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brianna_moye's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Graphic: Violence, Death, Injury/Injury detail, and Pandemic/Epidemic
Moderate: Suicide
Minor: Adult/minor relationship and Rape
musicalpopcorn's review
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.5
I quite enjoyed this book. Emily St John Mandel is fast becoming my favourite author. I like the way she weaves her stories and ties things together with neat but emotional little bows. I quite liked how this was a little different than a standard post-apocalyptic book in that it was based more on relationships and less on the nitty-gritty of survival. I also liked how there was a lot of speculation about how people would reminisce and find different memories of technology to fixate on.
Graphic: Death, Terminal illness, Pandemic/Epidemic, and Injury/Injury detail
Moderate: Injury/Injury detail, Kidnapping, Suicide, Gun violence, Adult/minor relationship, Child abuse, Medical content, Blood, Child death, Fire/Fire injury, and Grief
Minor: Mental illness, Alcohol, Abandonment, Rape, Pedophilia, and Panic attacks/disorders
conspystery's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
I think overall, Station Eleven shines in its ability to communicate so much depth in so many small, unexpected places. The less surface area an object has, the higher the pressure it can apply, and exponentially so-- this book is the same. It knows exactly where to pack its punches, and doing so results in a genuinely unforgettable, endlessly interpretable narrative, with a tragic but hopeful message about regret, human connection, and storytelling. I love this book; it’s a new favorite for me.
Graphic: Death and Terminal illness
Moderate: Violence, Death of parent, Adult/minor relationship, and Child death
Minor: Blood, Medical content, and Rape
jillgoober's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
It's been twenty years since the Georgia Flu wiped out about 99% of the human population. There are small villages that have come together and live out of old motels, stores, and other buildings. There is no electricity, running water, or gas for vehicles. People have learned to live off the land. The book centers around a traveling group of musicians and actors called The Symphony. The travel around southern Canada and the northern U.S. and perform music and Shakespeare plays. Our main antagonist is a man who calls himself "The Prophet;" he and his followers travel to various villages and take what they want by force (including young wives) because they feel they are the chosen ones by God to have survived the flu.
The book also includes flashbacks at various times, as early as decades before the pandemic, when the pandemic first hit, and the years since then. The most intriguing part of this book was how you eventually figure out how each of our main characters were connected in some way before the pandemic started.
As aforementioned, this book really makes you think about what would be most important to you in a situation like this. The characters hold on to the strangest objects like a paperweight, for example, just because they have a vague memory about it from before the pandemic. This novel also made me think about how much worse Covid could've been for us.
Graphic: Murder, Religious bigotry, Gun violence, and Death
Moderate: Adult/minor relationship
hflh's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
St. John Mandel writes in a way that I haven’t experienced before. Partially through using 3rd person omniscient, she does an incredibly good job of capturing a really melancholic, distant feeling that was intense to sit with but also so engaging. I also absolutely loved the non-chronological skips in and out of different characters’ lives.
Graphic: Grief
Moderate: Violence, Adult/minor relationship, Death, and Murder
Minor: Pregnancy, Rape, Suicide, and Death of parent
jg93's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Graphic: Violence and Death
Moderate: Suicide and Adult/minor relationship
Minor: Rape
kelly_e's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.0
Author: Emily St. John Mandel
Genre: Science Fiction
Rating: 3.00
Pub Date: September 9, 2014
T H R E E • W O R D S
Evocative • Ambitious • Eerie
📖 S Y N O P S I S
Kirsten Raymonde will never forget the night Arthur Leander, the famous Hollywood actor, had a heart attack on stage during a production of King Lear. That was the night when a devastating flu pandemic arrived in the city, and within weeks, civilization as we know it came to an end.
Twenty years later, Kirsten moves between the settlements of the altered world with a small troupe of actors and musicians. They call themselves The Traveling Symphony, and they have dedicated themselves to keeping the remnants of art and humanity alive. But when they arrive in St. Deborah by the Water, they encounter a violent prophet who will threaten the tiny band’s existence. And as the story takes off, moving back and forth in time, and vividly depicting life before and after the pandemic, the strange twist of fate that connects them all will be revealed.
💭 T H O U G H T S
Despite hearing (and reading) so many glowing reviews from my bookish community for Station Eleven, I had no plan to pick it up... until it landed on the 2023 Canada Reads shortlist. Since 2021, I've made a point of reading as many books from the longlist as possible, with a particular focus on the five shortlisted titles. And so, despite knowing this wasn't likely to be my cup of tea, I borrowed a digital copy from my library.
I'll start by saying, I truly appreciated the dystopian Canadian content. Emily St. John Mandel has carefully constructed a realistic (eerily so) and reflective tale of post-apocalyptic survival. And of course, it's incredibly well written. While I know the ambiguous ending has been a point of contention between readers, for me it actually seemed the most fitting.
Despite that, I just wasn't a fan of the story or the structure. It's told in three different timelines from several points of view, and I definitely liked certain section a lot more than others. At times, I found myself disappointed to reach the end of a chapter only to find out I'd be ripped from what was happening in that storyline. Additionally, the plot just held very little interest for me. I'll admit coming out of a pandemic was probably not the right time to read this book, and it's quite possible the past three years impacted my reading experience.
I completely understand why so many readers love Emily St. John Mandel's descriptive and poetic writing style, yet Station Eleven was not a book for me. I don't think it's surprising it landed on this years Canada Reads list, as it definitely stimulates thought and discussion. I am looking forward to seeing how it'll fair on the panel, but in my opinion it doesn't necessarily fit the theme of shifting one's perspective.
📚 R E C O M M E N D • T O
• Emily St. John Mandel enthusiasts
• readers looking for pandemic fiction
🔖 F A V O U R I T E • Q U O T E S
"What I mean to say is, the more you remember, the more you've lost."
Graphic: Death, Death of parent, Violence, Terminal illness, Medical trauma, Gun violence, Murder, Medical content, and Grief
Moderate: Infidelity, Blood, Suicide, Injury/Injury detail, Kidnapping, and Religious bigotry
Minor: Ableism, Rape, Adult/minor relationship, Child death, Alcohol, Sexual violence, Pregnancy, Pedophilia, Mental illness, Sexual assault, and Child abuse
wormgirl's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Grief and Death
Moderate: Pedophilia and Adult/minor relationship
Minor: Injury/Injury detail, Infidelity, Suicide, and Death of parent
scenic92's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.5
Graphic: Medical content, Violence, and Grief
Minor: Adult/minor relationship
thebookishnerd_'s review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Flaws of characters a main focus? No
3.0
Graphic: Murder, Medical content, and Death
Minor: Medical content, Rape, Adult/minor relationship, Death of parent, and Injury/Injury detail