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josoko's review
adventurous
dark
sad
tense
- Strong character development? Yes
4.5
Content Warnings
Graphic: Grief, Toxic friendship, Blood, Child death, Death, Gore, Injury/Injury detail, Murder, Violence, and Death of parent
Moderate: Gaslighting, Torture, Emotional abuse, and Sexism
Minor: Gun violence, Kidnapping, Animal cruelty, and Animal death
sarahbiegelsen's review against another edition
adventurous
dark
emotional
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.25
Content Warnings
Graphic: Violence, Child death, Confinement, Death, Murder, and Injury/Injury detail
Moderate: Death of parent, Grief, Fire/Fire injury, Torture, and Blood
Minor: Gore and Kidnapping
viselik's review against another edition
I just struggled to get into it. It's definitely something worth reading if this is more your thing.
I will be giving this book another shot eventually! I do adore what they did do with Jamie and his backstory, I just kinda got too annoyed at Peter by the end of it.
I will be giving this book another shot eventually! I do adore what they did do with Jamie and his backstory, I just kinda got too annoyed at Peter by the end of it.
Content Warnings
Graphic: Injury/Injury detail, Toxic friendship, Violence, Gun violence, Kidnapping, Child death, and Gore
Moderate: Torture, Vomit, Terminal illness, Misogyny, and Sexism
cozywithraven's review against another edition
adventurous
challenging
dark
emotional
mysterious
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.5
I love this book. I've read it twice now, and it has a really wonderful way of pulling you in. It leans into what we already know and accept as canon and finds the threads that pull the narrative into a dark twist without completely re-writing the characters and making it into something unrecognizable. I wish some parts were more fleshed out, the fairies and pirates especially. The book goes a great job of showing the island itself, Peter and Jamie's relationship, and Jamie as he grows. But I feel like some of the magic is lost, the mermaids aren't really described and only appear once, the pirates are only interacted with once. The Many Eyes are a cool touch and I like how they're described. And the ending doesn't tie together the crocodile eating Hook's hand, or Hook becoming captain or even just arriving at the pirate camp. the ending just felt really stunted compared to the test of the book.
Content Warnings
Graphic: Blood, Death, Gaslighting, Child abuse, Child death, Death of parent, Emotional abuse, Injury/Injury detail, and Toxic friendship
Moderate: Violence, Alcoholism, Fire/Fire injury, Injury/Injury detail, Medical trauma, Domestic abuse, Bullying, Physical abuse, Stalking, Torture, Child abuse, and Murder
Minor: Vomit and Kidnapping
Narcissismisthisakissingbook_'s review against another edition
adventurous
challenging
dark
emotional
hopeful
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
5.0
WWWWOOOOOOOWWWW
I’m a big Peter Pan retelling fan, and this one was tremendous. I’m a bit disappointed in myself that I didn’t realise the twist much sooner, but it was honestly phenomenal. I promise it’s miles away from what you’re expecting this book to be.
I’m a big Peter Pan retelling fan, and this one was tremendous. I’m a bit disappointed in myself that I didn’t realise the twist much sooner, but it was honestly phenomenal. I promise it’s miles away from what you’re expecting this book to be.
Content Warnings
Graphic: Physical abuse, Blood, Murder, Violence, and Torture
Minor: Sexual assault and Sexual harassment
morganish's review against another edition
dark
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Full disclosure, I was in a rush and needed to read this for a book club, and could only get it on audiobook, so... 1. There might not be things I remember as clearly as if I was just reading. But 2. This was my first audiobook since... middle school!? Just, a really long time. I kind of just want to download all my thoughts about becoming a recent audiobook convert here instead of a review, but I'll do my best to focus on the actual book instead.
Lost Boy is a Peter Pan prequel from Hook's perspective, where Peter Pan is a monstrous, manipulative sociopath. It's a really fantastic metaphor for how abuse, especially abuse of minors, works psychologically by pitting victims against each other, explored in a variety of ways that absolutely pull no punches. If you can hang with that kind of content, I can't really recommend it highly enough, and definitely sets this book at least at 4 stars for me.
But as deeply entrenched as I was in the narrative, there's a particular plot direction somewhere vaguely in the middle of the book that really, really didn't work for me. From a queer lens in specific, it felt like a bit of an oversight how it's handled, though I'm not sure straight/cis readers will notice or think much of it. It soured a lot of the rest of the story in overall enjoyability for me personally. And then, ultimately, the ending felt like it was trying to wrap up and intersect with the canonical version of Peter Pan. This focus on intersection felt like it undermined the story's powerful themes, trying to hit a checklist of events instead of giving Lost Boy the emotional/psychological ending it deserved. For me, these two negative aspects stood out enough to take what was initially a really gripping story and put it in the category of enjoyable for the moment, but not making it into a new favorite.
If you like retellings or tie-in stories about classic children's tales, especially if they shed a new, more adult, darker light on the original, you should seriously consider picking this up. From what I've seen so far, it succeeds at this more than any other retelling I've encountered. However if you're triggered by stories that realistically explore how abuse works, I definitely would advise proceeding with caution. And I'd also say if you have no tolerance for stories that don't consider/make space for queer interpretations of certain kinds of plot devices or storylines, this might not be the story for you.
Lost Boy is a Peter Pan prequel from Hook's perspective, where Peter Pan is a monstrous, manipulative sociopath. It's a really fantastic metaphor for how abuse, especially abuse of minors, works psychologically by pitting victims against each other, explored in a variety of ways that absolutely pull no punches. If you can hang with that kind of content, I can't really recommend it highly enough, and definitely sets this book at least at 4 stars for me.
But as deeply entrenched as I was in the narrative, there's a particular plot direction somewhere vaguely in the middle of the book that really, really didn't work for me. From a queer lens in specific, it felt like a bit of an oversight how it's handled, though I'm not sure straight/cis readers will notice or think much of it. It soured a lot of the rest of the story in overall enjoyability for me personally. And then, ultimately, the ending felt like it was trying to wrap up and intersect with the canonical version of Peter Pan. This focus on intersection felt like it undermined the story's powerful themes, trying to hit a checklist of events instead of giving Lost Boy the emotional/psychological ending it deserved. For me, these two negative aspects stood out enough to take what was initially a really gripping story and put it in the category of enjoyable for the moment, but not making it into a new favorite.
If you like retellings or tie-in stories about classic children's tales, especially if they shed a new, more adult, darker light on the original, you should seriously consider picking this up. From what I've seen so far, it succeeds at this more than any other retelling I've encountered. However if you're triggered by stories that realistically explore how abuse works, I definitely would advise proceeding with caution. And I'd also say if you have no tolerance for stories that don't consider/make space for queer interpretations of certain kinds of plot devices or storylines, this might not be the story for you.
Content Warnings
Graphic: Blood, Bullying, Child abuse, Child death, Death, Emotional abuse, Gaslighting, Gore, Murder, Physical abuse, Torture, Toxic friendship, and Violence
Moderate: Animal cruelty, Body horror, Domestic abuse, Grief, Kidnapping, Misogyny, Sexism, and War
Minor: Abandonment, Death of parent, and Xenophobia
Additional content warnings: *lilly_anne's review
adventurous
dark
emotional
mysterious
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.75
Content Warnings
Graphic: Blood, Death, Emotional abuse, Murder, Torture, Toxic friendship, and Violence
booksthatburn's review against another edition
adventurous
challenging
dark
reflective
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.5
LOST BOY is a nuanced and grief-filled portrayal of gaslighting, death, loss, and manipulation where it becomes unmistakably clear that Peter is the villain.
This shines both as a retelling and as an original story. Peter Pan is an interesting starting point for retellings because he and his story (at minimum) offer opportunities to either play up the wonder of childhood and the adventure offered by the island or to explore the darkness in having a place filled with fear and violence but little protection which generally requires magic to leave. This is unabashedly of the second ilk and there the story is the strongest. It's a book about kids slowly losing their innocence and breaking more and more until the grief and disillusion force them to literally grow up as they stop believing in the person who promised to let them play forever. That promise carried within it poison, a threat from the beginning as "can" play forever twisted into "must", and every wave of glorious games brings with it pain and death. Play isn't play if you never get to stop, and games don't stay fun when there's always the same winner. I love Jamie as a narrator, his voice strikes just the right balance of sounding jaded with enough room to lose even more innocence before the story is through.
I have two major criticisms but neither of them were enough to make me dislike the book as a whole. The rest of this review will contain minor spoilers, but the spoiler-free version of my critique is twofold: Firstly, I think the way the loss of hands is handled changes the original (animal attack) backstory from one of misfortune to one of malice. It stinks of ableism in a way that makes me uneasy, but I don't have the perspective to know for sure if it's a problem or just kind of odd. Secondly, it misses the mark in its attempt at fulfilling the time-honored Peter Pan retelling tradition of playing with gender in interesting ways. The way it chose was jarring and ultimately boring.
Read LOST BOY for a story where growing up feels like breaking by inches, and everyone Jamie tries to protect becomes another way to hurt him.
The idea that the person who would eventually become Captain Hook first spent a very long time chopping off other people's hands at first was intriguing, it has a "what goes around comes around" feel to it. But what happens instead is that the combination of those mutilations and how sickness is treated by Peter it makes it clear that any kind of imperfection is not only not tolerated, but it makes the person boring to Peter and his boredom is deadly. It seems like on this aspect of abuse the book gets so close to saying something powerful and then just doesn't. The fact that when Jamie was cutting off the hands of every First Mate they then lost that title establishes the pirates as similarly intolerant of this particular physical weakness. Narratively this leaves room for something really great where Jamie is able to be Captain in the end even after losing his hand. However bound up in the idea of the villainous Captain Hook having only one hand is the ableist revulsion at the idea of someone with one hand. When given the opportunity to turn this premise on its head, LOST BOY instead accepts the loss of Jamie's hand as part of the process of Peter turning him into a monster for the future Lost Boys to revile. Ultimately I don't know where I land on this because the endpoint is known: it's a Peter Pan retelling and so Captain Hook is seen as a villain and has one hand. I just wish this said more along the way.
There's a lot of cool ways to explore concepts of gender in a Peter Pan story, especially one which has the title of "Lost Boy" so prominently displayed. To me, "actually one of the lost boys is a cis girl" wastes that potential space of exploration, especially when the reveal is based on physical characteristics. I'm torn between two reactions. On the one hand, Jamie's instant embrace of Sally's identity and accompanying pronouns has just enough tension between whether to call her "Sal" or "Sally" that it shows that internal struggle of adjusting to a friend's name change without making it about him. If she had told him her name and pronouns in confidence or something it could have been if not great, at least a lot better. The text makes it clear that she considers "Sally" to be her real name and was masquerading as a boy because she thought it would be safer (according to the text, she wasn't wrong, at least where non-Peter dangers are concerned). My problem with this portrayal is that the pronoun switch happens as soon as he glimpses her chest, whereupon he begins using "she" and "her" then asks her real name. It turns what could have been a cool moment into one that feels transphobic because its very framing and execution ignores all possibility of transness in a moment ripe for it. The book erases implicitly the possibility that Sal could have remained Sal to everyone, let alone other possible combinations of identity and revelation in an island that's supposed to only be for boys.
This shines both as a retelling and as an original story. Peter Pan is an interesting starting point for retellings because he and his story (at minimum) offer opportunities to either play up the wonder of childhood and the adventure offered by the island or to explore the darkness in having a place filled with fear and violence but little protection which generally requires magic to leave. This is unabashedly of the second ilk and there the story is the strongest. It's a book about kids slowly losing their innocence and breaking more and more until the grief and disillusion force them to literally grow up as they stop believing in the person who promised to let them play forever. That promise carried within it poison, a threat from the beginning as "can" play forever twisted into "must", and every wave of glorious games brings with it pain and death. Play isn't play if you never get to stop, and games don't stay fun when there's always the same winner. I love Jamie as a narrator, his voice strikes just the right balance of sounding jaded with enough room to lose even more innocence before the story is through.
I have two major criticisms but neither of them were enough to make me dislike the book as a whole. The rest of this review will contain minor spoilers, but the spoiler-free version of my critique is twofold: Firstly, I think the way the loss of hands is handled changes the original (animal attack) backstory from one of misfortune to one of malice. It stinks of ableism in a way that makes me uneasy, but I don't have the perspective to know for sure if it's a problem or just kind of odd. Secondly, it misses the mark in its attempt at fulfilling the time-honored Peter Pan retelling tradition of playing with gender in interesting ways. The way it chose was jarring and ultimately boring.
Read LOST BOY for a story where growing up feels like breaking by inches, and everyone Jamie tries to protect becomes another way to hurt him.
The idea that the person who would eventually become Captain Hook
There's a lot of cool ways to explore concepts of gender in a Peter Pan story, especially one which has the title of "Lost Boy" so prominently displayed.
Content Warnings
Graphic: Animal death, Blood, Child abuse, Child death, Death, Domestic abuse, Gore, Grief, Murder, Torture, and Violence
Moderate: Ableism and Death of parent
Minor: Rape
CW for major character death (graphic).
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