Reviews tagging 'Genocide'

Inmitten der Nacht by Rumaan Alam

3 reviews

lauracollins096's review against another edition

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challenging dark emotional mysterious tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? No

5.0


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ifoundcallie's review against another edition

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dark reflective sad tense medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.75

I feel like if you read this book as a literacy fiction novel with a lens towards social commentary in America, it is stunning. The layers and layers of metaphor on discomfort and humanity—so good! The author’s craft leads readers through a sociological exercise where they is forced to grapple with what it means to be part of the human race, particularly in the context of individualism in Western culture. The fact that the author took ALL OF THAT, and weaved it within the unraveling of a literal apocalypse (of which specifics are vastly unknown)….So. Damn. Good. I had chills multiple times and ran out of ink in my highlighter. 

Very reminiscent of Stephen King, particularly “Under the Dome”. If you liked that, you’ll love this. For people SOLELY looking for a thriller or commentary on race/social class, turn elsewhere…this book intentionally subverts the expectations of those genres. 

I love how the omniscient narrator stingily portioned out information, which shamefully left me feeling the same desperate NEED for information that the book was critiquing! 

There are a few times in this book where the writing could use some trimming/adjusting towards purpose—the heavy emphasis on certain carnal images felt self-righteous and cheap for the rest of the story. Honestly, this is the only thing that keeps this book from being a “perfect” book for me. This pitfall is reminiscent of Stephen King’s writing, again, which makes sense knowing that the author reread Pet Semetary while editing this book. I can only read so many descriptions of bored and worn out married couples “tumbling into the only comfort: of flesh smacking against flesh” or teenage male characters and their detailed descriptions of “spit-in-hand, spurting release”, or adult men who are dumbstruck by their unexpected “large load of vitality and youth long gone”. I felt disappointed every time the book swung back to these tropes, faithfully. Yawn.

There are many passages/chapters in this novel that blew me away and can easily stand on their own as brilliant pieces of art. I would love to sit and analyze some of the turn-of-phrase, allusions, and imagery handpicked by this intelligent author. I was giddy with annotation, and this book rewards you for paying attention to these nuances of craft. Overall, I’m so glad I was recommended this book. It itched an “am I spiraling and paranoid or is the world ending” scratch that is often not done well. 

Bravo, Rumaan Alam.

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emory's review against another edition

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challenging dark sad medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Flaws of characters a main focus? Yes

4.75

A horrifyingly amazing read, with a terribly inaccurate summary on the back! I was expecting a run of the mill thriller but was beyond satisfied with the shockingly relevant horror of two families facing what might be the end of the world. 

The writing, while seeming unnecessarily ornate at the beginning of the novel (before the narrative reaches its point), is gorgeously poignant and haunting. My only complaint is the writing sometimes tilted into purple, with words clearly added only to show off the vocabulary of the author ("alee" to describe the inside of a Starbucks?), and the strange fixation and return to sex and what sex could metaphorically represent for these characters. Annoying, but not damning, and worth slogging through for the story itself. 

The use of dramatic irony of knowing what is really happening while the vividly human portagonists stumble through figuring out what is going on, their dynamics with and what they owe to one another, and what course of action they have to take carries the novel to it's gut wrenching relevance and takeaway. A story couldn't be more frightening in the current climate of knowing how bad it is, knowing society's place perched on the edge of disaster, that something's about to give. Alam's masterful prose wanders through the particular scenario of a family finding out you can never really look away.

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