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_suvi_'s review against another edition
adventurous
dark
emotional
hopeful
inspiring
mysterious
reflective
sad
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
A perfect book to get me back into reading. The beautiful world building tool me right into the windy streets of Barcelona. The story within a story of mystery, spooks and romance was so wonderfully written and addictive. If I would critisize something, it would be some of the female characters that were written quite one-dimensionally or objectifyingly. But on the other hand the story is in 1940s-1950s so it doesn’t greatly distract from the story either.
Content Warnings
Graphic: Rape, Sexual assault, Sexual violence, and Violence
distilledreads's review against another edition
emotional
mysterious
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.5
I really struggled with this book. I went into it with really high expectations, and therefore for the first two-thirds of it I was anxiously anticipating what makes this such a highly acclaimed read. The answer, for me at least, was the ending. The last third, and really the shift into Nuria’s perspective, saved this book for me and I found myself finally enjoying the story. While I could appreciate the writing and the plot up until that point, I wasn’t particularly entranced by the mystery and it felt like I was just plodding along; for that reason, I would give this book 3 ½ stars.
The perspective is that of a teenage boy and is told in first-person, which at least partially was the reason I found it so hard to get sucked into this book. Since I felt distanced from the characters and the goings-on, it didn’t take much to jar me while reading and throw me out of the plot. Every asinine opinion on women, the fetishization of a “mulatto” woman, or the dismissive way sexual assault was casually sprinkled throughout the book was enough to disrupt my reading and fuel my distaste.
Again, like I said, I can appreciate what Zafón was trying to achieve here in a literary sense. I would love to have properly analyzed this book in a classroom setting to better understand the nuance of mid-twentieth century Spain, rather than rely on my own haphazard understanding and research.
“Wars have no memory, and nobody has the courage to understand them until there are no voices left to tell what happened, until the moment comes when we no longer recognize them and they return, with another face and another name, to devour what they left behind.”
This is a multi-generational story, with the actions of 20/30 years ago affecting and mirroring a younger generation. At its heart, there is a cautionary tale of second chances and the destruction that hate and prejudices carry. As well, there are beautiful and evocative lines. This is a book largely about a book, which naturally leads to beautiful phrases about storytelling, reading, and human nature.
“The words with which a child’s heart is poisoned, through malice or through ignorance, remain branded in his memory, and sooner or later they burn his soul.”
Despite my mixed experience of it, I am glad that I finally read The Shadow of the Wind.
Content Warnings
Graphic: Blood, Bullying, Child abuse, Child death, Chronic illness, Confinement, Death, Domestic abuse, Emotional abuse, Excrement, Fire/Fire injury, Forced institutionalization, Grief, Gun violence, Hate crime, Homophobia, Incest, Infidelity, Mental illness, Misogyny, Murder, Physical abuse, Police brutality, Rape, Sexism, Sexual assault, Sexual content, Sexual violence, Torture, Toxic relationship, Violence, and Vomit
cleiona's review against another edition
dark
emotional
funny
mysterious
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Minor: Homophobia, Emotional abuse, Police brutality, Domestic abuse, Rape, and Sexual assault
justabridge's review against another edition
dark
mysterious
slow-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
2.0
I am really sad to have not liked this one - I’d heard such good things about it, but unfortunately it just wasn’t for me. I’m finding I really don’t enjoy protagonists in gothic novels; of the ones I’ve read, they tend to be bystanders, quite inactive in terms of the plot, and quite limp in terms of personality and internal drive. Daniel really hit these boxes, and so I struggled reading from his perspective.
I also found the story quite confused - did it want to be Daniel’s story? Or did it want to be Julian Carax’s? The book was trying to be both separately instead of blending the two, and so you ended up with huge chunks of exposition (sometimes 30-50 pages (ish) at a time), and it didn’t really feel like the characters had to work for the mystery or the payoff.
What really made this hard to enjoy for me though, was the relentless violence and constant oversexualisation of women. It was all the time, in pretty much every chapter, and felt so unnecessary. I think the only woman whose breasts and general sexual allure weren’t discussed in detail was Daniel’s mother, and she was dead prior to the book starting. And the casual beatings, the sexism, the slut-shaming, and other much heavier violence sprinkled throughout...it really didn’t feel like the female characters in this were allowed to be people, and it completely alienated and exhausted me while I was reading. Perhaps to some extent the attitudes were ‘historically accurate’, but I think that parameter was hit and bulldozed through very early on.
It is a shame, because the writing style in this was beautiful, the descriptions of Barcelona were so evocative, and I loved the setting of the Cemetery or Forgotten books. These things we just overshadowed by everything else.
I also found the story quite confused - did it want to be Daniel’s story? Or did it want to be Julian Carax’s? The book was trying to be both separately instead of blending the two, and so you ended up with huge chunks of exposition (sometimes 30-50 pages (ish) at a time), and it didn’t really feel like the characters had to work for the mystery or the payoff.
What really made this hard to enjoy for me though, was the relentless violence and constant oversexualisation of women. It was all the time, in pretty much every chapter, and felt so unnecessary. I think the only woman whose breasts and general sexual allure weren’t discussed in detail was Daniel’s mother, and she was dead prior to the book starting. And the casual beatings, the sexism, the slut-shaming, and other much heavier violence sprinkled throughout...it really didn’t feel like the female characters in this were allowed to be people, and it completely alienated and exhausted me while I was reading. Perhaps to some extent the attitudes were ‘historically accurate’, but I think that parameter was hit and bulldozed through very early on.
It is a shame, because the writing style in this was beautiful, the descriptions of Barcelona were so evocative, and I loved the setting of the Cemetery or Forgotten books. These things we just overshadowed by everything else.
Content Warnings
Graphic: Death, Domestic abuse, Incest, Miscarriage, Misogyny, Police brutality, Sexual assault, and Sexual content
Moderate: Rape, Sexual assault, Body horror, and Homophobia
Minor: Animal cruelty, Death of parent, and Suicide attempt
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