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hex_meghead's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
2.25
Moderate: Kidnapping, Sexual content, Violence, and Fire/Fire injury
Minor: War
ramakn22's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
Graphic: Kidnapping, War, Violence, and Confinement
Moderate: Xenophobia, Religious bigotry, and Sexual content
wilybooklover's review
4.0
Graphic: Confinement, Violence, Kidnapping, and Murder
Moderate: Sexual content, Gun violence, Death of parent, Injury/Injury detail, Abandonment, Blood, Death, Forced institutionalization, Child abuse, Grief, Ableism, and Torture
Minor: Racism, War, Xenophobia, Homophobia, and Classism
hrtlss_grl's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.75
Graphic: Alcohol, Grief, and Murder
Moderate: Alcohol, Sexual content, Gun violence, Murder, Racism, War, Death of parent, Child abuse, Car accident, Forced institutionalization, Torture, and Toxic friendship
Minor: Vomit, Sexual content, Torture, Sexism, Racism, Outing, Grief, Alcohol, War, Homophobia, Gun violence, and Death of parent
booksthatburn's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
2.0
There are a few deliberate aspects of the characterization which are so blatant as to be either an instant turn-off or the reason someone might want to read this book. The first is the age gap between the two main characters. The dynamic between them is built on Arthur, the older, rich man, wanting to help Rory, the younger and quite poor man, whether or not he wants the assistance. The first place that this shows up is when they go to a speakeasy, and (lying that's he's twenty-six when he's actually twenty) Rory has his first drink of alcohol, and then several more. Arthur (in his late twenties) helps the drunken Rory to a safe place to sleep it off. Arthur seems to not understand the effect that his position and money has on Rory. He definitely thinks that he isn't being coercive when he tells Rory that he will cancel a particular debt if Rory does what he wants, but Rory feels very manipulated by this and like he doesn't have a choice. Arthur seems to think that it's all fine and not actually manipulative because he paid the debt before he knew whether Rory would do what he asked.
The switch from just kind of lusting after each other to being in love is very sudden. The beginnings of their lust for each other is even more sudden, Arthur loves Rory's curls from almost his first glimpse of him. Likewise, it does not take Rory very long to start enjoying Arthur's bossiness as much as it exasperates him.
My general frustration is that it has so many elements that I normally enjoy and so I oscillated between enjoying the banter and then being thrown out of the moment when the characters just push past something that needs to either not be a factor or get way more examination. I prefer stories where the characters originally think it can't possibly work, but they find out more about each other and their situations they realize that they can. In SPELLBOUND, Arthur thinks that they are close in age and that Rory is just an employee of the person he needs for his scheme. What's actually happening is that Rory is eight years younger, with life experiences which are few and generally traumatic in nature, and he's the one whose cooperation Arthur needs for his scheme. Over and over, Arthur dismisses the actual issues and power imbalances and worries about the ones which are misreadings of a situation. I don't have a problem with a gap age gap relationships in fiction where both parties are adults. One thing that kept bothering me was that the more they learned about each other the more it seemed as though the only think keeping everything okay is that the author wanted it to be fine. The other frustrating thing was how often Rory is described aesthetically and positively in terms of just how young he looks, especially in comparison to Arthur. It's like the story wants to have it both ways, both that Rory is a full adult and is mature enough to be in a relationship with Arthur, and that part of what Arthur likes is how much of a kid Rory still is. It also feels very unearned, because as much as Rory insists that he actually is mature, the story itself doesn't really bear that out. Late in the narrative, Rory gets very jealous when some women are flirting with Arthur in a social setting. Rory is the one pushing for the relationship to deepen and be more physical, but because he hasn't had any other partners he doesn't know what exactly he wants beyond more intimacy with Arthur.
Ultimately it's hard for me to enjoy a story that seems like a pile of red flags that the characters keep ignoring. Due to genre and story tone it'll probably work out, but this was a frustrating reading experience and I probably won't finish the series.
Graphic: Alcohol and Sexual content
Moderate: Forced institutionalization, War, Ableism, Violence, Injury/Injury detail, Classism, Slavery, Death, Xenophobia, Confinement, Medical content, Blood, Gun violence, Torture, and Murder
Minor: Vomit, Self harm, Child abuse, and Racism
takemetomilos's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.75
- This book needed at least 80 more pages- more time to breath. The plot needed the time. Lot of lore and backstory for a book so short. The payoff of the reveal doesn’t happen bc literally no one has had time to establish why they care.
Like ok Ellis is alive! I never gave a fuck. The betrayal of ace’s friends never hit because we never had full scenes of their friendship - which still could have been accomplished in flashbacks. - The age gap. The book could have been the same without an 8 year age gap or even if it was age up Rory so he isn’t fucking 20. Like why
- Also? I love how left Arthur is. But I’m not sure I believe it. A rich son of a politician who isn’t a shitbag? And somehow his father has won on a campaign of such progressive politics? Like he’s so “perfect” that it’s annoying. It’s flat.
the relics that literally will end the literal world are unlocked with a bit of blood? Seriously??? Your telling me no one thought better or tried that? - No one here talks like they’re in the 20’s in the slightest.
Cute book tho
Graphic: Racism, Mental illness, Kidnapping, Murder, Forced institutionalization, Medical trauma, Homophobia, and Panic attacks/disorders
Minor: War
evenstr's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.25
Graphic: Violence
Moderate: War
Minor: Racism