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godfrina's review against another edition
adventurous
dark
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
"Vonvalt tended to deal with entirely alone, on account of my inexperience and relative youth. And as an impertinent young woman, I resented this."
The language used in this book carried the story telling so well. I will be reading the rest of the series and possibly more from this author for sure. The gore and violence is strong at times, as is expected in a story about justice, conflict and empires, but it fits the narrative.
The language used in this book carried the story telling so well. I will be reading the rest of the series and possibly more from this author for sure. The gore and violence is strong at times, as is expected in a story about justice, conflict and empires, but it fits the narrative.
Content Warnings
Graphic: Gore, Religious bigotry, Violence, Death, War, and Blood
Moderate: Confinement, Grief, Vomit, Alcohol, and Torture
Minor: Rape, Sexual assault, and Animal death
thecriticalreader's review against another edition
adventurous
dark
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.25
Context:
I borrowed The Justice of Kings by Richard Swan from my library through the Libby App.
Review:
The Justice of Kings worked for me, due in large part to the refreshingly unique way Swan frames the novel. The obvious choice would have been to follow Vonvalt’s perspective, but instead, the book follows the retrospective POV of his clerk, nineteen-year-old Helena. This choice would have been disastrous if he had used Helena merely as a device through which to focus on Vonvalt; however, in my opinion, her character is well-written and adds considerable texture to the story. Helena is a realistic example of what would happen if you follow a nineteen-year-old clerk in a fantasy novel rather than the stereotypical protagonist with “main character syndrome.” She’s smart and eager to please, but also self-centered, moody, and occasionally rash. She makes a lot of mistakes due to her youth and inexperience. She’s limited by her gender, emotional vulnerability, and social position, but she also demonstrates agency and initiative. I also liked that she responded to situations of danger and violence with a realistic level of terror and horror; it's not often that we get to read about a protagonist who panics instead of automatically acting like a hero. While I can understand why some might consider her character to be sexist, Helena reminds me of myself when I was a nineteen-year-old girl—especially in how she confuses the overwhelming awe, affection, and dependency she feels toward the older male figures in her life for potential romantic feelings. Her whirlwind romance with the first attractive boy she befriends made sense to me in the context of her upbringing and situation.
Helena is a fascinating character in her own right, but her perspective allows us to gain a unique understanding of those around her, particularly Vonvalt. The depth of love and admiration she has for him—despite an intimate knowledge of his flaws—provides new layers to his character development as he faces a new world in which his nearly overwhelming power is suddenly threatened. Through her eyes, the themes of justice and power that this book explores gain added meaning.
Beyond the wonderfully crafted character development, Swan demonstrates competent worldbuilding and plot development in The Justice of Kings. The magic system is limited, and the world is not as expansive as some epic fantasy series, but Swan smartly focuses on building a strong story instead of throwing a large number of names, places, and exposition at the reader. As the plot gradually builds to a gripping crescendo, Swan opens the door for greater worldbuilding and plot development in future books. Overall, The Justice of Kings impressed me, and I plan on picking up the second book soon.
The Run-Down:
You will probably like The Justice of Kings if . . .
· You want to read a story with well-written characters and a gripping plot
· You like medieval-inspired fantasy
· You want to read a fantasy story through the lines of a non-traditional protagonist
You might not like The Justice of Kings if . . .
· You are not in the mood for a very dark and violent book
· You don’t want to read a book from the perspective of a moody teenage girl
· You want to read a fantasy story with epic, colorful worldbuilding
Content Warnings
Graphic: Violence, Murder, War, Blood, and Gore
Moderate: Child abuse, Alcohol, Animal death, Alcoholism, Religious bigotry, Injury/Injury detail, Misogyny, Vomit, and Xenophobia
Minor: Sexual content, Child death, Classism, Colonisation, Excrement, Fire/Fire injury, Pedophilia, and Rape
fran's review against another edition
adventurous
dark
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Graphic: Gore, Murder, and War
Moderate: Sexual assault, Rape, and Sexual harassment
Minor: Excrement, Alcoholism, Death, Body horror, Child death, Medical content, Death of parent, Animal death, Blood, Confinement, Grief, Kidnapping, and Sexism
its_kievan's review
dark
emotional
tense
medium-paced
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
I really wish fantasy writers would spend less time coming up with weird names and more time learning how to actually write. Obviously I still enjoyed the book: 3 stars is still 3 stars, Vonvalt was an interesting (if honestly under-utilised) character, and the final battle was legitimately tense. At the same time it’s Swan’s debut novel, and it showed. Not to mention I was disappointed at how little courtroom drama there actually was - there’s only one trial and all the characters leave halfway through. Also can men in fantasy please stop writing female MCs it’s painful.
Content Warnings
Minor: Rape
kingcrookback's review against another edition
adventurous
dark
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
This took a bit to get into. It's is an interesting consideration of justice, morality, and power. As a lawyer, Swan is clearly invested in the exploration of these themes. The conceit of the story being told via the recollections of the protagonist in the distant future was an interesting choice in that it prompts curiosity as to what happens in this book that warrants keeping a record of it. But I found that sometimes that compulsion to keep reading was offset by wondering, "To what end?" Transcription and the recording of events is a running motif in the plot, but the fact that I kept getting distracted by what might be happening outside of the story - by what possible event, outside of the story we're actively following, prompted Helena to commit everything to paper - detracted from my engagement with the actual story. Even when I was engaged with the story, though, I found myself feeling somewhat detached from the main cast of characters, though that may just be an effect of the temporal distance of the older Helena's recollections.
I'll pick up the sequel because I'm curious as to where this all goes, but I'm not dying to find out.
I'll pick up the sequel because I'm curious as to where this all goes, but I'm not dying to find out.
Content Warnings
Graphic: Death, Violence, and Gore
Moderate: Grief, Animal death, War, Confinement, and Religious bigotry
Minor: Rape, Kidnapping, Sexual violence, and Child death
foxwish's review
adventurous
mysterious
fast-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
Starts out as a murder mystery, which quickly becomes an empire ending threat. Justice Konrad is a very mysterious character and as the story is told from the POV of his apprentice/clerk Helena as an older woman we get to see his character shift and what seems to be the start of a moral decline from an outside POV. Helena herself is very dull and a victim of insta-love unfortunately, she has no idea what she wants in life, her streetrat orphan background is barely relevant to her character, and for some reason older Helena stands by her insta-love as her "first true love". Sir Radomir develops into a wonderfully charismatic character by the end of the book and the climax makes for a compelling start to this trilogy. I will be reading the sequel and hoping for better characterisation for Helena.
Content Warnings
Graphic: Murder, Violence, and Cursing
Moderate: Alcohol, Animal death, Sexual harassment, Cultural appropriation, Death, Confinement, Death of parent, and Grief
Minor: Alcoholism, Rape, Sexual content, Fire/Fire injury, Torture, and Child death
ohmage_resistance's review against another edition
slow-paced
- Loveable characters? No
- Flaws of characters a main focus? Yes
3.0
Content Warnings
Graphic: War, Death, Murder, Gore, Blood, Violence, and Injury/Injury detail
Moderate: Medical content, Religious bigotry, Suicidal thoughts, and Torture
Minor: Rape, Alcohol, Child death, and Alcoholism
mikarala's review
adventurous
dark
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Finally, a fantasy trilogy where the first book actually has its own contained plot! Not only that, but the tension rises throughout the novel and leaves us with a really good sequel hook! That probably shouldn't be refreshing, but so often I find this is something multi-series works struggle with. There's so much to like with this novel.
First of all, I really enjoyed the world-building. This is a relatively low-fantasy world, and up until the climax I probably wouldn't have called it quite grimdark, as the world was a little too...orderly. Honestly, it really strongly reminded me of the world in the middle school/YA series The Rangers Apprentice, which is not super glamorous, but also doesn't reach the bleak levels of some more notable crapsack worlds, such as ASOIAF or First Law. However, things did get fairly gory near the end, so it's probably somewhere between neutral to fairly dark. But anyways, not the point.
I found this novel did very good job of developing the world without overwhelming the reader with exposition. There's maybe a page near the start that was a little heavy-handed in that regard, but overall I think the author managed to slowly build up the world naturally through the narrative. The narrative, of course, is centered on a Justice of the Sovan Empire, who travels from town to town dispenses justice. While magic isn't common in this universe, Justices hold a very high place in society and some use and knowledge of magic is a part of their training. As a result of this, Sir Konrad Vonvalt, our protagonist/deuteragonist, has the ability to compel people to reveal the truth and also some limited necromancy skills. This magical knowledge is a zealously guarded secret, and I really enjoyed how this became an important aspect of the plot.
I really enjoyed Vonvalt's character journey throughout this book. I picked up this book because the description gave me very strong "Ned Stark in King's Landing investigating Jon Arryn's death" vibes. However, while I do think your opinion on that story may be a good indicator for if you'll enjoy this novel, it's not really too similar. First of all, this novel takes place in a town a fair distance from the empire's capital, and as a result, the political intrigue is fairly limited. Although some political machinations still definitely form an important aspect of this story, it doesn't quite permeate the whole setting and atmosphere the way it does in Game of Thrones. In other words, I definitely wouldn't describe this as a political thriller.
Vonvalt is also not Ned Stark, lol. I really like him as a character, and he shares some traits, such as his belief in the law and justice, as well as his lack of political instinct. But the differences also become more clear over the course of the novel, culminating with some blunt foreshadowingthat reveals Vonvalt is headed down a dark path. Vonvalt's belief and trust in the strength of governmental institutions is challenged to the point where he basically turns to vengeance and vigilantism, which I thought was an absolutely fantastic character arc. In the comparison with Ned Stark, it's quite clear by the end of this book that Vonvalt is more blood-thirsty and probably a fair bit more arrogant. In any case, though, I thought his characterization was really well done and one of the most compelling parts of this novel.
However, I can't say I feel the same about Helena, his clerk and our actual narrator. I don't think I dislike Helena, necessarily, but something about her narrative voice was frustrating to me, and I think I would identify it as my biggest/only dislike with this story. Basically, this story is told from the POV of an elderly Helena relating the adventures she lived as a 19-20yo following Vonvalt around on his journeys. This resulted in some moments where she interjects with commentary about how she realized so-and-so "in hindsight" and some heavy foreshadowing--and by this, I mean she more or less reveals some major developments, while omitting how they happen. It takes the tone of an old person assuming you have some fundamental knowledge of the historical events occuring at the time of the story and their subsequent outcomes. Personally, this really took me out of the story and was something I didn't enjoy. I felt like it really detracted from the immediacy of the action and lessened the overall tension when things were happening in the natural course of the narrative and the older Helena sort of stepped back to offer some perspective and interpretation of her actions at the time. Honestly, something about it almost seemed genre dissonant, like this narrative technique belonged more in a historical fiction or lit fic book, idk. In any case, I did find it to be a distraction that lessened my enjoyment of the story.
That being said, I still think this is a really good book and a very strong first entry for a trilogy.
First of all, I really enjoyed the world-building. This is a relatively low-fantasy world, and up until the climax I probably wouldn't have called it quite grimdark, as the world was a little too...orderly. Honestly, it really strongly reminded me of the world in the middle school/YA series The Rangers Apprentice, which is not super glamorous, but also doesn't reach the bleak levels of some more notable crapsack worlds, such as ASOIAF or First Law. However, things did get fairly gory near the end, so it's probably somewhere between neutral to fairly dark. But anyways, not the point.
I found this novel did very good job of developing the world without overwhelming the reader with exposition. There's maybe a page near the start that was a little heavy-handed in that regard, but overall I think the author managed to slowly build up the world naturally through the narrative. The narrative, of course, is centered on a Justice of the Sovan Empire, who travels from town to town dispenses justice. While magic isn't common in this universe, Justices hold a very high place in society and some use and knowledge of magic is a part of their training. As a result of this, Sir Konrad Vonvalt, our protagonist/deuteragonist, has the ability to compel people to reveal the truth and also some limited necromancy skills. This magical knowledge is a zealously guarded secret, and I really enjoyed how this became an important aspect of the plot.
I really enjoyed Vonvalt's character journey throughout this book. I picked up this book because the description gave me very strong "Ned Stark in King's Landing investigating Jon Arryn's death" vibes. However, while I do think your opinion on that story may be a good indicator for if you'll enjoy this novel, it's not really too similar. First of all, this novel takes place in a town a fair distance from the empire's capital, and as a result, the political intrigue is fairly limited. Although some political machinations still definitely form an important aspect of this story, it doesn't quite permeate the whole setting and atmosphere the way it does in Game of Thrones. In other words, I definitely wouldn't describe this as a political thriller.
Vonvalt is also not Ned Stark, lol. I really like him as a character, and he shares some traits, such as his belief in the law and justice, as well as his lack of political instinct. But the differences also become more clear over the course of the novel, culminating with some blunt foreshadowing
However, I can't say I feel the same about Helena, his clerk and our actual narrator. I don't think I dislike Helena, necessarily, but something about her narrative voice was frustrating to me, and I think I would identify it as my biggest/only dislike with this story. Basically, this story is told from the POV of an elderly Helena relating the adventures she lived as a 19-20yo following Vonvalt around on his journeys. This resulted in some moments where she interjects with commentary about how she realized so-and-so "in hindsight" and some heavy foreshadowing--and by this, I mean she more or less reveals some major developments, while omitting how they happen. It takes the tone of an old person assuming you have some fundamental knowledge of the historical events occuring at the time of the story and their subsequent outcomes. Personally, this really took me out of the story and was something I didn't enjoy. I felt like it really detracted from the immediacy of the action and lessened the overall tension when things were happening in the natural course of the narrative and the older Helena sort of stepped back to offer some perspective and interpretation of her actions at the time. Honestly, something about it almost seemed genre dissonant, like this narrative technique belonged more in a historical fiction or lit fic book, idk. In any case, I did find it to be a distraction that lessened my enjoyment of the story.
That being said, I still think this is a really good book and a very strong first entry for a trilogy.
Content Warnings
Graphic: Rape, Sexual harassment, Violence, Death, and Gore
No actual rape, but threat of rape discussed and fairly immediate at points in novel.dogearedbooks's review
adventurous
dark
emotional
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Graphic: Injury/Injury detail, Murder, Blood, and Death
Moderate: Death of parent and Confinement
Minor: Violence, Torture, Rape, Kidnapping, War, Grief, and Sexual assault
caitb's review
dark
mysterious
sad
tense
medium-paced
- Plot- or character-driven? Plot
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.5
Content Warnings
Graphic: Death, Violence, Gore, Blood, and Murder
Moderate: Sexual content
Minor: Rape