytelling.

The Run-Down:

cassimiranda's review against another edition

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emotional reflective slow-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.0

I received an eARC of this book for review from Ecco via NetGalley, all opinions are my own.
• The Brief: Family Lore is a warm contemporary family saga with expressive prose in Acevedo’s poetic style. It tells the story of a Dominican American family narrated by two generations women coping with their entwined histories while facing future heart break.
• This story will work well for readers who enjoyed the author’s lyrical writing in previous books and is interested in seeing it put to use in a more mature story.

Family Lore is a story about the generational trauma told from the perspective six women, most of whom are blessed with magical skills. One of the elder sister’s is planning a wake for herself. Given her ability to predict death, her family struggles to prepare for the worst, resolve their past suffering, and discover their futures.
I loved Acevedo’s writing and sentence structure here, just as in previous novels. The characters were interesting and believable – although the POV voices were not as distinct as they could have been. The plot and world building was interesting to the point that for once I didn’t mind unexplained magical realism which can be very hit or miss for me. I wasn’t enamored of the way the sex and masturbation scenes were written, but that is a personal preference. This was a beautiful novel, and I’m so glad I had the opportunity to read it.

Content Warnings

micalyia's review against another edition

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challenging emotional medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

4.75

Elizabeth has done it again! She has pulled me in and broke my heart. I am heartbroken.

Onya gathers the stories of the women in her family so thoughtfully. I felt every striking word and cried when these women hurt.

The story follows the lives of 4 sisters and their 2 daughters. We see them grow up and come into their magic and the implications of it. But we also see their relationships (whether beautifully fulfilling or dysfunctional) and their hopes and dreams actualized.

I cannot wait for y’all to read this book.

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bibliozord's review against another edition

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emotional sad tense medium-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

3.5

Content Warnings

conspystery's review against another edition

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dark emotional hopeful reflective sad tense slow-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.0

Thanks so much to Netgalley, Elizabeth Acevedo, and Ecco for allowing me to honestly review this book in exchange for an ARC!

Family Lore is sprawlingly, interconnectedly vibrant. The characters’ relationships with one another draw them together as a family, but it isn’t that simple-- we get to see how they interweave with each other in every way possible, examining the full scale of their lives to dive into the complexity between them. The many vignettes of the characters’ childhoods and adolescents always felt fresh, like we as the audience were being offered new insight into why the present-day characters act as they do. The heavy topics addressed were done so with authenticity and grace; the magical realism, while at times a bit contrived, mostly added tension exactly where it needed to go to emphasize the heavier elements of the plot.

I found Flor to be the most compelling character, which makes sense-- she’s the animating issue for the plot. I liked her amount of provenance over the story. Her impending doom never felt overbearing, rather like an inevitable conclusion, and served as the perfect vector to contextualize all the vignettes; in the face of the upcoming death of a loved one, of course everyone would be inclined to reminisce. Every time Flor showed up in a section of the story that wasn’t hers, she served as both a familiar waystation and also a reminder of the tension building as the book went on. Ona’s project of recording all the stories feels like the natural progression of that idea, and I think it was executed really well. I also particularly enjoyed Yadi’s sections and Matilde’s sections. Pastora’s were great, too. I didn’t completely connect with Ona’s sections, but I felt that they held the narrative together in a reasonable manner.

I did struggle with a few parts of the book. I didn’t enjoy the graphic sexual content; I also felt that at times, the pacing dragged, but since this book is so character-driven, that kind of comes with the territory. Some of the dialogue, especially in the interviews, felt stilted, but that might’ve been a direct commentary on the fact that the interviews were translated-- the authenticity of the original language wouldn’t necessarily hold up in English, or with Ona translating? In that same vein, the density of content kind of dragged the pace down a bit, not always in a way that felt like richness; just a little more condensing could’ve made the pacing run a bit more smoothly, I think. Also, certain parts of the plot sprawl felt a little bit indistinct. Specifically, some of the struggles with lovers started to feel a tiny bit repetitive, but maybe that’s intentional, to see how differently the members of the main cast respond in those situations?

Ultimately, I enjoyed Family Lore, despite those minor issues. It was poignant in the way that celebrations of life are, wistfully bittersweet. The writing was evocative and gave authentic voice to the struggles and heavy subject matter with which the book deals; the characters were multifaceted and genuine, and the plot’s calls for magical realism accented them with just the right amount of detail. I liked it.

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