Reviews with content warning for Confinement - Witch King

Reviews tagging 'Confinement'

deedireads's review

adventurous dark mysterious medium-paced

Plot- or character-driven? Plot
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? No

3.25

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Martha Wells, author of the Murderbot books, is a legend in the sci-fi world. But she also writes fantasy, and I was excited to finally see what she’s capable of in the genre with Witch King. Plus, it’s nominated for this year’s Hugo Award for Best Novel. Unfortunately, I’m in the same camp as a lot of other readers: this book had a lot of potential, but it was missing the spark.

When I started reading, I was excited: a map AND a cast list? Bring on the world-building! I read a lot of SFF and trust me, I’m no world-building weenie. Unfortunately, this story required way too much for a standalone 400-page book, especially one with two timelines (and hence two plots). I just didn’t have time to really feel fully connected to these characters or internalize the stakes of the story enough to get invested. If this were the start of a series, or even an 800-page book, this would NOT have been a complaint, because the world was rich and interesting and the characters were deeply lovable. It was just a lot of “work” for a little bit of book!

I’m going to go back and read some of Wells’ backlist fantasy — something that has multiple books in a series — because I still think she’s an incredibly talented storyteller. This one just left me wanting more.

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schnaucl's review

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adventurous dark hopeful sad medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.75

I'm glad this will be a series because I really enjoyed this one. There's some excellent world building and it definitely feels like a foundation was being laid to tell more stories in this world.

I liked the various magic systems and political alliances.

I hope we get to spend more time in the past with Basha in the future.

It was really interesting that Kai always seemed to make a point of identifying people as male or female based on their dress, but that demons didn't match gender when matching with a host body, only matching social rank

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genorgana's review

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adventurous mysterious fast-paced

Plot- or character-driven? A mix
Strong character development? It's complicated
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.0

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superstar_y2k's review against another edition

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okay so i would absolutely recommend this book, but i am a mood reader and im finding it difficult to keep up with this story. i love the world building and i love that there are two timelines happening. the characters are loveable. my dnf is a reflection of where i am as a reader currently and i hope to find the space and desire to start this story again

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waterwolves's review against another edition

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adventurous inspiring mysterious tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? No

5.0

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jennikreads's review

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adventurous challenging dark emotional hopeful reflective fast-paced

3.75

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lanid's review

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adventurous mysterious

Plot- or character-driven? A mix
Strong character development? It's complicated
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

4.5

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wardenred's review against another edition

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adventurous challenging dark slow-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.0

“Why is everyone so afraid of demons?”

It's curious how each individual aspect of this book is pretty much exactly up my alley, but the whole they form left me vaguely unsatisfied. The beginning hooked me pretty hard: a classic in media res opening that felt like starting a new tv show with the first episode of season two; a soul-sucking, body-snatching demon trying to figure out who betrayed him and where his companions went; a few cool subversions of minor fantasy tropes along the way; evocative descriptions; immersive vibes. For the first quarter of the book or so, I genuinely enjoyed how the flashback storyline intermeshed with the plot in the present time. There were plenty of interesting, fleshed out characters with a complex web of relationships between them and smart, quippy moments of dialogue.

However, the deeper I went into the story, the harder it was to sustain that immersion. The world continued to be interesting and cleverly built. The characters remained complex and compelling, in theory. In practice, I was finding harder and harder to connect to them, possibly because of the two different arcs (the past and the present) running alongside each other. I kept waiting for certain gaps between the two storylines to be filled, but they never quite went there, and there were a couple of plot threads that felt practically abandoned, even though technically, the events that needed to happen to wrap them up did happen. The emotional payoff, however, just wasn't present, as if something important was missing each time between the set-up and the conclusion.

Upon some thinking, I suspect that part of my dissatisfaction comes from not forming expectations correctly. I'm not even sure what I expected, exactly, but I just thought I'd be more engaged with Kai in the present storyline. But for the most part in the present, he's the sort of character who's already peaked and now is figuring out where to get the will to go on. It doesn't help that the present-time plot is fairly straightforward to the point that it's barely enough to sustain a novel. The depth comes from the various side characters who, by virtue of being side characters, don't get to take the center stage, and from the storyline that unfolds in the flashbacks—and has the ingrained flaw of the reader knowing how it ends before it even begins.

This is definitely the kind of story that's focused on the journey above the destination, and I'm normally all for it. But the further I read, the more disconnected I felt from that journey, and I still struggle to formulate why. So far, my best guess is that the things that would hook me the most into the characters' stories and inner worlds were glossed over or kept silent. There were some moments that really stuck with me: Ziede and Kai's moment of "how it started, how it's going" reminiscence, or that instance when Kai heard of how his relationship with Bashasa was perceived from the outside and reflected on how it truly was in that regard, or Kai's interaction with his mother. All of those exchanges were ripe with emotional weight and history that I longed to see the story properly delve into. Instead, those things that would have truly hooked me were stuck existing between the lines. In general, I just think that for my taste, too much was missing/assumed about the character and relationship development.

I did enjoy a lot of narrative threads here, and even more so the worldbuilding. In particular, I loved the themes of what happens to the world after it gets saved/rebuilt, the post-revolution instability, and the anti-imperial ideas. I also, being me, wholeheartedly appreciated how queernormative this setting is, and I found Wells's take on demons super refreshing. While the magic system and some other aspects of the worldbuilding had me confused for a long time, I felt like the key points came together quite naturally by the end and I definitely prefer this sort of organic immersion to infodumps. And I'll be definitely thinking more about the dual narrative structure here and all the ways it did and didn't work for me in the coming days.

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