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ithildin's review against another edition
adventurous
funny
mysterious
medium-paced
- Plot- or character-driven? Plot
- Loveable characters? Yes
4.5
greywalker22's review against another edition
funny
mysterious
fast-paced
- Plot- or character-driven? Plot
4.25
nickimags's review against another edition
adventurous
challenging
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
samuelantonym's review against another edition
adventurous
dark
funny
fast-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.0
kettlekitten's review against another edition
adventurous
funny
mysterious
medium-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.25
wendycherie's review against another edition
adventurous
funny
mysterious
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.0
robotswithpersonality's review against another edition
Bonkers in the best way. The surprise beastie is too good to spoil. I always want more Nightingale, but getting more Beverley in this book was a decent trade off. The hints via phone communication of what Lesley's up to definitely increase my need to read the next in the series. 😉
The audio books remain superb.
The audio books remain superb.
jonathanpalfrey's review against another edition
4.0
For this story, Peter Grant is sent reluctantly out of London into rural Herefordshire, next door to Wales, to try to help with the mystery of two 11-year-old girls who have disappeared.
The initial chapters are relatively quiet as the scenario is unhurriedly set up for us. Things start to happen after Beverley Brook also arrives from London, and it becomes clear that some kind of weird shit (excuse the technical jargon) is involved in the disappearance of the girls. The situation gradually becomes quite complicated and exciting.
Positive aspects of this story are the presence of Beverley and the absence of the Faceless Man.
Negative aspects are the temporary replacement of the Faceless Man by a different kind of over-the-top villain, and the absence of most of the other characters we’ve got to know (including Nightingale), who remain in London. The new characters that we meet in Herefordshire are OK, but I don’t particularly mind leaving them in Herefordshire at the end of the story.
I mostly like this episode of the series, but towards the end it introduces us to a whole new level of weirdness that we haven’t encountered before, and it doesn’t quite seem real to me: I have some trouble believing in it. In a fantasy story, it’s the job of the author to convince readers that the impossible happens and that supernatural beings are as real as the chair you’re sitting on. Aaronovitch usually has the power to do this, but in this particular case the power he deploys isn’t quite enough for me (it may be enough for you). The problem doesn’t ruin the book, but it makes the climax of the story somewhat less satisfying than it might have been.
The initial chapters are relatively quiet as the scenario is unhurriedly set up for us. Things start to happen after Beverley Brook also arrives from London, and it becomes clear that some kind of weird shit (excuse the technical jargon) is involved in the disappearance of the girls. The situation gradually becomes quite complicated and exciting.
Positive aspects of this story are the presence of Beverley and the absence of the Faceless Man.
Negative aspects are the temporary replacement of the Faceless Man by a different kind of over-the-top villain, and the absence of most of the other characters we’ve got to know (including Nightingale), who remain in London. The new characters that we meet in Herefordshire are OK, but I don’t particularly mind leaving them in Herefordshire at the end of the story.
I mostly like this episode of the series, but towards the end it introduces us to a whole new level of weirdness that we haven’t encountered before, and it doesn’t quite seem real to me: I have some trouble believing in it. In a fantasy story, it’s the job of the author to convince readers that the impossible happens and that supernatural beings are as real as the chair you’re sitting on. Aaronovitch usually has the power to do this, but in this particular case the power he deploys isn’t quite enough for me (it may be enough for you). The problem doesn’t ruin the book, but it makes the climax of the story somewhat less satisfying than it might have been.