Reviews tagging 'Classism'

Fifty Words for Rain by Asha Lemmie

6 reviews

kittycaserine's review

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challenging dark emotional sad tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

4.25

This was almost a 5 star book but I found the ending unsatisfying. Which, perhaps was the goal. But I wanted real justice for this poor girl and that was ember received.

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regans's review

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dark sad slow-paced

1.75


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leslie_overbookedsocialworker's review

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emotional reflective sad medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.25


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yetilibrary's review

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dark reflective sad slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

2.5

This book was a solid 3 until I got to the ending. I would have given it a 2, but, in spite of the slow pace (and the fact that it doesn't need to be 450 pages), it kept me engrossed. So I'll give it a 2.5.

So. That ending. Spoiler-free thoughts: I hated, hated, HATED the ending. The ending was utterly infuriating. I thought through it, and while it can be justified on the basis of character (flaws?), I think there are arguments that justify an alternative ending, and perhaps more to the point: I HATE IT. 
After finally finding "home"--in a person--and accepting love in her life, Nori returns to Japan. I agree that she pretty much has to. But then, she accedes to her merciless grandmother's demands, because she ... thinks she is fulfilling what Akira was going to do? Because she can probably close down one brothel? Because she believes she can eventually REFORM A GIANT MAFIA ENTERPRISE? Because she plans to change even more of her personality such that she can command mafiosi, and powerful businessmen in general? She isn't even ready to face her dying grandmother without ripping herself to shreds and fainting! And to do all this, she has to turn her back on her only true friend AND the man she loves--the father of her child. Furthermore, she dooms that child to the position in life that she held, albeit with a much better existence. 

It's possible to argue that she would do this out of devotion to Akira, the great love of her life, and because deep down, she still doesn't believe she deserves happiness or love. That's true. But this choice also requires belief that this is what Akira wants (her vision of him never says this), AND that this is what he wants for HER. It also requires belief that she is willing to hurt the two people she loves most in the world, and (essentially) sacrifice her child, for the sake of fulfilling her grandmother's wishes. Let's be clear: this was always what her grandmother wanted. 

My final reason for hating this ending is purely selfish: after so much pain in this book, I just wanted better for Nori. I wanted better for her than a return to the place that hurt her so much (she vomits when she gets to this house!), and a choice to take over the role that her wicked grandparents had held for so long, with no one she could trust at her side. And this was all due to a vision of her dead brother and a quixotic belief that she could stop her family's widespread evil, singlehandedly. (In fairness, I'm sure she can stop some of it. And it's a good and worthy goal. But I have my doubts that any one person can take down an operation that large, and that old.)

TL;DR I HATED THIS ENDING WITH ALL MY BEING.



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caleighrosebud's review

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dark emotional hopeful mysterious sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.75


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martachbc's review

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challenging dark emotional reflective slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.5

π”½π•šπ•—π•₯π•ͺ π•Žπ• π•£π••π•€ 𝕗𝕠𝕣 β„π•’π•šπ•Ÿ is tough for me to review, because I didn’t hate it, but I struggled with it a lot. I actually finished it a while ago (if you can’t tell from the decidedly not-winter pic), but I’ve been marinating on it since.

Set in Japan right after WW2, Fifty Words for Rain tells the coming-of-age story of Noriko Kamiza, the biracial child of her upper-class mother and an American soldier. Her mother leaves her with her grandparents who either ignore or abuse her β€” until her half-brother moves in. Yet her saga doesn’t stop there: She’s sold to a geisha facility, rescued yet again by her brother (with whom she has a very weird, though not line-crossing relationship), stuck in a bizarrely abusive relationship, and periodically, Grandma shows up to tell her how much she sucks. It’s a lot.

Where I think I land on Fifty Words For Rain: the story was compelling, but I had too many complaints to love it fully. 

π•Žπ•™π•’π•₯ 𝕀 π•ƒπ•šπ•œπ•–π••:
  • A diverse main character in whom you could find both inspiration and sympathy
  • A compelling epic spanning decades that made me not want to put it down

π•Žπ•™π•’π•₯ 𝕀 π”»π•šπ••π•Ÿβ€™π•₯:
  • Apparently the author began writing this as a teenager… and TBH the writing was showed that at times
  • This could border on torture porn. Every bad thing possible happened to Nori. 
  • As a character, Nori’s development felt stunted, then jumpy. I don’t always think she stayed true to her character.

π•Žπ•™π•’π•₯ π•€β€™π•ž ℕ𝕠π•₯ π•Šπ•¦π•£π•– 𝔸𝕓𝕠𝕦π•₯:
  • The end.

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