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celeste329's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? N/A
3.0
The whole book read as Medusa - as seen by others, and not all relevant in nature. I think I learnt more about Athene than Medusa in this whole book and I was left rather dissatisfied because of it.
There is this line towards Perseus: "And who are you to decide who is a monster?" - and it would have been SO great to have come from Medusa instead of Hermes, to have her challenge Perseus and his quest because really, at the end of the day, they are both two people who by all means should've had nothing to do with each other (and probably would have had nothing to do with each other were it not for some king's bruised ego).
There are a few good moments in the book - Medusa and her sisters' love for each other is something that was articulated very well. Athene's competitiveness was also well-highlighted. Perseus being characterised as an impulsive teen was also done quite well.
I would have expected some more rage from Medusa herself, but there is barely any from her (given that her chapters are also so rare). I got more rage from Hera and Athene, and even Euryale and Stenho.
Prose-wise, it was okay. Some very funny moments here and there and the descriptions were very well done - I could always picture the environment in my mind's eye. The Chapter structure was a little odd than what I am used to (being more accustomed to longer ones), so the action felt a bit all over the place sometimes. Also, there were a few chapters here and there that seemed to be 4th-wall-breaker types - as much as I appreciated the messages in the book, these chapters did not help with my immersion, taking me straight out of the book.
Overall, it was an ok book. I had high hopes for the titulary character and interactions with the themes presented in the blurb, but sadly, this wasn't quite delivered on.
Graphic: Violence and Death
Moderate: Rape
garnethalo's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Confinement, Misogyny, and Murder
Moderate: Blood and Abandonment
Minor: Animal death, Grief, Injury/Injury detail, Rape, and Violence
Medusa's story from before she was cursed. If you know Greek mythology, you know why. Also, Greek stories are usually a tragedy!turrean's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.0
I applaud the tiniest bit of agency Medusa had in this retelling of her story.
Minor: Confinement, Violence, Sexual violence, Sexual assault, Grief, and Stalking
willow_axolotl376's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
3.75
Moderate: Rape and Violence
Minor: Rape
secre's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.0
I'd say about 25% of this novel actually has Medusa as a semi-main character and even then, there's a lot of attention on her sisters. The rest of the novel is made up of petty Godly squabbles and fights and Perseus's quest across the land to bring back the head of a Gorgon. It... wasn't what I signed up for. It also frankly didn't interest me that much. I was genuinely interested in the childhood and life of Medusa, I was kind of interested in some of the God side plots although they really needed to be minimised... I just did not care about Perseus. Come on. The story of the boy who beheads the sleeping monster was not the important one here, particularly when he's shallow, selfish and cruel to boot.
What I wanted and what I got here were two very different things. Medusa was essentially relegated to a bit player in her own damn story and that's a crying shame, particularly when I know how well the author can portray the unsung voices. This could have been excellent, it should have been excellent; Haynes certainly has the writing talent and spark to pull it off. But instead of allowing Medusa to stand on the stage alone, she is overshadowed by Gods and men and petty arguments. And I really, really struggled to engage with it because of that.
Don't get me wrong. I'll read the author again. I adored A Thousand Ships. But this... this was a disappointment and it was nowhere near interesting enough to hold my attention.
Many thanks to NetGalley and the publisher for my free review copy of this title.
Graphic: Violence, Rape, Sexual assault, and Murder
dgiff01's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
3.75
Graphic: Violence and Rape
jen0788's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.5
A well written and thoughtful story with a strong narrative voice.
Graphic: Violence and Sexism
Moderate: Rape
annick's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
This is beautifully poignant in writing and audio . It makes so much more sense than the tales of Perseus and Medusa and Athene I grew up with.
There are many moments of beautiful writing. Chapter from the snakes’ perspective. The dialogue of assertive Medusa and petulant Poseidon. But especially when it’s 1POV addressed to the reader.
I like the choice for most of the violence and sexual assault to be excluded from the scenes written. Even the narrative on turning people to stone is empathetic to the character’s trauma and the readers.
I can’t find fault with the writing, I want to revisit it, and recommend it to others. So it meets my pesky criteria for five stars.
Graphic: Injury/Injury detail
Moderate: Misogyny, Sexism, and Violence
madkelley's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? N/A
3.5
Graphic: Violence and Rape
stellahadz's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Aside from the final chapter, I wouldn't call this book a retelling so much as a reframing; the character of Medusa is given space to be a fully fleshed-out character as opposed to simply a monster. Haynes turns the idea of a "hero" on its head through the character of Perseus, who is portrayed as impulsive, bratty, and incompetent instead of brave and adventurous. The tone of the story is elegant and wise but not overly serious - as much as I enjoyed Madeline Miller's books, I found that they lacked levity. I appreciated that there was some humor in Stone Blind. It helps the book feel more modern, reinforcing the idea that its themes and topics are still relevant. I liked the multiple POVs and getting to see how the different aspects of the story tied together through different characters.
Overall a super enjoyable read. I'm often skeptical of Greek mythology retellings, but this one definitely exceeded my expectations and I'm very interested in reading more of Haynes's work.
Moderate: Murder, Rape, Violence, Death, and Misogyny
Minor: Animal death and Infidelity