Reviews tagging 'Rape'

La Bastarda by Trifonia Melibea Obono

18 reviews

flowingleaves's review

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challenging hopeful fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? It's complicated

2.0


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morebedsidebooks's review

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4.5


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bookishcori's review against another edition

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challenging reflective sad fast-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

3.75


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lleullawgyffes's review against another edition

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hopeful informative fast-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.5


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ohlhauc's review

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hopeful reflective sad fast-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes
This is not a book to be read at face value. To truly understand its power and impact, it's important to have some understanding of social conventions around gender and sexuality, as well as the colonial history with Spain, of Equatorial Guinea.

Without having this context, it would be easy for Western readers to dismiss this story because of its writing. It is very sparse, there are some plot holes, and there is much character development in the standard sense of the term, meaning, this development isn't put directly on the page. It's left in between the lines and requires the reader to actively engage with the text and fill in the gaps. If you hate that, you'll hate this book. If you love that or don't mind it, this book could be for you.

It is very much an allegory looking at what it takes to live freely, and to escape traditional conventions in a culture, especially when it comes to queerness, femininity and masculinity. It's very fast-paced and a lot of plot happens in the short span of the book, but each moment builds up the character's increasing self-awareness and eventual liberation. It's an important addition to queer fiction, especially queer fiction from communities that have levels of oppression against gender non-conforming people and those who aren't heterosexual.

It has a childlike quality to the writing but still holds on to a sexy, rebellious energy. I would have liked to see a few more scenes between the characters to better understand the depth of their relationships, but I did enjoy this. If the above doesn't scare you, please check it out.

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sarahtranslates's review

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fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? Yes

3.5


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discotits's review

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hopeful mysterious sad fast-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? N/A

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abbie_'s review

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challenging dark emotional hopeful reflective medium-paced
  • Diverse cast of characters? Yes
La Bastarda by Trifonia Melibea Obono, translated from the Spanish by Lawrence Schimel, is the first book by an Equatorial Guinean woman to be published in English. It’s also banned in Equatorial Guinea because of its lesbian main characters. It’s only short, 90 pages plus a brilliant and illuminating afterword, but it’s such an important contribution to the literary scene and I’d love for more people to pick it up if they can!
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The premise is simple. Okomo is an orphaned teenage girl living with her grandparents in a small village near the Gabon border. Her world is ruled by traditional gender norms for women according to Fang culture, as well as toxic masculinity in the form of her grandfather. His favourite subject is the sexual conquests of himself and his progeny. Okomo is also grappling with her sexuality, finding refuge in the ‘Indecency Club’ and her gay uncle, referred to as a ‘man-woman’ because of his failure to consummate marriages and father children. As for Okomo and the three other girls in the Indecency Club, no word exists for them. Anything which goes against Fang tradition is regarded with suspicion, and not just sexuality. Okomo’s uncle is considered just as strange for his decision to keep his father’s ashes in an urn, rather than burying him and celebrating his death in the traditional manner.
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The afterword by Abosede George was incredibly helpful in understanding more of the context around this book, particularly regarding prejudice towards same-sex practises versus prejudice towards not conforming to reproductivity in Africa. I thought the ending of the book was maybe far-fetched but hopeful, with the characters carving out a space for their queerness to thrive away from suspicion and prejudice.

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