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kkelley18's review against another edition
adventurous
dark
fast-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Sexual content, Violence, Sexual assault, Rape, Death, Pregnancy, Injury/Injury detail, Grief, Child death, Sexual violence, Fire/Fire injury, and Child abuse
deedireads's review against another edition
challenging
dark
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.25
All my reviews live at https://deedispeaking.com/.
TL;DR REVIEW:
Moon Witch, Spider King is a rich, complex novel with an indomitable protagonist. It’s an easier read than BLRW (though still not easy), and it widens the plot in super interesting ways.
For you if: You like very literary fantasy (and read Black Leopard, Red Wolf).
FULL REVIEW:
Hurray for the next installment of Marlon James’ Dark Star Trilogy, which started with Black Leopard, Red Wolf. I liked BLRW, but like many, also found it very dense and challenging. I’m happy to report that MWSK presents an easier read (although I would still not go so far as to call it easy).
You may have heard the MWSK tells the same story as BLRW, but from the Moon Witch Sogolon’s perspective. This is actually only part of the story — the novel actually goes back much further than that, to when Sogolon was a girl, all through her life, how she became the Moon Witch, and how she got tangled up with the search for the boy. The events of BLRW only come into play in the last third or so of the book.
I tell you this so you don’t spend as much time as I did wondering when all that was going to start. But even so, by the end, I understood exactly why James set it up this way; the story BLRW drops us into is so much bigger, so much older, than we knew before. MWSK shows us what’s at stake here — and sets us up for an epic trilogy conclusion, I think.
Part of what makes MWSK more readable is that we’re prepared for the trilogy’s episodic storytelling style (which doesn’t settle into the shape of a traditional plot until deep into the book), not to mention the world the story takes place in. But I also really, really loved Sogolon as a protagonist. Her voice is so strong, her desires so pointed. She tells you like it is, unlike Tracker. And she takes absolutely NO shit from anyone. Such a badass. The audiobook narrator did an incredible job bringing her to life, too, and I highly recommend listening along on audio as you read the print version (especially given that it’s still relatively long and challenging).
If you liked BLRW enough to consider continuing with the series, even if you’re feeling a bit intimidated, I say pick this up. I think chances are good that you will like it.
TL;DR REVIEW:
Moon Witch, Spider King is a rich, complex novel with an indomitable protagonist. It’s an easier read than BLRW (though still not easy), and it widens the plot in super interesting ways.
For you if: You like very literary fantasy (and read Black Leopard, Red Wolf).
FULL REVIEW:
Hurray for the next installment of Marlon James’ Dark Star Trilogy, which started with Black Leopard, Red Wolf. I liked BLRW, but like many, also found it very dense and challenging. I’m happy to report that MWSK presents an easier read (although I would still not go so far as to call it easy).
You may have heard the MWSK tells the same story as BLRW, but from the Moon Witch Sogolon’s perspective. This is actually only part of the story — the novel actually goes back much further than that, to when Sogolon was a girl, all through her life, how she became the Moon Witch, and how she got tangled up with the search for the boy. The events of BLRW only come into play in the last third or so of the book.
I tell you this so you don’t spend as much time as I did wondering when all that was going to start. But even so, by the end, I understood exactly why James set it up this way; the story BLRW drops us into is so much bigger, so much older, than we knew before. MWSK shows us what’s at stake here — and sets us up for an epic trilogy conclusion, I think.
Part of what makes MWSK more readable is that we’re prepared for the trilogy’s episodic storytelling style (which doesn’t settle into the shape of a traditional plot until deep into the book), not to mention the world the story takes place in. But I also really, really loved Sogolon as a protagonist. Her voice is so strong, her desires so pointed. She tells you like it is, unlike Tracker. And she takes absolutely NO shit from anyone. Such a badass. The audiobook narrator did an incredible job bringing her to life, too, and I highly recommend listening along on audio as you read the print version (especially given that it’s still relatively long and challenging).
If you liked BLRW enough to consider continuing with the series, even if you’re feeling a bit intimidated, I say pick this up. I think chances are good that you will like it.
Content Warnings
Graphic: Rape, Violence, and Child death
Moderate: Sexual content, Child abuse, and Domestic abuse
Minor: Suicidal thoughts
tnociti's review against another edition
Just couldn't get into it right now. Maybe later.
Content Warnings
Graphic: Child abuse and Rape
ronpayne's review against another edition
adventurous
challenging
dark
emotional
funny
mysterious
reflective
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Graphic: Rape, Slavery, Sexual violence, Sexism, Pregnancy, Pedophilia, Murder, Medical trauma, Child abuse, Blood, Kidnapping, Grief, Domestic abuse, Confinement, Body horror, Violence, Gore, Physical abuse, Cursing, Classism, Child death, Injury/Injury detail, Animal death, and Vomit
2treads's review against another edition
challenging
dark
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Flaws of characters a main focus? No
4.0
'Tell me what it mean that my memory is of a man telling me what my life was and me choosing to believe it, when even the gentlest of men can tell only so much story about a woman. But look at you.' —Sogolon
🕸🕷🕸🕷🕸
A tale full of political machinations, deceit, power, intrigue, corruption and the struggle for the soul of a kingdom.
🕷🕸🕷🕸🕷
At the turn of every page of #MoonWitchSpiderKing, from the mistreatment and violence that Sogolon endures, to the evolution in her quickness and sharpness of tongue, is her shrewdness, capacity to observe, learn, and thus adapt; we glean that she will become a force to be reckoned with, and in turn will have a reckoning of her own to face.
🕸🕷🕸🕷🕸
It is engrossing to see the turn of the machine that is molding Sogolon: the magic, intrigue, betrayals, punishments, and warnings; all of which she observes and learns from. Sogolon is a character that is very much a learning character rather than one that just exists for the narrative. But it is her spirit that truly captivates the reader. Sogolon will fight.
🕷🕸🕷🕸🕷
All the usual suspects of James' style is here: wicked wit, frightful violence, irreverent dialogue, feisty interplay, slight of hand; ingenious, complex and twisty plotting that really culminates to just suck a reader in, engendering questions and comparisons while revelling in a world that is always changing, with characters that just absolutely tickle one's fancy and are just as easily liked as they are despised.
🕸🕷🕸🕷🕸
And yet I am left full of questions, because a lot is lost to the mystery and structure of the telling, whereby important storylines are never fully resolved, leaving the reader equally frustrated and intrigued.
🕷🕸🕷🕸🕷
🕸🕷🕸🕷🕸
A tale full of political machinations, deceit, power, intrigue, corruption and the struggle for the soul of a kingdom.
🕷🕸🕷🕸🕷
At the turn of every page of #MoonWitchSpiderKing, from the mistreatment and violence that Sogolon endures, to the evolution in her quickness and sharpness of tongue, is her shrewdness, capacity to observe, learn, and thus adapt; we glean that she will become a force to be reckoned with, and in turn will have a reckoning of her own to face.
🕸🕷🕸🕷🕸
It is engrossing to see the turn of the machine that is molding Sogolon: the magic, intrigue, betrayals, punishments, and warnings; all of which she observes and learns from. Sogolon is a character that is very much a learning character rather than one that just exists for the narrative. But it is her spirit that truly captivates the reader. Sogolon will fight.
🕷🕸🕷🕸🕷
All the usual suspects of James' style is here: wicked wit, frightful violence, irreverent dialogue, feisty interplay, slight of hand; ingenious, complex and twisty plotting that really culminates to just suck a reader in, engendering questions and comparisons while revelling in a world that is always changing, with characters that just absolutely tickle one's fancy and are just as easily liked as they are despised.
🕸🕷🕸🕷🕸
And yet I am left full of questions, because a lot is lost to the mystery and structure of the telling, whereby important storylines are never fully resolved, leaving the reader equally frustrated and intrigued.
🕷🕸🕷🕸🕷
Content Warnings
Moderate: Rape, Sexual violence, Violence, and Sexism
Minor: Child abuse, Domestic abuse, Gore, and Misogyny
kikireads's review against another edition
adventurous
challenging
dark
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Flaws of characters a main focus? It's complicated
4.0
Content Warnings
Graphic: Child abuse, Murder, Violence, and Death
Moderate: Rape, Domestic abuse, Slavery, Misogyny, Fire/Fire injury, and Child death
Minor: Abortion, Suicidal thoughts, and Infidelity
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