Reviews with content warning for Animal death - The Justice of Kings

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The Justice of Kings by Richard Swan

10 reviews

godfrina's review against another edition

adventurous dark mysterious tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? Yes

5.0

"Vonvalt tended to deal with entirely alone, on account of my inexperience and relative youth. And as an impertinent young woman, I resented this."

The language used in this book carried the story telling so well. I will be reading the rest of the series and possibly more from this author for sure. The gore and violence is strong at times, as is expected in a story about justice, conflict and empires, but it fits the narrative.

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thecriticalreader's review against another edition

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adventurous dark tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? It's complicated

4.25

Context:

I borrowed The Justice of Kings by Richard Swan from my library through the Libby App.

Review:

The Justice of Kings worked for me, due in large part to the refreshingly unique way Swan frames the novel. The obvious choice would have been to follow Vonvalt’s perspective, but instead, the book follows the retrospective POV of his clerk, nineteen-year-old Helena. This choice would have been disastrous if he had used Helena merely as a device through which to focus on Vonvalt; however, in my opinion, her character is well-written and adds considerable texture to the story. Helena is a realistic example of what would happen if you follow a nineteen-year-old clerk in a fantasy novel rather than the stereotypical protagonist with “main character syndrome.” She’s smart and eager to please, but also self-centered, moody, and occasionally rash. She makes a lot of mistakes due to her youth and inexperience. She’s limited by her gender, emotional vulnerability, and social position, but she also demonstrates agency and initiative. I also liked that she responded to situations of danger and violence with a realistic level of terror and horror; it's not often that we get to read about a protagonist who panics instead of automatically acting like a hero. While I can understand why some might consider her character to be sexist, Helena reminds me of myself when I was a nineteen-year-old girl—especially in how she confuses the overwhelming awe, affection, and dependency she feels toward the older male figures in her life for potential romantic feelings.

Her whirlwind romance with the first attractive boy she befriends made sense to me in the context of her upbringing and situation.

Helena is a fascinating character in her own right, but her perspective allows us to gain a unique understanding of those around her, particularly Vonvalt. The depth of love and admiration she has for him—despite an intimate knowledge of his flaws—provides new layers to his character development as he faces a new world in which his nearly overwhelming power is suddenly threatened. Through her eyes, the themes of justice and power that this book explores gain added meaning.

Beyond the wonderfully crafted character development, Swan demonstrates competent worldbuilding and plot development in The Justice of Kings. The magic system is limited, and the world is not as expansive as some epic fantasy series, but Swan smartly focuses on building a strong story instead of throwing a large number of names, places, and exposition at the reader. As the plot gradually builds to a gripping crescendo, Swan opens the door for greater worldbuilding and plot development in future books. Overall, The Justice of Kings impressed me, and I plan on picking up the second book soon.

The Run-Down:

You will probably like The Justice of Kings if . . .

· You want to read a story with well-written characters and a gripping plot

· You like medieval-inspired fantasy

· You want to read a fantasy story through the lines of a non-traditional protagonist

You might not like The Justice of Kings if . . .

· You are not in the mood for a very dark and violent book

· You don’t want to read a book from the perspective of a moody teenage girl

· You want to read a fantasy story with epic, colorful worldbuilding

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fran's review against another edition

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adventurous dark mysterious medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Flaws of characters a main focus? Yes

4.0

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kingcrookback's review against another edition

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adventurous dark mysterious tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? Yes

This took a bit to get into. It's is an interesting consideration of justice, morality, and power. As a lawyer, Swan is clearly invested in the exploration of these themes. The conceit of the story being told via the recollections of the protagonist in the distant future was an interesting choice in that it prompts curiosity as to what happens in this book that warrants keeping a record of it. But I found that sometimes that compulsion to keep reading was offset by wondering, "To what end?" Transcription and the recording of events is a running motif in the plot, but the fact that I kept getting distracted by what might be happening outside of the story - by what possible event, outside of the story we're actively following, prompted Helena to commit everything to paper - detracted from my engagement with the actual story. Even when I was engaged with the story, though, I found myself feeling somewhat detached from the main cast of characters, though that may just be an effect of the temporal distance of the older Helena's recollections.

I'll pick up the sequel because I'm curious as to where this all goes, but I'm not dying to find out.

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foxwish's review

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adventurous mysterious fast-paced

Plot- or character-driven? A mix
Strong character development? It's complicated
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? Yes

3.0

Starts out as a murder mystery, which quickly becomes an empire ending threat. Justice Konrad is a very mysterious character and as the story is told from the POV of his apprentice/clerk Helena as an older woman we get to see his character shift and what seems to be the start of a moral decline from an outside POV. Helena herself is very dull and a victim of insta-love unfortunately, she has no idea what she wants in life, her streetrat orphan background is barely relevant to her character, and for some reason older Helena stands by her insta-love as her "first true love". Sir Radomir develops into a wonderfully charismatic character by the end of the book and the climax makes for a compelling start to this trilogy. I will be reading the sequel and hoping for better characterisation for Helena.

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dani_reis's review

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adventurous mysterious medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? No

4.25

I found the first 50% kind of boring. I had to reread the synopsis to see if I even knew what I picked up.
50-70% was where the plot really picked up.
The end was intense. I don't think I liked how the narrator is sometimes talking to the reader like a story is being given about the past, but then present tense for the majority of the book. It happened few enough that I can look past it. I am looking forward to the next book.

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readundancies's review

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dark mysterious tense slow-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? Yes

2.5

And so ends my streak of ≥4 star reads, with a half hearted sigh and a splash of chagrin.

I’m sorry to say that I really struggled getting through this novel. It caught my eye a couple months before it’s release earlier this year in February because I love a good investigative tale. But it was really bogged down by the narrative style and voice, specifically of Helena, the clerk of the fabled Sir Konrad Vonvalt, who puts the Justice in the title, The Justice of Kings.

But let’s start with what did work for me.

I enjoyed the worldbuilding, along with the accompanying map that was included. The world is one where the Sovan religion of Nema has been imposed upon a region that is still trying to keep the old gods in favour; although it’s been some time since the initial invasion of the Sovans and the old ways are slowly but surely being completely eradicated by brute force and violence. Which is how the narrative starts, in the tiny village of Rill, where the old Draedist ways are still being practiced despite it’s illegality. And we slowly get to see how one small instance quickly snowballs into a far and wide reaching conspiracy that affects the entirety of the Sovan empire, all the way up to the Emperor himself. It’s a land that is on the precipice of change, of revolt, of turmoil because those of the Neman church want to reign supreme over all other aspects of politics and law. This is not a tale of religion trying to indoctrinate church with state, this is a tale where religion is attempting to consume the powers of the state as their own. It is not a meeting of two equals, but rather the devouring of one by the other, and I think that that overarching plot in the grand scope of things is worth exploring. If I were to consider continuing on with the series, this would be the reason I would do so.

But despite the intriguing political situation that looms at the edge of each page of the story, the focus is a bit more insular, instead focusing more so on the character development of Sir Konrad Vonvalt through the eyes of his clerk and protegee Helena Sedanka, who initially is torn about apprenticing under Sir Konrad as she’s a bit disillusioned about becoming a Justice and has no passion for it. And while the story focuses on Sir Konrad and his tale, it is framed a bit like a coming of age novel for Helena at the same time, watching her grow as a character but not to the degree your average coming of age story normally would.

Herein lies my first issue of the story. I think there was just a bit too much trying to be combined. There’s the investigation involving Bauer and Vogt and Graves, alongside the larger political implications of Patria Claver and Fischer and Westenholtz, and then the even larger scope of what’s happening in Sova with the Emperor and leader of the Order, Kadlec. But it’s all framed within Helena’s narrative, and Helena is contending with Sir Konrad himself and the patriarchal role he has in her life in addition to being his employee, her dissatisfaction in her role as a clerk and her weariness of it, the new romance she garners with Matas, and trying to come to terms with her upbringing in Muldau with the young woman she is now. I thought I was getting into a more investigative tale, with more of a courtroom drama feel, but that’s truly at a minimum in this story. It’s not really about the judicial aspects, which are definitely still present - I don’t think a lawyer can write a story of this nature without mentioning things like due process and tiresome research that law requires - but they’re never the focus, and that’s what I was leaning towards.

Perhaps I could’ve overcome all of this, bit the pacing was a bit off for me. It was slow to medium paced for the most part, but then some action scenes would occur that flew by entirely too quickly for me to appreciate them to any great degree. The story is also written as a metafiction, where the prose and narrator directly address the reader. In this case, Helena is telling the story as an old woman, and because of that there was a not infrequent amount of blatant foreshadowing. Actually we went beyond that. There was quite a lot of overt foreshadowing, at the end of more than half the chapters it seemed, and I personally don’t find that an effective use of the literary device anytime I’ve seen an author employ it. I find it way too heavy-handed, especially when used more than once and it’s kind of a peeve of mine to be honest.

Let’s get petty now and do a map check. The map overall was fine, except the feather in the top right hand side looked so out of place, I wish it hadn’t been included at all.

And then there was the romance. This instalove romance angle between Helena and Matas which was trying my patience vastly because hypocrisy, thy name is Helena. The more it appeared, the more upset I got about it. I didn’t like it, I didn’t need it, and while I know it was supposed to show Helena’s lack of maturity at this stage in her life and the impacts of her decisions, just, no. It was only included to tie Helena to Sir Konrad’s cause, especially with where it goes, and I thought it was a cheap addition to the story that just wasn’t necessary. I didn’t get anything of value out of it, I didn’t agree with it and truly, it made me dislike Helena more than I should’ve.

From a characterization perspective, I wasn’t wholly impressed. I wasn’t unimpressed either, I just didn’t really know what I wanted out of the characters and even upon finishing I still don’t, but I do know that I didn’t get what I wanted out of them. In Vonvalt we witness the corruption of man because Vonvalt, as brilliant and wise as he may be, is flawed with pride and arrogance at the forefront of his character, and he was moody as heck all which made him seem inconsistent at times. Likewise, Helena is a very emotionally turbulent character; she felt strongly and was not well versed in tempering said emotions which means she was prone to loud outbursts and sometimes rash decisions. Action and emotion were tied very tightly in her being, and everything was a personal affront to her which made her aggravating, especially because she came off a bit whiny to me as well. It really felt like Helena was written from a man’s perspective, because she was, and I had a hard time grappling with her as a character.

At the end of the day, I enjoyed the investigative aspects and how the magic and the necromancy were tied to it. The worldbuilding was definitely the strongest part of the novel for me. But characters weren’t doing enough for me, and I can’t see myself picking up the sequel without a significant amount of prodding from others.

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prynne31's review

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adventurous dark mysterious tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? Yes

3.75

It was well-written. Just not sure I'm the target audience.

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azrah786's review

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4.0

[This review can also be found on my BLOG]

**I received a proof copy from Orbit Books UK in exchange for an honest review**

CW: violence, blood, injury, gore, murder, death, animal death, child death, war, torture, grief, confinement, sexual assault/rape, adult language
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A compelling introduction to a new fantasy trilogy that has the feel of medieval Sherlock Holmes with added magic and necromancy.

The Justice of Kings revolves around Sir Konrad Vonvalt, one of the Justices of the Emperor - the primary law enforcements of the Sovan Empire, and in the same fashion that Dr Watson recounts the adventures of the great detective, one of Justice Vonvalt’s companion’s – his apprentice and clerk Helena Sedanka – is the narrator here.

Vonvalt, along with his companions – Helena and his fellow veteran and taskman Dubine Bressinger – is traversing the Empire providing judgement and justice. Justices all have a power where they can use their voice to compel people into speaking the truth as well as other distinctive abilities. Upon their travels they are drawn into the murder case of a noblewoman in the village of Galen Vale, which leads them on a trail to a far larger conspiracy that not only undermines his authority but is a threat to the empire itself.

"Empire are built and maintained with words. Swords are a mere precedent to the quill."

I thought Helena as choice of narrator worked really well to begin fleshing out the world and history that Swan has created at the right pace, as well as keep you intrigued about what is to come. As a recount of her past and adolescence, the narrative has an air of naivety to it which made the exploration of morality and the development of the various characters through her all the more interesting too.

Vonvalt, whilst being downright frustrating at times with his very resolute, “stick to your guns” attitude had a very gripping character arc and his relationship with Helena was a solid representation of master and apprentice. Though I’ve got to say the dynamic between all of the trio at the heart of the book was really well written and what I loved the most.

"Few things in this life can be guaranteed with greater certainty than the incredible contrivances men will go to to generate money from nothing at all."

The magic and lore is fascinating but this first instalment seems to only touch on the surface of it all. We predominantly get an insight into the power of necromancy as it is Vonvalt’s particular specialisation and it was really interesting to see it used within the murder investigation. As you can be expected this did mean that the storyline was at times very dark.

All in all I think this was a great debut. The slowly unravelling mystery plot is effectively woven around the worldbuilding, the political scheming and journey of the key players but as the true conflicts come to head it becomes clear that this book is setting the stage for a much larger story. I look forward to seeing what happens next.
Final Rating – 4/5 Star

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grimdark_dad's review

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adventurous dark emotional funny mysterious sad tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? No
Flaws of characters a main focus? Yes

4.5

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