Scan barcode
just_one_more_paige's review
emotional
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.0
I have read a few of Acevedo's YA novels (in verse and prose), The Poet X and With the Fire on High. And they were both phenomenal. And so, I was really excited to pick this, her first adult novel, up.
Here's the blurb from Goodreads: "Flor has a gift: she can predict, to the day, when someone will die. So when she decides she wants a living wake--a party to bring her family and community together to celebrate the long life she's led--her sisters are surprised. Has Flor forseen her own death, or someone else's? Does she have other motives? She refuses to tell her sisters, Matilde, Pastora, and Camila. But Flor isn't the only person with secrets. Matilde has tried for decades to cover the extent of her husband's infidelity, but she must now confront the true state of her marriage. Pastora is typically the most reserved sister, but Flor's wake motivates this driven woman to solve her sibling's problems. Camila is the youngest sibling, and often the forgotten one, but she's decided she no longer wants to be taken for granted. And the next generation, cousins Ona and Yadi, face tumult of their own: Yadi is reuniting with her first love, who was imprisoned when they were both still kids; Ona is married for years and attempting to conceive. Ona must decide whether it's worth it to keep trying--to have a child, and the anthropology research that's begun to feel lackluster."
There were a lot of narrative voices in this novel. We heard from Flor, and all her sisters, as well as her daughter Ona and niece Yadi. And normally I appreciate this style of storytelling, but in this case, I found it to be rather confusing. There was a lot of jumping around both in whose perspective we were in and what time period (look back/past or present-day). Plus, there were some snippets that were "interview" style, as Ona was working on her anthropological research and was conducting recorded conversations with her family members. And, in the time honored tradition of families everywhere (especially female family members and, not from personal experience but definitely what I've gleaned from literature, Latin(a) family members), there is quite a bit of talking about each other. All that to say, I really did struggle to follow who was who. and who was narrating. and what was happening to who, and when it was happening to them. I did eventually settle, mostly, into the narrations and characters connections, but this is definitely not a novel one can passively read (or listen to, in my case...of note here, the audiobook narrators were fantastic).
One aspect I was really impressed by, and that should come as no surprise considering Acevedo's reputation, was the absolutely gorgeous writing. You can tell her background in poetry from the deftness of the wordplay and flow and the rhythm in the writing. So smooth, so good. I also am always here for a classic Spanish/Latin literature vibe of intergenerational family with abilities that border on magic (magical realism). In the vein of Like Water for Chocolate and anything from Garcia Marquez, this hits. But there was also an irreverence to it here that I loved. The thematic threads of this book were anchored in a unique and open and creative examination of female bodies/pleasure (mostly self), including menopause and fertility and breastfeeding and masturbation and many other aspects that everyone is afraid to talk about, and therefore never see enough light/normalization. It’s a beautiful conversation about something that should always be considered that beautiful, but instead is labeled vulgar and loose. That spoke to my soul and was an absolute highlight of the reading experience for me.
On the whole though...I don't know. This novel had all the elements. I simply loved some trajectories - Yadi and Matilde in particular - and in general the way they all moved and wove together as a family, as women, and the overall message of how women support each other, but don’t always talk about the things that would actually be helpful. And yet, something was missing in the novel as a whole, some piece that would have made it great. Maybe the pacing (it felt a bit slow, surprising considering the number of characters we were following) or maybe how hard I had to work to piece everything together or maybe that the ending(s) felt a bit anticlimactic for me? But in the end, while this was a very solid overall read, it was not as special as I'd hoped. I definitely think she shines more in her YA work.
“Some things take time to cure. Candles aren’t candles until they’ve hardened in the dark and can be turned on without the wax melting before the flame can consume it. Soap isn’t soap until the lye and lather binds. Rum takes weeks of adding honey and bay leaf and wine before it can be called or served as mama-juana. Cannabis even needs darkness, to shed itself of moisture, before becoming something that will burn, heal. You’re in a curing season.”
“How do you learn to live with what will not be? How do you console yourself with the life that you have when the humans you love most are hopeful for more than you?”
“I like to think there was a time, before our mothers, and theirs, and theirs and theirs, some great-great who knew her own pleasure. A time before we were wrapped in corsets, and courtships, and the approximation of proper. I like to think we were nations of women who undulated to a music all our own.”
“We learned in the shadows, when boys who should not, did. When girls we loved loved us back, right? We learned in the big beds of other people’s parents, didn’t we? On a rare occasion, we might have even learned in the sunlight. We might have learned in the quiet. We learned as we listened to the still, to the loudness of our hearts. But not from our mothers.”
“It amazes me how few questions I know to ask, or whom to ask them of, until it’s already too late for the answers to be useful. How do lineages of women from colonized places, where emphasis is put on silent enduring, learn when and where to confide in their own family if forbearance is the only attitude elevated and modeled?”
“And I know the heart is a burial ground for memories that shame and hurt. You can visit and place flowers there and make it a tomb. Or let those things act as fertilizer and pay no homage.”
“…all of us are magic wrapped in skin.”
Content Warnings
Graphic: Child abuse, Infertility, and Infidelity
Moderate: Death, Sexual content, and Death of parent
Minor: Alcoholism
now_booking's review
emotional
hopeful
mysterious
reflective
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.0
This is an autobuy author for me. I’m not a huge fan of YA fiction but in Elizabeth Acevedo’s hands, I’m typically sold. So when I heard she had released her first adult novel, I rushed to get it. And I’m not disappointed.
This is a multigenerational or maybe inter generational family history of the Marte family over 3 generations…. Set around middle Marte sister and dreamer of death’s, Flor’s, sudden desire to have a living wake, this is a story of mothers and daughters, sisters and aunties and the complex and essential nature of those relationships across a life span.
I overall liked this- it’s very much in the mysticism / literary fiction lane, whether with Flor’s ability to predict deaths in her dreams, or Pastora’s ear for discerning the truth, or Camilla’s ability to heal with herbs, or Matilde’s gift of embodying music, or whether it’s having evil aunt’s possessed or a daughter (Ona) with her pride in her “alpha” genitalia, this recollection of the Marte women’s history and collective experience across generations reads almost as a memoir and provides proud insights into Dominican culture and heritage.
I’m typically not a fan of novels where the timelines jump about but here Ona, the main narrator, an anthropologist documenting her family history, manages to make this not so jarring and few seem less. The Martes feel real- perhaps because this is not a memoir of one person but rather of the women in the family, the stories stop and start naturally. These are not women with “and then…” stories that build to some unattainable finale. These are snippets of memory and anecdotes like we all have, like we’re familiar with from grandmothers, mothers and aunts. They’re pockets of stories that help you understand the characters and guess how they came to be in their current state, but they feel like memories and character development rather than full on plot. That’s not to say that this book has no plot, it’s clearly a story of how a family faces their mortality and their heritage at an inflection point of the potential impending death of a matriarch.
For me, this ultimately felt like a story about love- the difficulty and misunderstandings and errors in demonstrating love between mothers and daughters but also around romantic love and heartbreak and the hope of healing. I overall enjoyed this. I perhaps wish there had been a bit more story about characters I cared about like Yadi and Ant… or perhaps Ona and Jeremiah. Perhaps I wished for a bit more comfort of the pastoral bits of happiness. I think I understand what the author wanted to do with this book but at the same time felt that by spreading the storytelling net so wide and not getting very deep, the book did not resonate as much. The writing was of course solid, the scenarios super relatable or otherwise empathy-provoking. You can’t read this without feeling something. And yet, it didn’t feel complete or as whole… perhaps the characters felt a little shortchanged… but perhaps that’s also intentional by the author…you never know anything about anyone and perhaps by approaching this book in this way, we are left with the same gaps in knowledge and questions and curiousities that exist in our own family lore.
This is a multigenerational or maybe inter generational family history of the Marte family over 3 generations…. Set around middle Marte sister and dreamer of death’s, Flor’s, sudden desire to have a living wake, this is a story of mothers and daughters, sisters and aunties and the complex and essential nature of those relationships across a life span.
I overall liked this- it’s very much in the mysticism / literary fiction lane, whether with Flor’s ability to predict deaths in her dreams, or Pastora’s ear for discerning the truth, or Camilla’s ability to heal with herbs, or Matilde’s gift of embodying music, or whether it’s having evil aunt’s possessed or a daughter (Ona) with her pride in her “alpha” genitalia, this recollection of the Marte women’s history and collective experience across generations reads almost as a memoir and provides proud insights into Dominican culture and heritage.
I’m typically not a fan of novels where the timelines jump about but here Ona, the main narrator, an anthropologist documenting her family history, manages to make this not so jarring and few seem less. The Martes feel real- perhaps because this is not a memoir of one person but rather of the women in the family, the stories stop and start naturally. These are not women with “and then…” stories that build to some unattainable finale. These are snippets of memory and anecdotes like we all have, like we’re familiar with from grandmothers, mothers and aunts. They’re pockets of stories that help you understand the characters and guess how they came to be in their current state, but they feel like memories and character development rather than full on plot. That’s not to say that this book has no plot, it’s clearly a story of how a family faces their mortality and their heritage at an inflection point of the potential impending death of a matriarch.
For me, this ultimately felt like a story about love- the difficulty and misunderstandings and errors in demonstrating love between mothers and daughters but also around romantic love and heartbreak and the hope of healing. I overall enjoyed this. I perhaps wish there had been a bit more story about characters I cared about like Yadi and Ant… or perhaps Ona and Jeremiah. Perhaps I wished for a bit more comfort of the pastoral bits of happiness. I think I understand what the author wanted to do with this book but at the same time felt that by spreading the storytelling net so wide and not getting very deep, the book did not resonate as much. The writing was of course solid, the scenarios super relatable or otherwise empathy-provoking. You can’t read this without feeling something. And yet, it didn’t feel complete or as whole… perhaps the characters felt a little shortchanged… but perhaps that’s also intentional by the author…you never know anything about anyone and perhaps by approaching this book in this way, we are left with the same gaps in knowledge and questions and curiousities that exist in our own family lore.
Content Warnings
Graphic: Child abuse, Death, Emotional abuse, Infertility, Infidelity, Mental illness, Miscarriage, Misogyny, Physical abuse, Toxic relationship, Grief, Death of parent, Toxic friendship, and Abandonment
Moderate: Addiction, Alcoholism, Body shaming, Sexual assault, and Sexual harassment
Minor: Child death, Homophobia, Racism, Vomit, and Classism
himpersonal's review against another edition
emotional
hopeful
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
This book was full of pain, love, self-discovery, and sisterhood. All great ingredients for a good story. Rounding up to a four. I was satisfied with the ending, surprised by some of the middle, and enjoyed the novelty of the beginning.
Content Warnings
Graphic: Alcoholism, Body shaming, Confinement, Death, Emotional abuse, Infertility, Infidelity, Mental illness, Rape, Sexual content, Slavery, Blood, Excrement, Medical content, Grief, Death of parent, Pregnancy, Abandonment, Sexual harassment, and Deportation
atamano's review
emotional
hopeful
reflective
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Graphic: Infidelity, Misogyny, and Sexism
Moderate: Alcoholism, Death, Emotional abuse, Racism, Sexual assault, Sexual content, Grief, Death of parent, Pregnancy, Abandonment, and Classism
Minor: Infertility, Forced institutionalization, Blood, and Injury/Injury detail
magsapt's review
emotional
inspiring
reflective
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Family Lore is the story of how three generations of women survived, adapting to circumstances, to misogyny and, most importantly, to each other. It is a book about trauma, life and, above all, death - how to prepare for it, how to accept it and how to just let go.
Sometimes you do not realise how good a book is until you discuss it with someone and a few days have passed. Family Lore is one of Acevedo's best books, although it was not always my favourite as I read it. And this, I must confess, has nothing to do with the author's inability to tell a story or write beautiful prose (a style we're not used to seeing Acevedo use), but with my own biases. My only problem with this book wasOna's power, and that says more about me than the author. It made me realise how embarrassed I still feel when it comes to talking about female sexuality and how, even though I'm a woman, I still have a lot of work to do to get comfortable with the topic. Do I think Ona's power was best suited to this story? Not really. But should it have made me uncomfortable? I don't think so. And why should it, if it's just a woman talking about her connection to her body? Ona is confident about her sexuality and writes about it openly, without taboos or shame. That's one of the lessons I think we should take from this story, an example to follow rather than perpetuate the shame around it.
What I really liked, though, was the multiple POVs, which worked wonders for me. I think Acevedo knew how to give each character a distinct voice. The author is a master at exploring relationships. This was undoubtedly the best part of the book. We got to know each woman's feelings for the other and how their dynamic changed over time as they married and had children.
However, even though this is a book about women, for women, I would've liked to see moreof brother Samuel, even if only to see how he relates to his wife and daughters. We see that after he got married he stopped being close to his siblings (which is unfortunate), but I don't think his POV would have damaged the story. On the contrary, I think it would have enriched it because his daughters have powers and his wife didn't like that. Samuel's daughters grew up without support, estranged from their father's family, and away from strong and independent women, and I would have loved to see Acevedo's perspective on that.
Something the author excelled at was her description of emotional abuse and how people can actually change.Mamá Sílvia was the most complex character in this story and her arc was brilliant. Nothing in the world is enough to forgive her for the abuse she inflicted on Pastora, but I would like to think that she learned something from it and tried to make amends through Yadi. It was beautiful to see.
Overall, I give this book a perfect 4-star rating. It has some things that could've definitely been better, but the story, the plot and the creativity (characteristic of Acevedo) will warm your heart.
Sometimes you do not realise how good a book is until you discuss it with someone and a few days have passed. Family Lore is one of Acevedo's best books, although it was not always my favourite as I read it. And this, I must confess, has nothing to do with the author's inability to tell a story or write beautiful prose (a style we're not used to seeing Acevedo use), but with my own biases. My only problem with this book was
What I really liked, though, was the multiple POVs, which worked wonders for me. I think Acevedo knew how to give each character a distinct voice. The author is a master at exploring relationships. This was undoubtedly the best part of the book. We got to know each woman's feelings for the other and how their dynamic changed over time as they married and had children.
However, even though this is a book about women, for women, I would've liked to see more
Something the author excelled at was her description of emotional abuse and how people can actually change.
Overall, I give this book a perfect 4-star rating. It has some things that could've definitely been better, but the story, the plot and the creativity (characteristic of Acevedo) will warm your heart.
Content Warnings
Graphic: Emotional abuse
Moderate: Sexual harassment
Minor: Death
celery's review
dark
emotional
funny
hopeful
inspiring
reflective
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
How many different words do you need to describe a vagina?
Content Warnings
Graphic: Ableism, Addiction, Alcoholism, Animal death, Body shaming, Child abuse, Child death, Confinement, Cursing, Death, Domestic abuse, Drug use, Emotional abuse, Fatphobia, Gore, Gun violence, Hate crime, Incest, Infertility, Infidelity, Mental illness, Miscarriage, Misogyny, Panic attacks/disorders, Physical abuse, Racism, Sexism, Sexual assault, Sexual content, Sexual violence, Toxic relationship, Violence, Blood, Excrement, Vomit, Medical content, Grief, Medical trauma, Stalking, Car accident, Death of parent, Murder, Pregnancy, Gaslighting, Toxic friendship, Abandonment, Alcohol, Sexual harassment, Colonisation, Injury/Injury detail, Classism, and Deportation
saucy_bookdragon's review against another edition
emotional
reflective
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.5
"But nothing has ever felt as warm as being known so well that someone could hand you a monstrosity they made with their own hands after learning you."
Family Lore has a lot of great ingredients for a great book. As usual, Elizabeth Acevedo's prose is absolutely delicious, I want to eat it! There's also a lot of great themes and character moments in this. In particular, this looks at womanhood in a complicated but loving family structure, also this is very unabashed in how it explores sexuality. I also found Ona really interesting (her magical power is, and I shit you not, a magical super-vagina) and I liked the family dynamics.
Despite all the great parts of Family Lore, it's a bit underbaked. There's too many POVs and the plot is meandering across a long timeline in a non-linear way, to the point this feels like an anthology of slice of life stories. At one point I even forgot that this was about a woman who can predict deaths having a living wake. With this many somewhat unrelated plotlines and backstories, I couldn't care for them all.
Family Lore has a lot of great ingredients for a great book. As usual, Elizabeth Acevedo's prose is absolutely delicious, I want to eat it! There's also a lot of great themes and character moments in this. In particular, this looks at womanhood in a complicated but loving family structure, also this is very unabashed in how it explores sexuality. I also found Ona really interesting (her magical power is, and I shit you not, a magical super-vagina) and I liked the family dynamics.
Despite all the great parts of Family Lore, it's a bit underbaked. There's too many POVs and the plot is meandering across a long timeline in a non-linear way, to the point this feels like an anthology of slice of life stories. At one point I even forgot that this was about a woman who can predict deaths having a living wake. With this many somewhat unrelated plotlines and backstories, I couldn't care for them all.
Content Warnings
Graphic: Death, Infertility, Infidelity, and Death of parent
Moderate: Pregnancy
victoriousbookworm's review
emotional
inspiring
reflective
sad
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Flaws of characters a main focus? It's complicated
5.0
This is such a deep story of family, memory, and magic. Seeing the generations of this family, their interactions, culture, and history was so impactful.
Content Warnings
Graphic: Death and Grief
Moderate: Racism
Minor: Sexual assault
sarafrancesreads's review against another edition
challenging
emotional
inspiring
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
🌟 REVIEW 🌟
#FamilyLore by Elizabeth Acevedo
⭐️ Rating: 4/5 ⭐️
Synopsis: The story of one Dominican American family told through the voices of its women as they await a gathering that will forever change their lives. Spanning the three days prior to the wake, Family Lore traces the lives of each of the Marte women, weaving together past and present, Santo Domingo and New York City. Told with Elizabeth Acevedo’s inimitable and incandescent voice, this is an indelible portrait of sisters and cousins, aunts and nieces—one family’s journey through their history, helping them better navigate all that is to come.
My thoughts: As always, I love stories of strong women. This story highlights a family of strong women and includes a sense of magical realism, with each of the women in the Marte family holding a special “gift”. It shifts between the viewpoints of each of these women, the implications of their gifts, and explores the bonds of family, and lessons learned as the family faces the meaning of life and death with a living wake for one of the sisters, a mother and aunt. Although many reviewers dislike the multiple viewpoints, I liked the short chapters and intermixed perspectives. I will say that some of the story lines did feel a bit drawn out, and didn’t really have a clear resolution by the end of the book. Overall, I feel like this book pulled at my heartstrings, and did a good job of making me reflect on the importance of family and what it means to be living.
#FamilyLore by Elizabeth Acevedo
⭐️ Rating: 4/5 ⭐️
Synopsis: The story of one Dominican American family told through the voices of its women as they await a gathering that will forever change their lives. Spanning the three days prior to the wake, Family Lore traces the lives of each of the Marte women, weaving together past and present, Santo Domingo and New York City. Told with Elizabeth Acevedo’s inimitable and incandescent voice, this is an indelible portrait of sisters and cousins, aunts and nieces—one family’s journey through their history, helping them better navigate all that is to come.
My thoughts: As always, I love stories of strong women. This story highlights a family of strong women and includes a sense of magical realism, with each of the women in the Marte family holding a special “gift”. It shifts between the viewpoints of each of these women, the implications of their gifts, and explores the bonds of family, and lessons learned as the family faces the meaning of life and death with a living wake for one of the sisters, a mother and aunt. Although many reviewers dislike the multiple viewpoints, I liked the short chapters and intermixed perspectives. I will say that some of the story lines did feel a bit drawn out, and didn’t really have a clear resolution by the end of the book. Overall, I feel like this book pulled at my heartstrings, and did a good job of making me reflect on the importance of family and what it means to be living.
Content Warnings
Moderate: Death, Sexual content, and Pregnancy
readingpicnic's review
5.0
Wow, this book is incredible! I haven’t been so caught up in a fiction book in so long. I loved how complicated all the characters were, how distinct their voices were, the little powers they had, everything! The alpha vagina power? Incredible. I love the humor in this book so much. The food descriptions were excellent as always, as Elizabeth Acevedo clearly writes with so much passion and love for food and how it's made and enjoyed as a community. All of the different generations of women with points of view in this story did such a good job showing generational trauma within this family and cycles of abuse, as well as just how complicated familial relationships are in general. I love everything Elizabeth Acevedo has written, but this is a new favorite.
Content Warnings
Graphic: Death, Domestic abuse, and Infidelity