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booksthatburn's review against another edition
adventurous
funny
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.0
Bartimaeus is a djinni, enslaved by apprentice magician Nathaniel for the purpose of revenge against a magician who bullied him. When it turns out that the titular amulet is more than just a valuable possession, Nathaniel and Bartimaeus find themselves tangled in a plot against the government itself.
The worldbuilding makes it clear that magicians have been around for a very long time, with Nathaniel’s home of London being merely the most recent epicenter of magic and magical power. It shows the classism and social stratification which is fueled and perpetuated by magicians through their enslavement of summoned entities. It’s also a system which relies on controlling and conditioning children to think of being a magician and growing up to serve the British government as the only good and worthwhile way to exist, fostering a deep loathing and contempt for commoners (non-magicians). Bartimaeus never lets it be forgotten that his very corporeal existence is an unwanted and physically painful condition of his slavery, that as much as he may or may not develop a rapport with Nathaniel, their relationship is an inherently unequal one which is predicated on Nathaniel summoning Bartimaeus against his will. He's is a witty and engaging narrator, with timely asides to explain various worldbuilding details in a sardonic manner. The narrative alternates between Bartimaeus’s commentary and a third-person view of Nathaniel’s perspective in the past and present.
This is a solid start to the trilogy, setting up things which the later books will build upon.
The worldbuilding makes it clear that magicians have been around for a very long time, with Nathaniel’s home of London being merely the most recent epicenter of magic and magical power. It shows the classism and social stratification which is fueled and perpetuated by magicians through their enslavement of summoned entities. It’s also a system which relies on controlling and conditioning children to think of being a magician and growing up to serve the British government as the only good and worthwhile way to exist, fostering a deep loathing and contempt for commoners (non-magicians). Bartimaeus never lets it be forgotten that his very corporeal existence is an unwanted and physically painful condition of his slavery, that as much as he may or may not develop a rapport with Nathaniel, their relationship is an inherently unequal one which is predicated on Nathaniel summoning Bartimaeus against his will. He's is a witty and engaging narrator, with timely asides to explain various worldbuilding details in a sardonic manner. The narrative alternates between Bartimaeus’s commentary and a third-person view of Nathaniel’s perspective in the past and present.
This is a solid start to the trilogy, setting up things which the later books will build upon.
Content Warnings
Graphic: Classism and Child abuse
Moderate: Physical abuse, Slavery, Death, Murder, Torture, Fire/Fire injury, Emotional abuse, and Violence
Minor: Ableism, Blood, and Deadnaming
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